In Du Fu's poem,"I will always cry in the heart of the Han court, and I will pity the soul of the Xiang River". What does it mean and what does it mean to have a strong sense of suffering?

In Du Fu's poem, the phrase " I'll always be sorry for the Han court and cry for the soul of the Xiang River " referred to a person who had a strong sense of hardship and expressed his loyalty and worry for the country. Among them,"Crying for the Han Dynasty forever" expressed his concern and worry about the fate of the country. He believed that his own fate was inseparable from the safety of the country, so he would cry for the country's misfortune. The "remote pity for the soul of the Xiang River" expressed his loyalty and longing for the country. He believed that he was the reincarnation of the god of the Xiang River and would work hard for the prosperity of the country. This sentence hinted at Du Fu's concern for the fate of the country and his own position. At the same time, it also reflected his strong sense of suffering.

Du Fu wrote many poems in Chengdu Cottage, among which the most famous ones were "Spring Night Happy Rain","Guest Arrival","Quatrain","Riverside Unique Seeking Flowers (5)" and "Riverside Unique Seeking Flowers (6)".

Du Fu's poems related to the Cottage are as follows: 1. The back of the Guo Tang is shaded by the white grass, and the road along the river is familiar with the green suburbs. Tang Cheng 2. Swallows in the hall, gulls in the water close to each other. Jiang Village 3. The thatched cottage has few flowers, but now I want to plant them. I don't care about green plums and yellow plums. "Looking for Fruit Plants at Xu Qing." 4. As the clerk of King Chen, I don't send money to the thatched cottage. "Secretary Wang, Xu Xiu's thatched cottage doesn't have enough resources to talk about Xiao Jie." 5. Darkwater Flower Path, Spring Star Grass Hall. "Night Banquet at Zuo's Manor" 6. I love the quiet thatched cottage of Yushan Mountain, and the refreshing atmosphere of autumn is fresh and new. Cui Clan's Cottage on East Mountain 7. Go out of the small hole in the outer wall of the city, and get a small road through the hazel. A stream runs like water, and twists and turns are crossed many times. 'Xizhi Village, looking for a thatched cottage.' 8. A thatched cottage to the west of Wanli Bridge. The water of Hundred Flowers Pond is Canglang. Mad Man The above is a poem related to Du Fu's Cottage.

In Du Fu's poems, there was a poem that mentioned egrets in the quatrains: "Two yellow orioles sing in the green willows, and a row of egrets soar to the sky." The window contains the autumn snow of the West Ridge, and the door moors the ship of the East Wu." This poem depicted the scenery around the thatched cottage, connecting the yellow orioles and green willows, the white egrets in the blue sky, the autumn snow and Wu Zhou, and other scenery together, showing a fresh, beautiful and lively picture, reflecting that the poet's life was relatively stable at that time, and his mood was relaxed and happy. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!

The famous poems of Du Fu's thatched cottage included "The Minister of Shu,""The Cottage was Broken by the Autumn Wind,""Happy Rain on a Spring Night,""Quatrains,""The Sixth Step of Seeking Flowers by the River Bank,""Hearing the Official Army Conquer Henan and Hebei," etc.

Du Fu's poem "Ascending" was a poem describing the autumn scenery. The poem expressed the poet's feelings for the autumn scenery and his thoughts on his own situation by describing the scenes of the wind, the ape howling, and the white birds flying back. The poem also mentioned the poet's long-term wandering and illness, as well as the scene of him climbing the high platform alone in autumn. This poem described the magnificent autumn scenery and the poet's inner depression and sadness in simple and profound language.

The Cottage was a five-character ancient poem by Du Fu, a great poet of the Tang Dynasty. This poem was based on the beginning and end of the Cottage. The first half of the poem recounted the rebellion of Xu Zhizhi in Chengdu. It highlighted his feelings of leaving for "the barbarians blocking Chengdu" and returning for "Chengdu safe and sound". He hoped that Yan Wu would pay attention to the chaos of the country and be closely related to the people's hearts. He must not be satisfied with "safe and sound". In the second half of the book, from the small matter of "sending cavalry to ask what he needed", he deeply realized that the problem had already reached a rather serious level. If he did not raise it, Yan Wu's personal success or failure was not a big deal, but the safety of the world was a big deal. Therefore, in addition to his anger, he wrote to Yan Wu and expressed his attitude of " drinking and pecking are ashamed of life, eating Wei dare not waste ". At the same time, through the memories of the beginning of chaos, he hinted at a number of problems worthy of Yan Wu's modest consideration. The purpose was to urge Yan Wu to save, get rid of his shortcomings, and use his strengths to do a good job in the affairs of the two rivers. The whole poem contains emotion in the narrative, echoing in the order of narration, changing in an orderly manner.

One of Du Fu's earliest poems was considered to be "Wandering Longmen Fengxian Temple" or "Looking at the Mountains." Both of these poems can be traced back to the twenty-fourth year of Kaiyuan (736), but there is a dispute as to which one is the earliest. Some versions used 'Wandering the Dragon Gate and Fengxian Temple' as the first poem, while others used 'Looking at the Mountains' as the first poem. Therefore, it was impossible to determine which of Du Fu's earliest poems was.

Among Du Fu's poems, there was a five-character ancient poem called " Cottage." This poem was based on the beginning and end of the Cottage. The first half of the poem recounted the rebellion of Xu Zhizhi in Chengdu. It highlighted his feelings of leaving for "the barbarians blocking Chengdu" and returning for "Chengdu safe and sound". He hoped that Yan Wu would pay attention to the chaos of the country and be closely related to the people's hearts. He must not be satisfied with "safe and sound". In the second half of the book, from the small matter of "sending cavalry to ask what he needed", he deeply realized that the problem had already reached a rather serious level. If he did not raise it, Yan Wu's personal success or failure was not a big deal, but the safety of the world was a big deal. Therefore, in addition to his anger, he wrote to Yan Wu and expressed his attitude of " drinking and pecking are ashamed of life, eating Wei dare not waste ". At the same time, through the memories of the beginning of chaos, he hinted at a number of problems worthy of Yan Wu's modest consideration. The purpose was to urge Yan Wu to save, get rid of his shortcomings, and use his strengths to do a good job in the affairs of the two rivers. The whole poem contains emotion in the narrative, echoing in the order of narration, changing in an orderly manner.

Du Fu wrote many poems in Chengdu Cottage, among which the most famous ones were "Spring Night Happy Rain","Tang Cheng","Guest Arrival","Song of the Cottage Broken by Autumn Wind" and so on. These poems described Du Fu's life in the Cottage and his feelings for nature and human feelings.