The Wei-Jin demeanor referred to the cultural phenomena of the Wei-Jin period, including literature, art, philosophy, politics, and so on. During this period, people pursued freedom, detachment, open-mindedness, and a natural and unrestrained lifestyle. The forms of expression of this demeanor included the following aspects: The core of Wei Jin's demeanor was freedom. During this period, people pursued individual freedom and opposed restraint and repression. This freedom was not only reflected in thoughts and behavior, but also in culture and art. For example, in the literary works of the Wei and Jin Dynasties, there were a large number of free, open-minded, and detached images and topics, such as the "Shi Shuo Xin Yu Ren Dan" in "Ascending high and feeling inferior." In the Preface to the Lanting Collection,"How can you live long under the reputation and not decline?" Wait. 2. The style of Wei and Jin included artistic detachment and literary independence. During this period, the artists and writers of the Wei and Jin Dynasties pursued artistic independence and transcendence. They were no longer limited to traditional art forms and aesthetic standards, but created many unique art forms and literary styles. For example, Cao Zhi's "Ode to the Goddess of Luo" used a romantic literary form to express the tenderness and beauty of women, while Tao Yuanming's "The Story of the Peach Blossom Spring" used naturalism and the theme of the Peach Blossom Spring to express the yearning and escape from secular life. The expression of Wei Jin demeanor also included political open-mindedness and philosophical profoundness. During this period, some political figures showed open-minded and detached spirits. They were no longer bound by power and interests, but pursued inner freedom and peace. For example, Xie Lingyun, a famous scholar in the Wei and Jin Dynasties, was once ostracized and suppressed in politics, but he showed an open-minded and detached spirit. He showed his love for food and clothing rather than the pursuit of politics and power. At the same time, the philosophy masters of the Wei and Jin Dynasties, such as Wang Xizhi, Wang Xianzhi, Wang Ji, etc., also showed profound philosophical thinking. They put forward many enlightening ideas and theories, such as "governing by inaction","fatigue of life and death" and so on. The expression of Wei-Jin demeanor and its profound meaning showed the people's pursuit of freedom, detachment, open-mindedness and unrestrained lifestyle in Wei-Jin period. This pursuit was not only a cultural phenomenon, but also a way for human beings to pursue happiness and a beautiful life.
The Wei-Jin demeanor referred to a new aesthetic interest and spiritual pursuit displayed by some celebrities and scholars in the Wei-Jin period. It was expressed in the form of indulgence, debauchery, detachment, and purity, and its core content was the pursuit of nature, freedom, and detachment. In Shi Shuo Xin Yu Ren Dan, we can see the expression of Wei Jin demeanor. For example, celebrities in the Wei and Jin Dynasties often talked about metaphysics, philosophy, and nature in public to express their thoughts and feelings. They would also do some weird things like getting drunk, being naked, playing table tennis, and so on. Although these actions seemed absurd, they reflected their pursuit of freedom and transcendence. In the Preface to Lanting Collection, we can see the profound meaning contained in the demeanor of Wei and Jin. The Preface to Lanting Collection was a preface written by Wang Xizhi, a calligrapher of the Eastern Jin Dynasty. It described the scene of him gathering with his friends in Lanting, drinking wine and composing poems. Through the description of the scenery of the Orchid Pavilion, the poet's feelings, and Wang Xizhi's thoughts, this essay expressed the pursuit of freedom, detachment, and harmony with nature. The demeanor of Wei and Jin Dynasty was a new aesthetic interest and spiritual pursuit, which was expressed in the form of indulgence, debauchery, detachment and leisure, and pursued nature, freedom and detachment as its core content. It reflected the culture and ideology of the Wei and Jin Dynasties, which had a far-reaching impact on the culture and art of later generations.
