What were the common patterns of mystery novels?

The 17 classic conflict patterns of drama include: 1. Self-contradiction: The inner conflicts of the character include self-doubt, self-affirmation, self-denial, etc. 2. Social conflict: The conflict between roles and society includes social norms and personal freedom, morality and interests, etc. 3. Life and death conflict: The struggle and conflict when the character faces a life and death decision. 4. Desire conflict: The conflict between the character's inner desire, morality, and reality. 5. Jealousy conflict: Jealousy, hostility, and fighting between characters. 6. Fear of conflict: The struggle and contradiction when the character faces fear, danger, and uncertainty. 7. Lonely conflict: The conflict between loneliness, isolation, and the search for connection between the characters. 8. Power conflict: The competition between characters for power, status, and interests. 9. Love conflict: The conflict between love, emotions, and sexual behavior between characters. 10. Clash of beliefs: The conflict between the character's beliefs, values, and morals. [11. Honor conflict: The conflict between the honor, reputation, and pursuit of honor between characters.] 12. Disappointment and conflict: The character loses important things such as love, friendship, freedom, etc., resulting in loss and conflict. 13. The conflict between desire and reason: The conflict between the character's inner impulse and rational thinking. Self-actualization and real life conflict: The character pursues his own ideals and the pressures, restrictions, and contradictions in real life. [15. The conflict between despair and hope: The character faces a hopeless situation but still does not give up hope and the contradiction between pursuit.] Revenge conflict: The character's struggle and conflict for revenge. Growing conflict: The character grows, changes, and pursues a new understanding and self in a difficult situation.

There were many patterns of character images in Ming and Qing novels. The following were some common patterns: 1. Family image: The family image in the Ming and Qing Dynasties was usually based on the marriage between families, which formed a huge community of interests. The image of a family was often used in novels to express the interests of the family members, love and hatred, and so on. Male images: Male images were one of the most common images in novels during the Ming and Qing Dynasties. They were usually described as strong, brave, charming and powerful people. Male images were often associated with politics, war, power struggles, and so on. 3. Female images: Female images played an important role in the novels of the Ming and Qing Dynasties. They were usually described as smart, intelligent, kind and beautiful people. Female images were often related to marriage, family, love, and so on. 4. Character characteristics: The characters in the novels of the Ming and Qing Dynasties often had distinctive characteristics such as kindness, intelligence, courage, wit, cunning, selfishness, arrogance, etc. These characteristics were often used to express the character and fate of the character. 5. Fate Mode: The fate mode of novels in the Ming and Qing Dynasties was usually divided into three types: one was the tragedy mode, the other was the comedy mode, and the third was the historical mode. These patterns were often used to express the fate of characters and historical changes. 6. Plot mode: The plot mode of novels in the Ming and Qing Dynasties is usually divided into the following types: first, narrative mode, second, love mode, third, war mode, fourth, exploration mode, fifth, political mode, etc. These patterns were often used to express the theme and plot of a novel.

There are many types of love patterns in Jin Yong's novels. The following are some of the common love patterns: 1. childhood sweethearts: The two grew up together and understood each other well. After they became adults, they became husband and wife and went through the storms of Jianghu together to protect their family. 2. Love at first sight: When two people meet for the first time, they are deeply attracted to each other and have strong feelings for each other. However, due to various reasons, the two had to separate, but after parting, the two still missed each other and finally met again and became husband and wife. 3. Marriage between sects: In order to maintain their reputation, some sects will form a marriage relationship with other sects to consolidate their status. However, these marriages between sects often brought about some complicated problems and contradictions. 4. Jianghu grudges: Two people in Jianghu get to know each other and gradually develop feelings because of some Jianghu grudges. However, due to the complexity of the grudges in Jianghu, their feelings were often greatly tested. 5. Love between heroines: The heroines in Jin Yong's novels are generally independent and self-reliant, with a strong sense of justice and responsibility. Therefore, they often attracted handsome male leads. The love between these heroines was often full of adventure and excitement.

The patterns in Chinese ghost stories can be quite diverse. There's the pattern of the cycle of reincarnation being involved. Ghosts might be trapped in between worlds because of unfinished business related to their past lives. Symbolism is also a pattern. For example, certain objects like red strings or old mirrors can have special significance in the stories. These objects can be either a connection to the ghost's past or a means to ward off the ghost. Additionally, family curses or inheritances are sometimes part of the pattern, where a family is haunted due to something that happened generations ago.

One common pattern is the neglect of important aspects of life like relationships and work. For example, in many stories, addicts focus so much on their sexual pursuits that they forget about their family responsibilities.

Well, in time travel fiction, a frequent narrative pattern is the 'unintended consequences' one. When the time traveler tries to change something, it often leads to unforeseen and usually negative results. This adds drama and complexity to the story. Also, the 'lost in time' pattern exists, where the traveler gets stranded in a different time period and has to find a way back while dealing with the challenges of that era. Some stories have a 'parallel universe' narrative pattern related to time travel, where the actions in the past create a new, separate reality that the traveler has to navigate.

One common pattern is neglecting real - life responsibilities. For example, not going to work or school regularly. Another is the deterioration of relationships as they focus more on the game than on family and friends.

One common test pattern is the use of futuristic technology like warp drives in science fiction. It's a way to test the limits of what we can imagine in terms of space travel. Another could be the creation of alien species with unique cultures and biologies, which tests our understanding of diversity. And time travel is also a test pattern, seeing how characters interact with different time periods and the consequences that follow.

Frequently, in family drug addiction stories, there is a sense of isolation. The family may isolate themselves from the community because of the stigma associated with drug addiction. There is also a pattern of role reversal. For example, children may have to take on adult responsibilities like taking care of younger siblings or providing emotional support to the non - addicted parent. And, family members usually experience a great deal of guilt, either for not noticing the problem earlier or for not being able to 'fix' the addict right away.

One common pattern is verbal abuse. Parents or family members may constantly criticize, name - call, or shout at each other. Another pattern is physical abuse, which unfortunately can include hitting, pushing, or any form of violent physical contact. There is also often emotional abuse like manipulation, where one family member tries to control others by guilt - tripping or isolating them from friends and support systems.