The main content of Guo Ju's story of "Twenty-four Filial Piety Painting" in "Morning Flowers Picking Up at Evening"

'Morning Flowers Picked Up in the Evening' was a modern Chinese novel that included a lot of social history and cultural knowledge. " The 24 Filial Piety Paintings " was one of the articles that introduced the filial piety culture in ancient China. It mainly described some filial piety stories and characters in ancient China, including some famous filial piety characters such as John New York Times, the founder of The New York Times, and Cao Xueqin, the author of Dream of the Red Chamber. These stories and characters reflected the importance of family, kinship, and filial piety in ancient Chinese filial piety culture.

The Painting of Twenty-four Filial Piety was an article in Morning Flowers Picking Up at Evening. The main content was the author's recollection of his childhood feelings when reading the Painting of Twenty-four Filial Piety, revealing the hypocrisy and cruelty of feudal filial piety. The 24 Filial Piety Paintings focused on analyzing stories of filial piety such as " lying on ice to seek carps,"" old Lai to entertain his relatives," and " Guo Ju burying his son," denouncing such feudal filial piety for not caring about children's lives, treating " mushy as fun," and " taking unfeeling as ethics, slandering the ancients and teaching future generations bad things." Its central idea was that the work sharply attacked the tendency of opposing vernacular Chinese and advocating retro literature at that time.

The Painting of Twenty-four Filial Piety was an article in Morning Flowers Picking Up at Evening. The main content was the author's recollection of his childhood feelings when reading the Painting of Twenty-four Filial Piety, revealing the hypocrisy and cruelty of feudal filial piety. The 24 Filial Piety Paintings focused on analyzing stories of filial piety such as " lying on ice to seek carps,"" old Lai to entertain his relatives," and " Guo Ju burying his son," denouncing such feudal filial piety for not caring about children's lives, treating " mushy as fun," and " taking unfeeling as ethics, slandering the ancients and teaching future generations bad things." Its central idea was that the work sharply attacked the tendency of opposing vernacular Chinese and advocating retro literature at that time.

The 24 Filial Piety Paintings was a classic of filial piety culture in ancient China. It described the stories of 24 filial sons, covering the practice and inheritance of filial piety in different historical periods and cultural backgrounds from ancient times to modern times. The following is the main content and character characteristics of the Twenty-four Filial Piety Painting: Empress Dowager Xiaozhuang: She was known for her filial piety and was one of the famous filial daughters in Chinese history. Her son, Emperor Kangxi, commented on her,"Empress Dowager Xiaozhuang is my loving mother and the filial daughter of the Chinese nation." Bo Qin: Bo Qin is a story in the Twenty-four Filial Piety Painting. It tells the story of him pleading for his parents to fulfill his filial piety. When he was nine years old, he was able to use his intelligence to convince his father to agree to his request. 3. Filial piety: Everyone in the story showed great filial piety, whether it was a young wanderer or an elderly parent. They all tried their best to be filial to their parents. 4. A loving mother: A loving mother refers to the warmth and care of a mother as the core of filial piety culture. In the Twenty-four Filial Piety Portrait, we see many stories of loving mothers. These mothers used their own actions to prove the power of maternal love. Foolish filial piety: Foolish filial piety refers to the behavior of filial piety to parents without wisdom. This kind of filial piety often hurts the feelings and interests of parents. In the Twenty-four Filial Piety Paintings, we have seen many stories of foolish filial piety. The actions of these characters often cause a lot of unnecessary trouble. The stories in the Twenty-four Filial Piety Paintings were full of the spirit of filial piety. They showed the traditional filial piety culture of the Chinese nation, which was an important part of Chinese culture. These stories also tell us that filial piety is an eternal virtue. We should do our best to be filial to our parents and inherit the culture of filial piety.

