Why does Yu Dafu's work give people a depressing feeling?

Chi Guihua was one of Yu Dafu's short stories, published in the 1928 Short Story Weekly. The novel tells the story of a woman who goes astray because of family reasons and eventually becomes an immoral woman. The following is an appreciation of the novel: The novel described the growth of a young woman, Chi Guihua, with a rich family as the background. Chi Guihua was born in a wealthy family, but her mother was an immoral woman who often abused her. Under the influence of her family, Chi Guihua gradually embarked on the wrong path. She fell in love with a poor man and abandoned her family for money and status. In the novel, Yu Dafu showed the independent consciousness and self-awareness of women by describing Chi Guihua's growth process. As Chi Guihua grew up, she not only learned how to pursue money and status, but also how to protect herself and her family. At the same time, the novel also revealed the drawbacks of the rich families at that time by describing Chi Guihua's family situation, emphasizing the dark side of society. In addition, Yu Dafu used a lot of metaphor and symbols in the novel to enhance the artistic appeal of the novel. For example," Chi Guihua is like a burning fire "," Her lips have two traces of tears "," Her eyes are as bright as two stars " and so on. The use of these metaphor and symbols made the novel more vivid and fascinating. In summary, Yu Dafu's " Chi Guihua " was a novel that described the growth of women and exposed the darkness of society. By describing Chi Guihua's growth, Yu Dafu showed the independent consciousness and self-awareness of women, and also revealed the dark side of the society at that time. The novel uses a lot of metaphor and symbols to enhance the artistic appeal of the novel, making the novel more vivid and fascinating.

Chi Guihua was an essay written by Yu Dafu. It described the scene of a woman admiring flowers alone in the autumn night and her understanding of the seasons and life. In this article, Yu Dafu used exquisite language and vivid descriptions to portray Chi Guihua's image very deeply. He described her wearing a long white dress, sitting quietly under the osmanthus tree, her hair loose, and her expression serene. The fragrance of osmanthus made her feel relaxed and happy. She seemed to be intoxicated by the fragrance of the flowers and forgot the passage of time. This description of Chi Guihua showed her beauty, tranquility, and serenity, and also expressed the author's praise for female beauty. In addition, Yu Dafu also mentioned the concept of seasons in his article. He pointed out that the change of seasons is a law of nature that humans cannot change, but we can find our place in the process. Chi Guihua's autumn flowers made her feel the beauty of the season and also made her realize the impermanence of life. This article expressed the author's understanding of the seasons and life, emphasizing that life was short and that one should cherish the present. In summary, Yu Dafu's "Chi Guihua" used beautiful language and vivid descriptions to show the beauty, tranquility and serenity of a woman, and also expressed the author's feelings about the seasons and life. This article could be read as a classic work to let people feel the charm and meaning of literature.

Most of Haruki Murakami's novels end in tragedy. Why does this one give people a warm feeling? Haruki Murakami's works attracted a wide range of readers with their unique narrative style and theme. His stories were often full of suspense, tension, and depression, but there were also many touching and unforgettable plots. Although the protagonists in " The Forest of Norway " experienced many setbacks and pains, the ending of the story presented a warm feeling, which made people feel that even in the most difficult moments, the kindness and beauty of human nature still existed. Perhaps it was because Haruki Murakami wanted to express his deep thoughts about life and humanity through this warm ending. He believed that even in the darkest moments, there would always be some good things that would happen to make people feel hope and light again. In addition, Haruki Murakami's works often explored the complexity and multi-facedness of human nature, so the ending of the story could also reflect the inner contradictions and thoughts of the characters, giving people a deep impression.

Yu Dafu's novels were considered self-portraits because they showed the author's unique personality, thoughts, and experiences. Yu Dafu was a modern Chinese writer whose works covered a wide range of subjects, including novels, essays, and poems. His novels were often presented in the first person so that readers could directly understand the author's inner thoughts and emotions. Through the novel, Yu Dafu showed his rich life experience and unique perspective. In his novel, he depicted different living environments and cultural backgrounds, including rural China and urban China. He described his experiences in different periods of history, including wars and civil wars. These experiences became the main theme of his novel, showing his unique perspective and way of thinking. Yu Dafu's novels also showed his personality. He had a distinct personality and unique artistic style. His works were full of elements of realism and romanticism. The protagonists in his novels were often complex and contradictory characters who expressed the author's own thoughts and emotions. Therefore, Yu Dafu's novels are self-portraits because they show the author's unique character, thoughts and experiences, allowing readers to understand the author's inner world.

In Yu Dafu's novels, the image of the people with more than one person has the following characteristics: 1. Loneliness and helplessness: Those who have nothing to do often live in poverty and loneliness without the company of relatives and friends, without any support and protection. 2. Floating and unpredictable: The fate of the people is often unstable. They often drift in different cities and regions for various reasons and are unable to live permanently. 3. The law of the jungle: The society where people live is often a society where the law of the jungle preys on them. They have to rely on their own strength to survive, and sometimes they have to rely on cruel struggles and violence. 4. Confusion of thoughts: Due to poverty and isolation, people often lack correct thoughts and values. Their thoughts sometimes fall into confusion and confusion. 5. Tragic fate: The fate of those who have no survivors is often tragic. They often encounter various diseases, natural and man-made disasters and man-made disasters, and even lose their lives.