Shi Shuo Xin Yu was a notebook novel from the Northern and Southern Dynasties (420 - 589) of China. It mainly recorded the words and deeds of the characters and the social atmosphere of the Wei and Jin Dynasties. The following are some of the expressions of the Wei and Jin Dynasties: The demeanor of the Wei and Jin dynasties emphasized the freedom of personality and pursued the liberation of personality. In Shi Shuo Xin Yu, many characters showed strong self-awareness and independence. They emphasized freedom, equality, dignity and independence, and opposed restraint and oppression. For example, Tao Yuanming's idea of "picking chrysanthemums and looking at Nanshan leisurely under the eastern fence" showed his leisure and contentment, while Cao Zhi showed his talent and arrogance. 2. The demeanor of Wei and Jin emphasized cultural accomplishment and pursued cultural excellence. In Shi Shuo Xin Yu, many characters showed their love and cultivation for culture. They paid attention to poetry, calligraphy, music and other artistic forms and showed outstanding talent. For example, Wang Xizhi was good at calligraphy. His works were known as the best in the world. His poems were also full of philosophy and emotion. 3 Wei and Jin Dynasty style emphasized friendship, sincerity and pursuit of sincere feelings. In Shi Shuo Xin Yu, many characters show their appreciation and sincerity for friendship. They pay attention to the emotional exchanges between people and show their sincere feelings and friendship. For example, the friendship between Wang Dun and Xie An was a sincere manifestation of their loyalty. They had experienced many storms together and never left each other. 4. Wei and Jin Dynasties emphasized the pursuit of moral standards and noble morality. In Shi Shuo Xin Yu, many characters showed their persistence and nobleness to morality. They paid attention to moral norms and code of conduct and showed their moral nobility and integrity. For example, Cao Zhi's moral performance was noble. He abided by social ethics and did not pursue power and money, but pursued true talent and happiness.
Shi Shuo Xin Yu Ren Dan was an ancient literary masterpiece that mainly recorded the words and deeds of the characters and social phenomena in the Wei and Jin Dynasties. The Wei-Jin demeanor referred to the cultural phenomenon of this period, including the literature and art, ideology and beliefs, and the characteristics of behavior norms. In "Shi Shuo Xin Yu Ren Dan", the Wei and Jin Dynasty characters were vividly portrayed. They often attracted the attention of readers with their unique style and behavior, leaving a deep impression on people. For example, celebrities in the Wei and Jin Dynasties often wore gorgeous clothes and various luxury goods to show their aristocratic demeanor. They would also engage in various interesting activities such as singing, dancing, drinking, gambling, etc. to show their freedom and unrestrained attitude towards life. The influence of the Wei and Jin Dynasties still existed in contemporary society. With the continuous development of society, people's values and aesthetic standards were also constantly changing. However, the freedom, unruliness, independence and other characteristics of the Wei-Jin demeanor still had enlightening significance, which could inspire people to pursue freedom, happiness and self-realization in their own lives. In addition, the influence of the Wei and Jin Dynasties was also reflected in literature, art, and behavior norms. For example, we can still see the influence of the Wei and Jin Dynasties in contemporary literature.
The Wei-Jin demeanor referred to the cultural phenomenon of the Wei-Jin period, which was mainly featured by the culture of the Wei-Jin and the Southern and Northern Dynasties, including the changes and innovation in metaphysics, literature, art, politics, and so on. The core of Wei-Jin demeanor was Wei-Jin metaphysics. Metaphysical theory advocated "canceling" and "transcending" the real world in pursuit of "detachment" and "freedom" in the spiritual realm. Metaphysical theory advocated "taking nature as the law and inaction as the use", opposed excessive utilitarism and practicality, and advocated the pursuit of internal harmony and inner freedom. In literature, the demeanor of Wei and Jin had a profound influence on poetry creation. The representative poets were Wang Xianzhi, Xie Lingyun, Tao Yuanming, etc. Most of their poems were about natural scenery and philosophy of life, showing deep thinking and unique artistic style. In terms of art, the demeanor of the Wei and Jin Dynasties promoted the innovation of painting, music, dance and other aspects. The representative painters were Zhang Hua, Lu Ji, Xie He, and others. Their paintings were featured by simple lines, profound artistic conception, and elegant colors. Musicians in the Wei and Jin Dynasties paid attention to the relationship between music, nature and life, and created many fresh and refined music works. In the political aspect, the demeanor of Wei and Jin promoted the reform and innovation of the political system. Cao Cao and Cao Pi both adopted some metaphysical ideas in an attempt to achieve political harmony and inner freedom. At the same time, the celebrities in the Wei and Jin Dynasties also played an active role in politics, promoting the innovation and development of the political system. The demeanor of the Wei and Jin Dynasties was a cultural phenomenon that pursued the spiritual realm of "detachment" and "freedom". It reflected the profound influence of metaphysics on culture, literature, art and politics.