The seven stories in the 24 Filial Piety Pictures mentioned in "Morning Flowers Picking Up at Evening" were: 1 "Burying Children and Worshipping Mother" in "The Secret History of Xiaozhuang" 2 "Lying on Ice Seeking Fish" in "Bai Xiaowen" 3 "Dong Yong and the Seven Fairies" in "The Seven Fairies Send Dong Yong Home" 4."Heavenly King Li carries the pagoda to send off his son" in "Huang Xiang and the Pagoda Li Tianwang" 5 "Zhu Yingtai disguised as a man" in "Liang Shanbo and Zhu Yingtai" 6."The White Snake" in "The Legend of the White Snake" "Jia Baoyu's Memory Loss" in Dream of the Red Chamber

The 24 Filial Piety Painting in the morning flowers and evening collection was a painting in traditional Chinese Confucian culture, depicting the story of 24 filial sons in ancient China. This map had a very important position in Chinese culture and was regarded as one of the classics that inherited Confucian morality. The main content of the 24 Filial Piety Portrait included the following aspects: [1 Filial Piety Touches the Heavens: This story tells the story of how a filial son can be filial. It shows the importance of the Confucian concept of filial piety.] 2. Old Lai to entertain his relatives: It tells the story of an old man who played the clown to make his grandson happy. It shows the importance of the Confucian concept of "benevolence". 3. Lying on ice and asking for fish: It tells the story of an old man who did not hesitate to lie on ice for three days in a temperature of below zero degrees in order to get a fish. It shows the importance of the Confucian concept of "frugality". [4. Indulging Mosquitoes in Blood: It tells the story of an old man who swatted mosquitoes with his hands in order to prevent them from biting him. It shows the importance of the Confucian concept of "hygiene". 5. Stranding the Tiger to Save the Mother: It tells the story of a young man who sacrificed himself to save a tigress that was bitten to death by a tiger. It shows the importance of the Confucian concept of courage. 6. Burying a son and serving his mother: It tells the story of an old man who donated all his property in order to take care of his sick grandson. It shows the importance of the Confucian concept of "benevolence". [7] The story of a young man who risked his life to retrieve his lost gold shows the importance of the Confucian concept of honesty. 8. Ignoring the Elderly: It tells the story of an old man who drove his son away for his own benefit, showing the importance of the Confucian concept of "selfishness". Lu Zhangke Saving His Mother: The story of an old man who did not hesitate to deceive his grandson in order to obtain a sum of money shows the importance of the Confucian concept of "fraud". [10. Indulge the Mosquitoes to Feast Their Blood: The story of an old man who swatted mosquitoes with his hands to prevent them from biting him shows the importance of the Confucian concept of "hygiene".

The main content of the second chapter of [Morning Flowers and Evening Picking],[Twenty-four Filial Piety Paintings], was as follows: This chapter introduced the traditional Chinese culture of filial piety, including the content of the 24 Filial Piety Pictures. These stories were all true stories in history about how filial children fulfilled their filial duties. One of the most famous stories was " The White-haired Girl ": A mother did not hesitate to sell herself to the prostitute industry in order to pass the imperial examination for her son. Even though her child was sick and unconscious, she did not abandon him. In the end, she was moved by God and her son succeeded in the imperial examination. In addition, this chapter also introduced some other stories of filial piety, such as "Mencius's mother moved three times" and "Song of the Wandering Son". These stories also emphasized the importance of filial piety. This chapter was an important part of the novel, which showed the essence of filial piety in Chinese traditional culture.

The Painting of Twenty-four Filial Piety was a classic of ancient Chinese traditional culture. It described 24 different stories of filial piety, involving parents 'diet, daily life, education, care, and so on. Some of the stories emphasized the importance of filial piety, while others talked about how to resolve family conflicts through filial piety. The full text of the "Twenty-four Filial Piety Paintings" is summarized as follows: The Painting of Twenty-four Filial Piety was a traditional cultural classic that talked about the culture of filial piety. Twenty-four of the stories involved parents 'diet, education, care, and other aspects. They told the story of how their children were filial. Some of these stories emphasized the importance of filial piety, while others described how to resolve family conflicts through filial piety. The full text of the "Twenty-four Filial Piety Paintings" is summarized as follows: The Painting of Twenty-four Filial Piety was a traditional cultural classic that talked about the culture of filial piety. Twenty-four of the stories involved parents 'diet, education, care, and other aspects. They told the story of how their children were filial. Some of these stories emphasized the importance of filial piety, while others described how to resolve family conflicts through filial piety.

