What did it mean to accept a novel at 1,400 drafts?

In a novel, the beginning and end of a character usually referred to the heyday of a character in the novel, including his growth process and his final ending. This character could be the main character, a supporting character, or even a villain. A novel that was fully received would usually be viewed as a complete story. The readers could understand the plot and theme of the entire story through the growth and ending of the character.

The following are some recommended books on the basics of novel writing: 1. "Little Storytelling Class 1: The Secret of Torturing the Reader" and "Little Storytelling Class 2: The Story Stealer" by Xu Rongzhe 2. Plot and Character by Jeff Gelk 3. "Conflict and Suspense" by James Scott Bell 4. 20 Classic Scenes by Ronald B. Tobias 5. 45 Classic Character Prototypes by Victoria Lynne Schmidt 6. The Author's Treasure House of Inspiration by Fred White 7. "The Secret World of Explosive Fictions,""Let Explosive Fictions Fly," and "A Guide to Writing Suspense Fictions" by James Z. Frey 8. Start writing! Sci-fi, Fantasy, and Thriller Fictions by Shirley Ramson 9. Start writing! Writing Detective Fictions by Shirley Ellis and Laurel Lamson 10. I'm Not Accepted: Why You Always Get Rejected by Jessica Page Morel 11. Story and Conversation by Robert McGee 12. The Script by Richard Alter These books covered different aspects of novel creation, including plot, characters, conflict, suspense, and so on. They can help beginners get started and improve their writing skills. Please note that these recommendations are only for reference. It is important to choose the books that are suitable for you.

I think it went through about three drafts. Each draft helped me refine the story and characters.

" Ordinary World " was a novel that reflected the life and destiny of the Chinese countryside. It mainly described the life journey of a young man from youth to old age, as well as the various difficulties and challenges he encountered in this world. However, the ending of the novel was very tragic and unacceptable. It might have the following meanings: The impermanence and unpredictability of life: The protagonists in the novel experienced many ups and downs in life, but they all left this world in the end, which made people deeply aware of the impermanence and unpredictability of life. This reminds us to cherish every day and not give up easily. 2. The complexity and variety of human nature: The characters in the novel are very rich. There are good people and bad people, good people and evil people. Their tragic endings reflect the complexity and variety of human nature, and remind us to respect everyone's values and lifestyle. 3. Frustrations and difficulties in life: The protagonists in the novel have experienced many setbacks and difficulties in life, but they have finally overcome these difficulties and achieved their goals. This reminds us that we will always encounter various difficulties and setbacks in life, but as long as we have a firm belief and face it bravely, we will definitely be able to overcome the difficulties and realize our dreams. Although the ending of the novel is very tragic, it reflects the impermanence of life and the complexity of human nature. It also reminds us to cherish every day, not to give up easily, and to face all kinds of difficulties and challenges in life bravely.

The carrier in this sentence referred to an entity or tool used to carry some kind of information. In this sentence, the carrier may refer to a novel or other literary work or other tool or platform used to convey information.

In the novel," Da Feng Beats the Nightwatch," Chu Caiwei was not with Xu Qi 'an. Chu Caiwei was the sixth disciple of the Superintendent of Celestials. She met Xu Qi 'an because of the tax case and had been promoted to a sixth-grade alchemist with Xu Qi' an's help. Under the temptation of the delicious food, she had cooperated with her senior brother Yang Qianhuan to donate all the silver in the treasury of the Directorate of Celestials for disaster relief. In the end, she was discovered by the superintendent and exiled. During her travels in the martial world, Chu Caiwei had seen the sufferings of the human world and her mind had matured a lot. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!

There were several reasons why the Chinese accepted Western fantasy but the Westerners did not accept Chinese fantasy. 1. Cultural differences: Western culture focuses more on logic and science, while Chinese culture focuses more on perception and emotion, interpersonal relationships and human nature. Therefore, Western fantasy novels tended to pay more attention to the character's personality, logic, and combat skills, while Chinese fantasy novels paid more attention to emotions, interpersonal relationships, plot development, and emotional expression. 2. Choice of subject matter: Western fantasy novels usually focus on exploring the unknown world and solving problems with magic, adventure, and fantasy as the theme. On the other hand, Chinese fantasy novels usually focused on cultivation, fantasy, and martial arts, focusing on personal cultivation and interpersonal relationships. They often involved supernatural elements and mysterious existences. Therefore, Western fantasy novels were more open and diverse in terms of subject matter selection, while Chinese fantasy novels paid more attention to traditional fantasy elements and plot settings. 3. Target audience: Chinese fantasy novels have a relatively narrow audience, mainly targeting teenagers and young readers, while Western fantasy novels are more widely available to attract readers of different ages. Therefore, Western fantasy novels were more competitive and had more market potential. It should be pointed out that the cultural and literary systems of China and the United States are very complex and diverse, which cannot be simply attributed to the above reasons. At the same time, any kind of cultural work needs to adapt to different reader groups and market needs. Under different cultural backgrounds, different art forms and expressions will receive different evaluations and acceptance.

Na Qi was a Chinese character that came from the appendix of Journey to the West, meaning "accept advice". In the novel, it meant that Sun Wukong accepted the advice and opinions of others on the way to the scriptures and actively took action to solve the problem.

In novels, the word " more " usually referred to " update "," more "," advance to a higher level ", and so on. " Update " usually referred to modifying, complementing, or changing existing plots, characters, and story lines to present a more complete and in-depth story. An update would usually bring new elements, characters, plot twists, etc., to give the readers a more fresh and exciting experience. " More " usually referred to further expanding, deepening, or expanding the background, setting, and worldview of the story on the basis of the original plot, so that the readers could feel a broader and richer world. " Going a step further " referred to a more in-depth exploration of the character's inner feelings, thoughts, beliefs, etc., or a more detailed description of the character's expression, actions, language, etc., so that the reader could feel a more realistic and detailed emotional description. In novels,"more" often represented the author's continuous exploration and updating of the story to present a more exciting and fascinating story.

The term 'SM' usually referred to sexual abuse or sexual slavery. In some novels, comics, movies, and television shows, it is often used to describe an extreme form of sexual behavior that is usually carried out on a specific target, which may be male, female, or other living beings. This kind of sexual behavior is usually accompanied by intense violence, control, and oppression, which may cause harm and pain to the participants. S & M behavior is often seen as illegal or immoral and can cause serious physical and psychological harm.