Correct understanding of one's own classical Chinese

Zhang Zhongxing (1898 - 1968) was a famous Chinese philologist, literary critic, and translator. In his literature, he elaborated on the relationship between classical Chinese and vernacular Chinese. He believed that classical Chinese and vernacular Chinese were two different forms of language expression. Although classical Chinese had been widely used in ancient China, in modern times, with the rise of the vernacular movement, vernacular gradually replaced the status of classical Chinese. Zhang Zhongxing believed that the difference between classical Chinese and vernacular Chinese lay in the way of expression and the structure of grammar. The language expression of classical Chinese was more complicated and detailed, emphasizing the stability and rigor of the grammar structure, while vernacular Chinese was more concise and bright, emphasizing the flexibility and adaptability of the grammar structure. At the same time, the grammar structure of classical Chinese and vernacular Chinese was also different. The grammar structure of classical Chinese was mainly composed of terms, verb, adjectives, etc., while vernacular Chinese emphasized the use of pronoun, number, and other grammar elements. Therefore, Zhang Zhongxing believes that although classical Chinese and vernacular Chinese have their own advantages and disadvantages, they are both important components of Chinese literature. In different historical periods and different cultural backgrounds, they have their own unique ways of expression and charm.

Zhou Bangyan's words were described as pure and elegant. His style of writing was regarded as vigorous, simple and elegant, with a pure and honest artistic conception. Zhou Bangyan's works mainly involved the love between men and women, lovesickness, separation, and travel, which was more elegant than Liu Yong's love between women. He was also quite ingenious in the structure of his words, using different emotions to complement each other, extremely depressed and frustrated. Zhou Bangyan's Ci was very expressive and observant. He often ended it with the words of the scene, which gave people a feeling of endless aftertaste. His works were regarded as the epitome of Ci in the Northern Song Dynasty and had contributed to the development of Ci. To sum up, his understanding of Zhou Bangyan's words was correct.

Chinese classical literature is an important part of Chinese traditional culture. It has profound historical, philosophical and cultural implications and has a profound impact on the development of Chinese culture. Chinese classical literature had a long history. From the Book of Songs to the Songs of Chu, the Dream of the Red Chamber, and later on, the Water Margins, Romance of the Three Kingdoms, and other classic literary works were all treasures of Chinese culture. These works not only had high literary achievements, but also reflected the style of the society at that time, the lives and emotions of the people, and had profound cultural and historical significance. Chinese classical literature emphasized the expression of emotions and human nature, emphasizing the cultivation of human nature, human feelings and morality. The characters in these works often had distinct personalities, and their emotions and actions were infectious and enlightening. Ancient Chinese literature also reflected profound philosophical thoughts and cultural traditions such as Confucianism, Taoism, and Mohism. These thoughts also had a profound impact on the development of Chinese culture. Chinese classical literature also had a high achievement in artistic form. For example, poetry, prose, novels and other different types of literary works have their own unique artistic forms and characteristics. The narrative style, language usage, and structural arrangements of Chinese classical literature were unmatched by later literary works. In short, Chinese classical literature is an important part of Chinese traditional culture. It has profound historical, philosophical and cultural implications and has a profound impact on the development of Chinese culture. We should attach importance to the protection and inheritance of Chinese classical literature so that it can continue to play an important role in contemporary society.

I'm sorry, but there's no universal answer to "the best Chinese classical novel" because everyone has a different definition and understanding of "the best". However, I can recommend you according to your interests. For example, the historical novel "Marquis of the Great Han Dynasty" tells the story of modern people traveling back to the Han Dynasty with ancient China as the background, and the ancient romance novel "Jinxiu Medical Concubine" tells the story of a female medical talent who became a court doctor. If you are interested in Xianxia fantasy novels, then "Phantom Rain" is a novel worth reading. I hope you like my recommendation. Muah ~

Mistake: Water Margins. Correct: The Water Margins is a classic of Chinese classical novels.

The classical Chinese for cats was cat.

Chinese traditional culture refers to the cultural achievements of philosophy, religion, literature, art, etiquette, customs, festivals, etc. in ancient China and its surrounding areas. The core of Chinese traditional culture was Confucianism, Taoism, Mohism, Legalism, Military, Famous, Taoism, and Buddhism. These thoughts had a profound impact on Chinese history and had an important impact on the development of Chinese culture. The characteristics of Chinese traditional culture included: emphasis on personal cultivation, emphasis on moral standards, respect for tradition, respect for thrift, emphasis on family ethics, emphasis on unity and harmony, and advocating love for the country. There are many excellent art forms in Chinese traditional culture, such as music, dance, painting, drama, film, etc. These art forms also have unique charm and play an important role in the inheritance and development of Chinese culture.

" Wisteria Waterfall " was a martial arts novel written by Feng Menglong, a writer of the Ming Dynasty. It told the story of a swordsman who accidentally discovered the Wisteria Waterfall while walking in the forest. He was attracted by the mysterious power under the waterfall and started a legendary story. From the literary expression, the novel adopted the technique of expressing one's aspirations through objects. Wisteria Waterfall was an important scene in the novel. It was not only a natural landscape, but also a symbol of the ideals and beliefs pursued by the chivalrous man. In the novel, the hero experienced the beauty of nature and the existence of mysterious power by visiting the Wisteria Waterfall, and at the same time, he strengthened his determination to pursue justice and chivalry. This way of expressing the inner feelings and pursuits of the characters through the natural landscape enhanced the appeal and expressiveness of the novel, making it easier for readers to understand the state of mind of the swordsman. To sum up, the Chinese wisteria waterfall in " Chinese wisteria waterfall " was a way to express one's aspirations through the natural scenery. It enhanced the novel's expressiveness and emotional resonance. It was a classic artistic expression technique in Feng Menglong's novels.

Modern Chinese literature began to develop at the beginning of the 20th century, experienced the turmoil and transformation in the first half of the 20th century, and finally made great achievements in the second half of the 20th century. In the early 20th century, modern Chinese literature was influenced by traditional Chinese culture and western literature, but also experienced many political, social and cultural upheavals. During this period, many people, such as Lu Xun, Lao She, Ba Jin, etc. In the middle of the 20th century, modern Chinese literature entered a prosperous period. Many famous writers, such as Zhang Ailing, Hu Lancheng, Shen Congwen, Qian Zhongshu, etc., published their works one after another. Their works not only reflected the social reality at that time, but also displayed the unique style and depth of thought of modern Chinese literature. Since the 21st century, modern Chinese literature has made great achievements, and many works have been widely praised. For example, Mo Yan's " Red Sorghums Family," Yu Hua's " To Live," Jia Pingao's " Shaanxi Tune," and so on. These works not only reflected the society and people's lives in contemporary China, but also displayed the latest achievements of modern Chinese literature.

The meaning of being enlightened was to discover one's true heart and see one's true nature. It was the realm of Zen enlightenment. By abandoning the distracting thoughts of the secular world, one could fully realize the nature (Buddha nature) lost by distracting thoughts. The meaning of clearing one's mind and seeing one's nature surpassed the level of understanding of ordinary people. One needed to understand the troubled heart with a wise heart. Through cultivation and enlightenment, one's original sincerity would be revealed. The meaning of revealing one's true nature could also be understood as expressing one's true nature with a true attitude and behavior.