" Shi Shuo Xin Yu: Ren Dan 23 " was an ancient Chinese novel that mainly narrated the words and deeds of some celebrities and characters in the Wei and Jin Dynasties. The following is a translation of the novel: A man of noble virtue would not change his nature to cater to other people's tastes, nor would he change his mind because of other people's comments. They believed that true beauty and ugliness, good and evil, were what they felt in their hearts and not what they showed on the outside. Therefore, they often maintained their inner peace and determination without being disturbed by the outside world. Some people liked to make friends with celebrities and flatter each other. However, this kind of behavior did not make them more noble. On the contrary, they would only become hypocritical and vain. They hoped to improve their social status by making friends with celebrities, but in the end, they would only lose their authenticity. Some people liked to talk about astronomy, geography, military strategy, and other aspects of knowledge. However, they didn't talk about it for the sake of learning. Instead, they liked to study it. Therefore, their discussions were often very in-depth and detailed, but they did not necessarily bring practical help to others.
The Wei-Jin demeanor referred to the demeanor of celebrities in the Wei-Jin period, including the cultural phenomena, social ethos, and the words and deeds of the characters. There are many stories in Shi Shuo Xin Yu that reflect the demeanor of the Wei and Jin Dynasties. The story of Wang Xizhi and Wang Xianzhi: Wang Xizhi was a famous calligrapher in the Eastern Jin Dynasty, and Wang Xianzhi was his younger brother. Wang Xizhi and Wang Xianzhi often admired and learned calligraphy from each other. Their behavior and attitude showed the elegance and detachment of the Wei and Jin Dynasties. 2. Xie An's story: Xie An was a politician and military strategist during the Eastern Jin Dynasty. He was able to control his emotions and not be influenced by them. His calmness and composure were regarded as the typical representative of the Wei and Jin Dynasties. Kong Rong was a writer and politician in the Eastern Han Dynasty. He was open-minded and liked to make friends. He was fair and impartial to both friends and enemies. His behavior and attitude showed the tolerance and tolerance of the Wei and Jin Dynasties. Tao Yuanming was a writer and politician in the Eastern Jin Dynasty. He chose to live in seclusion. His behavior and attitude showed the detachment and freedom of the Wei and Jin Dynasties. 5 Yu Qian's story: Yu Qian was a politician and military strategist during the Ming Dynasty. He performed well in resisting the invasion of foreign enemies. He was able to control his emotions and not be influenced by them. His behavior and attitude showed the calmness and composure of the Wei and Jin Dynasties. These are just some of the stories in Shi Shuo Xin Yu that reflect the demeanor of the Wei and Jin Dynasties. There are many other examples. The demeanor of the Wei and Jin Dynasties is a unique cultural phenomenon. It reflects the ideology and social ethos of the Wei and Jin Dynasties and has a profound impact on the culture and ideology of later generations.
From Shi Shuo Xin Yu to see the main content of the Wei-Jin demeanor, we can understand that the Wei-Jin demeanor refers to some cultural phenomena in the Wei-Jin period, including literature, art, philosophy, politics and so on. The main content of Wei Jin demeanor included the following aspects: The literature of the Wei and Jin Dynasties displayed a unique style, with a natural, fresh and detached style as the main focus, such as the Seven Sages of the Bamboo Grove and other literary works. The artistic works of the Wei and Jin Dynasties also showed unique styles such as painting, calligraphy, music, etc. These works of art mainly expressed the cultural background and ideas of the Wei and Jin Dynasties in a natural, detached and humorous style. The philosophy of the Wei and Jin Dynasties showed a kind of pursuit of freedom and the pursuit of truth, such as Wei and Jin metaphysics, Buddhism and so on. These philosophical achievements laid the foundation for the later development of thought and culture. The political system of the Wei and Jin Dynasties showed an open political culture, such as the political reform and freedom of speech in the Wei and Jin Dynasties. This political culture laid the foundation for the political system that followed. The demeanor of the Wei and Jin Dynasties was a unique cultural phenomenon. It showed the ideology, cultural background and artistic achievements of the Wei and Jin Dynasties, which had a profound impact on the later cultural and social development.
