The main content of the Twenty-four Filial Piety Painting in Morning Flowers and Evening

The Painting of Twenty-four Filial Piety was an article in Morning Flowers Picking Up at Evening. The main content was the author's recollection of his childhood feelings when reading the Painting of Twenty-four Filial Piety, revealing the hypocrisy and cruelty of feudal filial piety. The 24 Filial Piety Paintings focused on analyzing stories of filial piety such as " lying on ice to seek carps,"" old Lai to entertain his relatives," and " Guo Ju burying his son," denouncing such feudal filial piety for not caring about children's lives, treating " mushy as fun," and " taking unfeeling as ethics, slandering the ancients and teaching future generations bad things." Its central idea was that the work sharply attacked the tendency of opposing vernacular Chinese and advocating retro literature at that time.

The 24 Filial Piety Paintings was a classic of filial piety culture in ancient China. It described the stories of 24 filial sons, covering the practice and inheritance of filial piety in different historical periods and cultural backgrounds from ancient times to modern times. The following is the main content and character characteristics of the Twenty-four Filial Piety Painting: Empress Dowager Xiaozhuang: She was known for her filial piety and was one of the famous filial daughters in Chinese history. Her son, Emperor Kangxi, commented on her,"Empress Dowager Xiaozhuang is my loving mother and the filial daughter of the Chinese nation." Bo Qin: Bo Qin is a story in the Twenty-four Filial Piety Painting. It tells the story of him pleading for his parents to fulfill his filial piety. When he was nine years old, he was able to use his intelligence to convince his father to agree to his request. 3. Filial piety: Everyone in the story showed great filial piety, whether it was a young wanderer or an elderly parent. They all tried their best to be filial to their parents. 4. A loving mother: A loving mother refers to the warmth and care of a mother as the core of filial piety culture. In the Twenty-four Filial Piety Portrait, we see many stories of loving mothers. These mothers used their own actions to prove the power of maternal love. Foolish filial piety: Foolish filial piety refers to the behavior of filial piety to parents without wisdom. This kind of filial piety often hurts the feelings and interests of parents. In the Twenty-four Filial Piety Paintings, we have seen many stories of foolish filial piety. The actions of these characters often cause a lot of unnecessary trouble. The stories in the Twenty-four Filial Piety Paintings were full of the spirit of filial piety. They showed the traditional filial piety culture of the Chinese nation, which was an important part of Chinese culture. These stories also tell us that filial piety is an eternal virtue. We should do our best to be filial to our parents and inherit the culture of filial piety.

The 24 Filial Piety Painting in the morning flowers and evening collection was a painting in traditional Chinese Confucian culture, depicting the story of 24 filial sons in ancient China. This map had a very important position in Chinese culture and was regarded as one of the classics that inherited Confucian morality. The main content of the 24 Filial Piety Portrait included the following aspects: [1 Filial Piety Touches the Heavens: This story tells the story of how a filial son can be filial. It shows the importance of the Confucian concept of filial piety.] 2. Old Lai to entertain his relatives: It tells the story of an old man who played the clown to make his grandson happy. It shows the importance of the Confucian concept of "benevolence". 3. Lying on ice and asking for fish: It tells the story of an old man who did not hesitate to lie on ice for three days in a temperature of below zero degrees in order to get a fish. It shows the importance of the Confucian concept of "frugality". [4. Indulging Mosquitoes in Blood: It tells the story of an old man who swatted mosquitoes with his hands in order to prevent them from biting him. It shows the importance of the Confucian concept of "hygiene". 5. Stranding the Tiger to Save the Mother: It tells the story of a young man who sacrificed himself to save a tigress that was bitten to death by a tiger. It shows the importance of the Confucian concept of courage. 6. Burying a son and serving his mother: It tells the story of an old man who donated all his property in order to take care of his sick grandson. It shows the importance of the Confucian concept of "benevolence". [7] The story of a young man who risked his life to retrieve his lost gold shows the importance of the Confucian concept of honesty. 8. Ignoring the Elderly: It tells the story of an old man who drove his son away for his own benefit, showing the importance of the Confucian concept of "selfishness". Lu Zhangke Saving His Mother: The story of an old man who did not hesitate to deceive his grandson in order to obtain a sum of money shows the importance of the Confucian concept of "fraud". [10. Indulge the Mosquitoes to Feast Their Blood: The story of an old man who swatted mosquitoes with his hands to prevent them from biting him shows the importance of the Confucian concept of "hygiene".