Yu Dafu's novels were called "autobiographies" because his novels were inspired by his own personal experiences and feelings to show social reality and human nature. This kind of writing method was called "autobiography" because the author played the role of "narrator" in the novel to narrate and tell the story. Yu Dafu's novels described the urban life and the process of China's modernisation as the main line, showing the various contradictions and problems of Chinese society at that time, such as the gap between the rich and the poor, feudal traditions, education and culture, etc. His works were full of strong humane care and realism, and were deeply loved and sought after by readers.

Yu Dafu was famous in China. His works had a unique style and were deeply loved by readers. The following are some famous people's comments and classic information about Yu Dafu: 1 Lu Xun: Lu Xun was Yu Dafu's neighbor and literary peer. He praised Yu Dafu's novels as " having a special magic that can attract people's eyes and make people involuntarily immerse themselves in the story." 2. Zhang Ailing: Zhang Ailing is a reader of Yu Dafu. She thinks that Yu Dafu's novels are "full of romanticism and twists and turns." 3. Shen Congwen: Shen Congwen praised Yu Dafu's works as "full of emotion and vitality" and thought that Yu Dafu's prose was "poetic and philosophical". 4. Lao She: Lao She thought that Yu Dafu's works were "full of their own personality and breath" and praised his novels as "full of profound thoughts and emotions". 5 Ding Ling: Ding Ling thinks that Yu Dafu is "a talented person". She praised Yu Dafu's novel for "the plot is complicated, the characters are vivid, and the language is beautiful". The comments of these famous people won Yu Dafu widespread praise and made him one of the outstanding figures in the history of Chinese literature.

Yu Dafu (1895 - 1966), formerly known as Yu Wenzi Dafu, was a modern Chinese literary critic, literary historian, translator, and ideologist. He was born in Hangzhou City, Zhejiang Province. He studied in Japan in his early years and later returned to China to engage in literary creation. His works were unique in style, mainly describing Chinese social life and interpersonal relationships. He was hailed as the "pioneer of modern literature." Yu Dafu's representative works include "Sinking,""Night Intoxicated by the Spring Breeze,""Kong Yiji,""Border Town,""Spring Silkworm," and so on. These works have become classics of modern Chinese literature with their profound insight into human nature, delicate descriptions, and unique artistic style. Yu Dafu was also an important scholar in the history of modern Chinese literature. He had taught at Peking University, Tsinghua University, Nankai University and other universities and made important contributions to the fields of modern Chinese literature and philology. At the same time, he was also one of the founders of modern Chinese translation, and had translated many excellent literary works and works of philosophers. Yu Dafu became an important figure in the history of modern Chinese literature and culture with his outstanding literary achievements and academic contributions.

Yu Dafu (1898 - 1966), formerly known as Yu Wenzi Dafu, was one of the leaders of modern Chinese literature, literary critics, literary historians, and cultural movements. He was also one of the important figures in the history of modern Chinese literature. Yu Dafu was born in Shaoxing, Zhejiang Province. He was from a wealthy scholarly family and received a good education since childhood. In 1919, together with Lu Xun and others, he participated in the "literary revolution" and founded a new literary school in the history of modern Chinese literature-literary realism. His representative works included "Sinking" and "Night Intoxicated by the Spring Breeze"."Sinking" was considered a classic in the history of modern Chinese literature. Yu Dafu was not only an excellent writer but also a leader of the cultural movement. He founded the Literature Research Society in 1924 and was one of the founders of the Modern Chinese Literature Research Society. He also actively participated in the May Fourth Movement and supported the student movement. He was one of the important figures in the history of modern Chinese culture. Yu Dafu's position in the cultural movement was very important. His thoughts, literature and academic achievements had a profound impact on the modern Chinese cultural history. After his death, he was known as the "Master of Culture" and was respectfully addressed as "Mr. Yu Dafu".

Yu Dafu (1895 - 1966), formerly known as Yu Wen, was born in Shaoxing, Zhejiang Province. He was a modern Chinese critic, translator, and scholar. Yu Dafu's works mainly covered literature, art, history, politics and many other fields. His novel style was fresh and bright, the emotion was sincere and delicate, with a strong sense of realism, but also pay attention to the expression of ideology and symbolism. His representative works included "Sinking" and "Spring Silkworm". Yu Dafu was also one of the important representatives of the modern Chinese literature movement. He was once known as the representative of the "New Moon School" together with Lu Xun and Lao She. His literary achievements and influence had a profound impact on modern Chinese literature. Yu Dafu had high attainments and achievements in the fields of literature, art, and translation. He was known as one of the founders of modern Chinese literature and one of the representatives of the New Moon School.