Works created for the purpose of employment referred to works created by the author or other people based on their job activities, including works of engineering design, scientific research, technological development, literature, art, news, advertisements, etc. The copyright of a work made for hire is enjoyed by the employer or the legal successor of the employer. According to article 39 of the copyright law, the employer or the legal successor of the employer shall enjoy the copyright of the work. The ownership of the copyright of a work for hire was a complicated issue that needed to be judged according to the specific circumstances. If the employer has the copyright of the work, the ownership of the copyright shall be determined by the employer and the copyright owner through negotiation. If the employer does not enjoy the copyright, the copyright owner can negotiate with the employer to determine the ownership or file a lawsuit to the court to determine the ownership of the copyright owner. If the author's work was based on his job, such as a novel written by an engineer or scientist, the copyright could belong to the author or other legal heirs rather than the employer.
The ownership of copyright usually involved the term of protection of the copyright, the subject of creation, the content of creation, and so on. Duration of copyright protection The duration of copyright protection was stipulated by national law, usually 50 years. During the term of copyright protection, the creator has the right to use, adapt, translate, produce and other methods to create and distribute the work without paying any fees to any third party. If the creator dies during the copyright protection period, the copyright of his work will forever belong to his heir. 2. The main body of creation The ownership of the copyright of a work depends on the identity of the creator, including individuals, companies, institutions, etc. Generally speaking, individual creators owned the copyright of the work, while companies and institutions could jointly own the copyright through co-creation. 3 Creation content The ownership of the copyright also depended on the content of the work, that is, whether it involved original content. If the work involved original content such as a unique storyline, character creation, language usage, etc., then the copyright of the work usually belonged to the creator. If the work is a collection of other people's ideas or inspiration, the copyright of the work may belong to multiple creators or copyright owners. The ownership of copyright was a complicated legal issue that involved many factors. Creators should take these factors into consideration and take appropriate legal measures to protect the copyright of their works.
The copyright of the contracted novel usually belonged to the author, but the specific ownership may vary according to the country and region. In most countries, the copyright of a novel belonged to the author. The author had the right to decide whether to sell, rent, or share the copyright of the work. When an author signed a copyright contract, they were usually granted certain rights such as exclusive rights, adaptation, translation, compilation, distribution, and display of the work for a period of time. However, in contracted novels, the author would usually sign a contract with the publishing company or other partners to obtain a wider range of rights such as adaptation, translation, distribution, and display of the work. These contracts may specify that the author must pay the copyright fee to the partner or use certain terms in certain situations. Therefore, when signing a copyright contract, the author had to read the terms of the contract carefully to understand his rights and obligations and ensure that his work met the requirements of copyright law.
The copyright of Lu Han's " Medal " belonged to Lu Han himself. According to the copyright law, the copyright of a musical work belonged to the author of the work. Therefore, since " Medal " was Lu Han's own work, Lu Han owned the copyright of the song.
The term of copyright protection was calculated from the date the author created the work, usually 50 years. However, the protection period may be longer or shorter according to the laws of different countries. For example, China's "copyright law" stipulated that the term of copyright protection was 50 years from the date of creation of the work. There were many factors to consider when determining the ownership of the copyright, such as the type of work, the place of creation, the time of publication, and the method of publication. Under normal circumstances, the ownership of the copyright is voluntary. The author can choose to transfer all or part of the copyright to others or choose to retain the copyright to himself. When transferring or retaining copyrights, the necessary registration and announcement must be made in accordance with the law. For example, in China, authors could transfer their copyrights to others, but they had to register with the relevant agencies and abide by the relevant regulations. If the copyright was left to him, he would need to maintain and manage it himself. The copyright was an intellectual property right of the author. For the author, he could obtain legal protection for his own creation.
The types of online copyrights generally include: 1. Infringing on the right of information network transmission of works: refers to the act of transmitting works through computer information network or other technical means without the permission of the copyright owner. 2. Infringements of the right to copy works: refers to the act of copying, distributing, renting, displaying, performing, broadcasting, adapting, translating, adapting, compiling, etc. without the permission of the copyright owner. 3. Infringing on the adaptation right of a work: refers to the act of changing the content, structure, form, or other features of the work without the permission of the copyright owner and republishing, distributing, or using the work. 4. Infringing on the right of creative inspiration: refers to the act of using creative inspiration, ideas, and opinions in another person's work without the permission of the copyright owner in the form of fiction, imagination, or inference. 5. Infringing on the right of honor of a work: refers to the act of using the honor, reward, name, logo, etc. of another person's work in a fictional or imaginary manner without the permission of the copyright owner. 6. Infringing on the right of performance: refers to the act of using the performance of another person's work without the permission of the copyright owner by performing, broadcasting, displaying, or exhibiting. 7. Infringing on the rental right of a work: refers to the act of renting, subletting, transferring, selling, or otherwise exploiting the work of another person without the permission of the copyright owner. Infringing on the right to display works: refers to the act of exploiting the works of others without the permission of the copyright owner by means of exhibition, display, performance, broadcasting, performance, projection, sound recording, video recording, etc. The above is a general example of the types of online copyrights. The actual situation may vary according to the nature, purpose, scope, and other factors of the copyright violation.
