Why does China lack tragic works?

The main reason why China lacked a literary genre like Homer's Epic was because of its long history and culture. Traditional literature had always been dominated by classical Chinese, while the development of modern Chinese had not kept up. In addition, China's cultural tradition attached great importance to Confucianism, Taoism, and Buddhism. These thoughts occupied an important position in literature. Homer's epics described the development of ancient Greek civilization in the form of epics. There was a big difference between the ideology of Chinese traditional culture and it was difficult to resonate. China also lacked a romantic literary tradition like Homer's epics, resulting in the lack of similar literary styles in modern literature.

Tragedy literature usually created deep characters and plots that resonated with the readers. Tragedies could make people feel the fragility of life and the complexity of human nature more deeply, which would cause the readers to be shocked and reflect on themselves. In addition, tragedies could often motivate readers to think more deeply about the characters and events in the story, so as to better understand the nature of human nature and society. Therefore, tragic literature is widely regarded as one of the best works because they can produce profound social and moral significance and also bring profound emotional experience to readers.

Another factor could be the commercial aspect. The producers might be more interested in making money quickly through merchandise and ticket sales. So, they rushed the production process and didn't spend enough time on crafting a solid story. They thought that just having the Star Wars brand name and some cool-looking aliens and spaceships would be enough to draw in the crowds, but in the long run, it led to a lack of a compelling story.

There was indeed a lack of tragedies in the stylized sense in ancient Chinese literature, which was related to the historical background of ancient Chinese culture and society. Tragedy is a rare literary form in Chinese culture and is usually seen as a negative and sad emotional expression. In traditional Chinese culture, people tended to focus on reunion, harmony, and happiness, and were not willing to see tragedies happen. Therefore, most of the works in ancient Chinese literature were comedies, legends, myths, and so on. The main purpose of these works was to entertain and pass on culture rather than to express tragic emotions. The culture and social structure of ancient China were also not in line with the needs of tragic expressions. In ancient Chinese society, people often paid attention to family and clan relations and were unwilling to see tragedies between family members. Therefore, in ancient Chinese literature, tragedies were usually described as internal conflicts, wars, diseases, etc. rather than describing the tragic relationship between individuals. Finally, the development and historical background of ancient Chinese literature also influenced the existence of tragedy in literature. In ancient China, due to the restrictions of the political and social system, literature was often strictly examined and managed by the government, so it was difficult to obtain widespread spread and acceptance. In this case, the tragic elements in literature were often difficult to be recognized and expressed, so they rarely appeared in ancient Chinese literature.

Generally speaking, the light ink of a calligraphy work would have a certain impact on its artistic value, but the specific degree of impact might vary according to the type of work, style, author, and other factors. Generally speaking, calligraphy works with light ink were easier to accept and appreciate because it meant that the paint on the surface of the work had not completely dried or fallen off, retaining more details and texture. This kind of light ink also gave people a refreshing, elegant, and quiet feeling. It was in line with modern aesthetics. However, the artistic value of a calligraphy work was not only determined by the depth of the ink, but also by the author's skill, style, content, and overall concept. Therefore, even if the ink of a calligraphy work was relatively light, if the author's skill was superb, the style was unique, and the content was profound, it still had high artistic value.

Maybe the author wanted to leave some room for the readers' imagination.

In the search results provided, there were several novels from the Republic of China period that could be recommended. Most of these novels had tragic plots and atmosphere. Among them," Spring Rain Falling in the Long River " was a novel about a family in the Republic of China. It described a story full of power and love and hate. In addition," Survival in the Republic of China " was a time-travel novel. The protagonist traveled to the era of the 72 Martyrs of Huanghuagang and started the story by farming to save the country. Other than that, there was also " The Rise of the Writers of the Republic of China ", which told the story of a pig's trotter in the early days of the Northern Expedition. He copied articles while acting tough while opening a harem. These novels all had tragic backgrounds and plots, suitable for readers who liked the theme of the Republic of China.

The following are a few recommended tragic novels of the Republic of China: " Too Late to Say I Love You ": This was a novel written by the bandit I Sicun. It was set in the warlords 'chaotic period of the Republic of China. It told the story of the love tragedy between Yin Jingwan, a rich girl, and Murong Feng, the young commander of the army. The novel conveyed the personal attitude of women living in a male-dominated society.

Liu Zhenyun was a well-known Chinese author whose works explored the theme of social reality and human nature and was regarded as an important representative of contemporary Chinese literature. However, some people criticized his writing style and life experience, saying that he was the most tragic person in contemporary China. This evaluation could be due to the following reasons: His works expose some of the deep-seated problems in Chinese society, such as environmental pollution, the gap between the rich and the poor, power corruption, etc. These problems still exist in today's Chinese society, so his writing has received widespread attention and criticism from society. Liu Zhenyun's writing style is relatively heavy. He often uses profound thinking and reflection to explore the complexity of human nature and the deep-seated problems of society, which makes his works have certain social significance and philosophical value, but also brings a certain degree of readable and controversy. Liu Zhenyun's personal experience also had a certain tragic color. He had experienced setbacks such as family breakdown, mental crisis and joblessness, which had a certain impact on his physical and mental health and also on his literary creation. Although Liu Zhenyun's works had certain social significance and philosophical value, there were also some problems and disputes. Different readers have different views on whether he is the most tragic person in contemporary China, which depends on their understanding and evaluation of his works, society and human nature.

China promotes fiction to encourage creativity and cultural expression. It also helps in developing the literary industry and providing entertainment to a wide audience.