The Painting of Twenty-four Filial Piety was a traditional classic in ancient China. It recorded the stories and deeds of twenty-four filial sons in ancient China. This book mainly talked about the inheritance and development of filial piety culture in ancient China, as well as the efforts and dedication of dutiful sons to be filial to their parents. The content of the Twenty-four Filial Piety Portrait included: The story of Empress Dowager Xiaozhuang taking care of Emperor Kangxi The Story of Huang Gongdu's Filial Piety Touching Heaven The Story of Meng Zong Crying Bamboo Liu Shuzi's Filial Piety Touched the Ancestor's Story The Story of Burying a Son to Serve His Mother The Story of Wang Xiang Lying on Ice The Story of Dong Yong and the Weaver Girl, whose Filial Piety Moved Heaven Emperor Wu of Liang was moved by his mother's filial piety story The Story of Li Mixiao's Foster Parents Xue Taoxiao's Story of Touching Grand-Ancestor The Story of Mr. Lu's Filial Parents The Story of Huo Qubing's Filial Parents The Story of Zhou Yafu's Filial Foster Parents The Story of Meng Zong Crying to Save His Mother The Story of Chen Fanxiao's Moved Ancestors 16 packs of stories of midwives taking care of newborns The Story of Huang Gongdu's Filial Piety Touching Heaven The Story of Liu Bei's Three Visits to the Cottage, Xiaogan and Zhuge Liang The Story of Dong Yong and the Weaver Girl, the Filial Piety of the White Emperor City that Moved Heaven The Story of Mr. Lu's Filial Parents The Story of Wang Xiang Lying on Ice The Story of Dong Yong and the Weaver Girl, whose Filial Piety Moved Heaven The Story of Meng Zong Crying to Save His Mother The Story of Zhou Yafu's Filial Foster Parents The 24 Filial Piety Paintings mainly talked about the inheritance and development of ancient Chinese filial piety culture, as well as the efforts and dedication of dutiful sons to be filial to their parents. This book was widely praised and became an important part of Chinese culture.

Lu Xun's Morning Flowers Picked Up in the Evening was a collection of essays, which contained many thoughts and discussions on Chinese society, culture, history and other issues. In this book, there was some content about the "Twenty-four Filial Piety Paintings". The "24 Filial Piety Painting" referred to a kind of filial piety cultural painting in ancient Chinese legends, which included many stories and characters of filial piety. In Lu Xun's " Morning Flowers Picked Up in the Evening ", some of the contents of the " 24 Filial Piety Pictures " were mentioned, including: Mencius's mother moved three times: It tells the story of Mencius 'mother moving house constantly in order to give her children a better education. 2. Burying a son to serve his mother: It tells the story of burying a son to save his mother, showing the greatness of maternal love. 3. Dong Yong and the Seven Fairies: It tells the love story between Dong Yong and the Seven Fairies, showing the purity of love. 4. Song of the Wanderer: It tells the story of a mother's longing and care for her wanderer, showing the greatness of maternal love. 5. Mother's Tears: It tells the story of a mother crying for the happiness of her children, showing the greatness of maternal love. 6. Mother's Sacrifice: It tells the story of a son's mother's memory and the great love of his mother. The story of a poor oil seller and a beautiful courtesan's love story shows the purity of love. Legend of the White Snake: It tells the love story between the white snake and Xu Xian, showing the purity and beauty of love. 9. The Foolish Old Man Moves Mountains: It tells the story of the Foolish Old Man's perseverance in saving his homeland. It shows the greatness of maternal love and the power of perseverance. Mencius's mother taught her son: Mencius 'mother taught her son to become a great ideologist and teacher, demonstrating the greatness of motherly love and the usefulness of education. The "24 Filial Piety Pictures" in Lu Xun's "Morning Flowers Picked Up in the Evening" reflected a filial piety culture in ancient Chinese legends. It showed the greatness of maternal love and the power of perseverance, and also reflected some valuable thoughts and spirits in Chinese traditional culture.