The basic types of online copyright violation include: 1. Reproduction right: refers to the original elements of the online works, including text, pictures, audio, video, etc. 2. Right of adaptation: refers to the adaptation, translation, editing, editing, and other changes to the form of the online work to make it have different forms of expression. 3. Creation sharing rights: The sharing, circulation, and use of other people's creative elements in online works cannot be used for commercial purposes without the author's authorization. 4. The right to spread information through the Internet: refers to the right to spread online works to the public through the Internet. 5. The right to indicate the author's identity in online works. 6. The right to protect the integrity of a work: refers to the right to protect the work from being tampered with, destroyed, deleted, and other damages. 7. Right of Public Release: The right to publish a work on the Internet. The above seven basic types are the main types of online copyright infringement. Other types of copyright infringement may also exist. The author has the right to take legal measures to protect his rights and interests.
The types of works stipulated in the "copyright law" include: 1. Literature works include novels, poems, plays, essays, literary works, etc. 2. Film works and works created in a similar way to film production. 3. Photographic works include photographs, photographic works of art, etc. Computer software works include computer programs, database management systems, network services, software programs, etc. 5. Other works. Among them, literary works, film works, and works created by similar methods of making movies were original works under the copyright law and enjoyed copyright. Photographic works and other works were copies under the copyright law and did not enjoy copyright.
A copyright license contract is a legal document used to determine that the copyright owner permits others to use his work under certain conditions. The following are some common types of copyright license contracts: 1. Exclusive license contract: the copyright owner grants others the exclusive right to use the work he created, but others can use the work but not for commercial use. 2. Sharing rights license: The copyright owner grants others the right to share the work he created, but the use of the work requires a certain license fee. The copyright owner grants others the right to adapt their work, but they need to obtain the copyright owner's authorization. 4. Translation license: The copyright owner grants others the right to translate his work but requires the copyright owner's authorization. 5. Right of display license: The copyright owner grants others the right to display their work at a specific time and place, but they need to obtain the copyright owner's authorization. The way the copyright owner gets paid depends on the specific agreement of the copyright license contract. In most cases, the copyright owner would receive royalties, royalties, or other forms of income. For example, if the copyright owner authorized others to use the work he created and the work was used for commercial purposes, the copyright owner might receive royalties. In addition, if the copyright owner's work was adapted, translated, or displayed, the copyright owner might also receive other forms of income. The specific amount of compensation depends on the copyright owner, the purpose of using the work, the location, and the law.
The copyright registration process included the following steps: 1. Submit materials: The author needs to submit relevant materials to the copyright registration agency, including the creative concept manual of the work, the copyright registration application form of the work, the picture or video of the work, and other evidence materials. 2. Review materials: The copyright registration agency will review the submitted materials to confirm whether the work meets the registration requirements. 3. Contribution: According to the requirements of the registration agency, the author needs to pay the relevant fees. 4. Certificate: If the work passes the review, the copyright registration agency will issue a copyright registration certificate. Is the copyright of a work required to be registered? According to China's copyright law, the copyright of a work was enjoyed from the day it was created without registration. However, in order to protect the legal rights and interests of the author, the registration agency would register the works of the copyright owner in case of emergency. In addition, registration could also strengthen the trust between copyright owners and reduce disputes caused by opaque information.
The ownership of the copyright of an adapted musical work usually depended on the method and content of the adaptation. If the adapted musical work is original, the composer may have to abide by the copyright law of the original creator. In this case, the copyright of the adaptation may belong to him or his company, or may belong to the copyright owner of the adaptation. If the adaptation of the musical work has been authorized by the copyright owner, the composer can adapt the work and must comply with the requirements and authorization of the copyright owner. In this case, the copyright of the adaptation may belong to him or his company, or it may belong to the copyright owner and the authorized party of the adaptation. If the adaptation of the musical work was not authorized by the copyright owner, the composer might have to consider the issue of copyright violation. In this case, the author of the adaptation may have to bear the risk and responsibility of the copyright owner because the adaptation without authorization may violate the copyright of the copyright owner. In short, the ownership of the copyright of the adapted music works depended on the specific circumstances and had to abide by the relevant laws and regulations. When adapting a musical work, it is recommended to consult a professional to ensure that the adaptation is legal and effective.