The main content of the second chapter of [Morning Flowers and Evening Picking],[Twenty-four Filial Piety Paintings], was as follows: This chapter introduced the traditional Chinese culture of filial piety, including the content of the 24 Filial Piety Pictures. These stories were all true stories in history about how filial children fulfilled their filial duties. One of the most famous stories was " The White-haired Girl ": A mother did not hesitate to sell herself to the prostitute industry in order to pass the imperial examination for her son. Even though her child was sick and unconscious, she did not abandon him. In the end, she was moved by God and her son succeeded in the imperial examination. In addition, this chapter also introduced some other stories of filial piety, such as "Mencius's mother moved three times" and "Song of the Wandering Son". These stories also emphasized the importance of filial piety. This chapter was an important part of the novel, which showed the essence of filial piety in Chinese traditional culture.

The Painting of Twenty-four Filial Piety was a classic of ancient Chinese traditional culture. It described 24 different stories of filial piety, involving parents 'diet, daily life, education, care, and so on. Some of the stories emphasized the importance of filial piety, while others talked about how to resolve family conflicts through filial piety. The full text of the "Twenty-four Filial Piety Paintings" is summarized as follows: The Painting of Twenty-four Filial Piety was a traditional cultural classic that talked about the culture of filial piety. Twenty-four of the stories involved parents 'diet, education, care, and other aspects. They told the story of how their children were filial. Some of these stories emphasized the importance of filial piety, while others described how to resolve family conflicts through filial piety. The full text of the "Twenty-four Filial Piety Paintings" is summarized as follows: The Painting of Twenty-four Filial Piety was a traditional cultural classic that talked about the culture of filial piety. Twenty-four of the stories involved parents 'diet, education, care, and other aspects. They told the story of how their children were filial. Some of these stories emphasized the importance of filial piety, while others described how to resolve family conflicts through filial piety.

The Painting of Twenty-four Filial Piety was a traditional classic in ancient China. It recorded the stories and deeds of twenty-four filial sons in ancient China. This book mainly talked about the inheritance and development of filial piety culture in ancient China, as well as the efforts and dedication of dutiful sons to be filial to their parents. The content of the Twenty-four Filial Piety Portrait included: The story of Empress Dowager Xiaozhuang taking care of Emperor Kangxi The Story of Huang Gongdu's Filial Piety Touching Heaven The Story of Meng Zong Crying Bamboo Liu Shuzi's Filial Piety Touched the Ancestor's Story The Story of Burying a Son to Serve His Mother The Story of Wang Xiang Lying on Ice The Story of Dong Yong and the Weaver Girl, whose Filial Piety Moved Heaven Emperor Wu of Liang was moved by his mother's filial piety story The Story of Li Mixiao's Foster Parents Xue Taoxiao's Story of Touching Grand-Ancestor The Story of Mr. Lu's Filial Parents The Story of Huo Qubing's Filial Parents The Story of Zhou Yafu's Filial Foster Parents The Story of Meng Zong Crying to Save His Mother The Story of Chen Fanxiao's Moved Ancestors 16 packs of stories of midwives taking care of newborns The Story of Huang Gongdu's Filial Piety Touching Heaven The Story of Liu Bei's Three Visits to the Cottage, Xiaogan and Zhuge Liang The Story of Dong Yong and the Weaver Girl, the Filial Piety of the White Emperor City that Moved Heaven The Story of Mr. Lu's Filial Parents The Story of Wang Xiang Lying on Ice The Story of Dong Yong and the Weaver Girl, whose Filial Piety Moved Heaven The Story of Meng Zong Crying to Save His Mother The Story of Zhou Yafu's Filial Foster Parents The 24 Filial Piety Paintings mainly talked about the inheritance and development of ancient Chinese filial piety culture, as well as the efforts and dedication of dutiful sons to be filial to their parents. This book was widely praised and became an important part of Chinese culture.