The Wei-Jin demeanor referred to the cultural phenomena of the Wei-Jin period, including a series of cultural behaviors and ways of expression that pursued individual freedom, open-mindedness, and moral independence. The following are a few examples in Shi Shuo Xin Yu to talk about what Wei Jin demeanor is: 1 Wang Xizhi's Preface to the Lanting Collection: "A parting speech is a blessing. Lanting's collection of eternally harmonious gentlemen. Like cutting, like grinding, like carving, like grinding. how can the rustle fill the beauty of hills and ravines? So I split the jade chain with my classmate." 2 Tao Yuanming's "Peach Blossom Spring":"The road is narrow and the vegetation is deep. This place is a farewell to the lonely Peng Wanli expedition. The cloud has no intention to leave the tree because it has a purpose to stay. What's the pain of staying with me? The bird stays by the pond. The tree monk knocks his head off. Chariots rattled, horses whizzed, pedestrians with bows and arrows at their waists. I miss my hometown. I can't see Chang 'an, but I can see the sad clouds thousands of miles away. This feeling can be treated as a recollection, but at that time, it was already lost." [3] Xie Lingyun's "Journey to the Mountain of Zen":"At its extreme point, there is a stone rope (yāo) thirty feet long. It is very strange. Suddenly there was a big bird coming from the southwest, carrying the blue sky on its back and heading east. The sun suddenly fell. The gods are strange and strange." 4 Sima Yi's "Song of Wine":"Do you not see the water of the Yellow River rushing up from the sky to the sea and never returning? Can't you see the bright mirror in the high hall sad, white hair in the morning like black silk, turning into snow in the evening? Life is full of joy, don't let the golden cup empty to the moon." The demeanor of the Wei and Jin Dynasties reflected the cultural atmosphere of the Wei and Jin Dynasties, which emphasized freedom of personality, open-mindedness, moral independence, and the pursuit of nature, innocence, and inaction. These cultural behaviors and ways of expressing thoughts had a unique beauty and expressiveness, and they were the literary and artistic treasures of the Wei and Jin Dynasties.
The Preface to Lanting Collection was a famous preface in ancient China, written by Wang Xizhi, a calligrapher in the Eastern Jin Dynasty. This preface described the scene of Wang Xizhi and his friends gathering, as well as their friendship and mutual respect. It was hailed as a classic in the history of Chinese calligraphy. The historical significance of the Preface to Lanting Collection was mainly reflected in the following aspects: 1. The artistic value of calligraphy: The Preface to the Lanting Collection is one of Wang Xizhi's representative works and is regarded as a classic in the history of Chinese calligraphy. Its standard font, dignified and beautiful, smooth strokes have a high artistic value and appreciation value. The Preface to the Orchid Pavilion Collection holds an important position not only in China but also in the history of art in the world. 2. The significance of cultural exchange: The Preface to Lanting Collection is an important part of ancient Chinese culture. Its writing style and artistic features reflect the ancient Chinese culture and artistic level. The spread and inheritance of the Preface to the Orchid Pavilion Collection promoted the spread and exchange of Chinese calligraphy art around the world and became one of the important representatives of Chinese culture. 3. educational significance: The Preface to Lanting Collection is not only a classic work in the history of Chinese calligraphy, but also has profound educational significance. Through reading the Preface to Lanting Collection, readers can feel the charm of Wang Xizhi's calligraphy art and his deep understanding and expression of friendship, respect, harmony and other values, thus receiving enlightenment and education in art and thought. The Preface to Lanting Collection is an important part of ancient Chinese culture and art. Its inheritance and promotion are of great significance to the development and inheritance of Chinese culture.
Shi Shuo Xin Yu has the following works: Xu Shi Shuo, Tang Xin Yu, Xu Shi Shuo Xin Yu, Sui Tang Jia Hua, Tang Yu Lin, He Shi Yu Lin, Five Dynasties Xin Shuo, Huang Ming Shi Shuo Xin Yu, Shi Shuo Xin Yu Bu.