The Painting of Twenty-four Filial Piety was an article in Morning Flowers Picking Up at Evening. The main content was the author's recollection of his childhood feelings when reading the Painting of Twenty-four Filial Piety, revealing the hypocrisy and cruelty of feudal filial piety. The 24 Filial Piety Paintings focused on analyzing stories of filial piety such as " lying on ice to seek carps,"" old Lai to entertain his relatives," and " Guo Ju burying his son," denouncing such feudal filial piety for not caring about children's lives, treating " mushy as fun," and " taking unfeeling as ethics, slandering the ancients and teaching future generations bad things." Its central idea was that the work sharply attacked the tendency of opposing vernacular Chinese and advocating retro literature at that time.

'Morning Flowers Picked Up in the Evening' was a classic Chinese novel that included 'Twenty-four Filial Piets'. The story of Guo Jumai 'er was one of them. This story was about Guo Ju burying his son in the mountains so that his son could succeed the throne. Although his son had passed away, Guo Ju still insisted on building a grave for his son and paying his respects every day. This story emphasized the greatness of filial piety and fatherly love, demonstrating the importance of benevolence and filial piety in ancient Chinese Confucianism.

The seven stories in the 24 Filial Piety Pictures mentioned in "Morning Flowers Picking Up at Evening" were: 1 "Burying Children and Worshipping Mother" in "The Secret History of Xiaozhuang" 2 "Lying on Ice Seeking Fish" in "Bai Xiaowen" 3 "Dong Yong and the Seven Fairies" in "The Seven Fairies Send Dong Yong Home" 4."Heavenly King Li carries the pagoda to send off his son" in "Huang Xiang and the Pagoda Li Tianwang" 5 "Zhu Yingtai disguised as a man" in "Liang Shanbo and Zhu Yingtai" 6."The White Snake" in "The Legend of the White Snake" "Jia Baoyu's Memory Loss" in Dream of the Red Chamber

The Painting of Twenty-four Filial Piety was an important cultural heritage in ancient China. It was a classic work on filial piety. It recorded 24 stories of filial piety in ancient China. These stories reflected the importance of filial piety and the values of filial piety in traditional Chinese culture. The plot of the Twenty-four Filial Piety Painting was as follows: The First Filial Piety: Dong Yong and the Yellow Fairy Dong Yong was a poor young man. His mother was seriously ill and needed medical expenses. He borrowed money everywhere but still could not pay for his mother's medical expenses. Finally, he met the Yellow Fairy, who provided him with medical expenses and helped him pay off the loan. The second filial piety: Xiang Yu and his mother Xiangyu's mother is sick and needs treatment, but he is fighting the enemy. Xiangyu asked for leave to return home and used his martial arts skills to save his mother and observe mourning for three years. The third filial piety: Meng Zong crying bamboo Meng Zong was a young man whose mother had been stolen by a thief. He searched everywhere and finally found the truth of his mother's murder. He cried himself to death. The fourth filial piety: Guo Ju buried his son Guo Ju was a wealthy businessman. He had a son, but he was a selfish person. He often stole money and squandered it. Guo Ju knew his son's behavior and decided to bury all his money and sponsor a poor child. The fifth filial piety: Yellow Fragrance Fan Pillow Huang Xiang was a woman. Her parents were old and weak, and they needed her to take care of them. She fanned them and massaged them every day until they died. The sixth filial piety: Sun Simiao saved his mother Sun Simiao was a famous doctor. His mother was sick and needed treatment. He looked for herbs everywhere and finally cured his mother's illness. The seventh filial piety: Wang Xiang lying on ice Wang Xiang was a filial son. His mother was sick and needed treatment, but he was hunting in the cold weather. He immediately went home, put on his clothes, and lay down beside his mother to warm her with his body temperature until she recovered. The eighth filial piety: Liu Hong's mother Liu Hong was a filial son. His mother was old and weak and needed his care. He took care of his mother's diet and life until she passed away. The Ninth Filial Piety: Dong Yong and the Yellow Fairy Dong Yong is a young man whose mother is seriously ill and needs