An Analysis of the Images of Peasants in the Works of Lu Xun, Mao Dun and Zhao Shuli

Lu Xun's works such as A Madman's Diary, The True Story of Ah Q, Medicine, etc. depicted the image of a group of farmers. They were portrayed by Lu Xun as the representatives of poverty, ignorance, feudalism, and selfishness. In Diary of a Madman, Lu Xun depicted an ignorant and crazy farmer who would do cruel things just to eat. In The True Story of Ah Q, Lu Xun portrayed a poor and ignorant farmer who felt despair about his situation, surrendered to reality, and was oppressed by society. In Medicine, Lu Xun portrayed a feudal and selfish farmer who would not hesitate to harm others or even commit crimes for his own benefit. The image of these farmers reflected the various problems of Chinese society at that time, such as poverty, ignorance, feudalism, oppression and so on. At the same time, through these images, Lu Xun criticized the various ills of Chinese society at that time and revealed the status and fate of farmers in society. The image of farmers in Lu Xun's works is a vivid picture scroll that reflects the current situation of Chinese society at that time. It is a classic work in the history of Chinese literature.

Lu Xun's "Scream" was a novel that reflected the life of the Chinese countryside. It showed the sufferings and struggles of the peasants. The following is an analysis of the image of farmers in the novel: Ignorance: Many farmers in the novel are very ignorant. They can't understand the changes and new things in modern society and still stay in the old way of life and ideas. This kind of ignorance led to all kinds of difficulties and difficulties in their production and life. Greedy and selfish: Many farmers in the novel are very greedy and selfish. They only care about their own interests and do not care about the well-being of others. They would often compete with each other to obtain more food and other resources by hook or by crook. 3. Violent resistance to the law: Some farmers in the novel showed violent tendencies. They resisted the oppression of the law and the ruling class and even used violence to protect their rights and interests. This kind of violence reflected the peasants 'resistance and resistance to society. Helplessness and helplessness: Many farmers in the novel are helpless, helpless and helpless in the face of difficulties and challenges in production and life. They often fell into the crisis of production and life, unable to save themselves. Lu Xun's "The Scream" showed the sufferings and struggles of the peasants. Through the description of the peasants 'ignorance, greed, violent resistance to the law, helplessness and helplessness, it deeply reflected the lives and fates of the peasants. These images not only reflected the social reality of China's rural areas at that time, but also had profound historical significance and cultural value.

Lu Xun was one of the important representatives of modern Chinese literature. His works had a profound influence on Chinese literature and culture. In his works, Lu Xun portrayed the image of Chinese farmers, profoundly revealing their plight and problems, expressing his concern and respect for farmers. In Diary of a Madman, Lu Xun depicted an ignorant, greedy and cunning Chinese farmer who was regarded as a victim of the feudal system and was oppressed and controlled by society. In The True Story of Ah Q, Lu Xun portrayed a weak, ignorant and self-abased Chinese farmer who was often exploited and bullied at the bottom of society. In Medicine, Lu Xun portrayed a kind, ignorant and cowardly Chinese farmer who endured social injustice and oppression for his family and children. Through his works, Lu Xun profoundly revealed the plight and problems of Chinese farmers, their living conditions, psychological states and values. He emphasized the importance of farmers, believing that farmers were the foundation of China's social development, and their survival and happiness were an important guarantee of social stability. At the same time, Lu Xun also criticized China's feudal system and the oppression and exploitation of farmers, calling for people to pay attention to the problems of farmers and strive for better treatment and rights for them. Lu Xun's understanding of the image of Chinese peasants is the result of his deep insight into Chinese society and deep thinking about human nature. His works have a profound impact on Chinese literature and culture, and also provide an important reference for us to better understand and understand Chinese peasants.

Zhao Shuli was a famous peasant artist in China. His work," The Confrontation ", depicted the life story of a peasant family and reflected the various contradictions and problems in China's rural society. Lu Xun was one of the founders of modern Chinese literature. His works, such as A Madman's Diary and The True Story of Ah Q, were regarded as classics of modern Chinese literature. They described various contradictions and problems in Chinese society, including the in-depth description of the image of farmers. In Lu Xun's writing, farmers were a group of people with low social status. They were hardworking and simple, but they were often oppressed and exploited by society, facing the predicament and challenge of survival. These images reflected Lu Xun's deep thinking and criticism of Chinese society. Zhao Shuli's " contradiction " reflected the various contradictions and problems in China's rural society through the life story of a peasant family, such as family conflicts, marriage problems, economic problems, etc. At the same time, it also showed the hardworking, simple and tenacious qualities of the peasants. These images also reflected Zhao Shuli's deep concern and thinking about the problem of farmers.

Zhao Shuli's work, Strange Tales from a Chinese Studio, was known as the milestone of the national form. It was one of the most important classic works in modern Chinese literature and the first systematic introduction of Strange Tales from a Chinese Studio in the history of Chinese literature. It was regarded as one of the landmarks in the history of Chinese literature.

Lu Xun (September 25, 1881-October 19, 1936), formerly known as Zhou Shuren, was an outstanding and ideologist in the history of modern Chinese literature. His works deeply reflected the dark side of society and the pain of the people at that time. He was hailed as the founder of modern Chinese literature. Mao Dun (December 12, 1896-April 24, 1971) was an outstanding character in the history of modern Chinese literature. His representative works include On contradiction, On Practice, On Society and so on. These works had a profound influence on the development of modern Chinese literature and thought. Mao Dun was also one of the pioneers of China's modern democratic revolution. He actively participated in the May 4th Movement and the New Culture Movement and made outstanding contributions to the Chinese democratic revolution. Qi Baishi (January 12, 1864-September 26, 1946), formerly known as Qi Liangzuo, was a famous Chinese painter and artist. His works had a unique style and bright colors, which were deeply loved and respected by people. He had widely exhibited his paintings in China and Europe and was hailed as the "giant in the history of Chinese painting." Qi Baishi had created a large number of works of art in his life, including paintings, calligraphy, seal carving, and so on. He was known as the representative figure of the "White Stone School of Painting".

Lu Xun, Shen Congwen and Zhao Shuli were all representatives of modern Chinese literature. They depicted the image of farmers in their literature, but their psychological state and social status were very different. Lu Xun was the founder of modern Chinese literature. His literary works extensively depicted the image of farmers, profoundly revealing the poverty of Chinese society and the helplessness of farmers at that time. When Lu Xun described the peasants, he often expressed his criticism and dissatisfaction with society, his thirst for knowledge and his hope for the future. In the Madman's Diary, he expressed his strong opposition to poverty and backward society by depicting the images of farmers such as Kong Yiji. Shen Congwen was an important figure in the 20th century Chinese literary world. His works also depicted a large number of peasant images. When Shen Congwen described the farmers, he showed more love for the natural environment and respect for the traditional culture, but also showed the simplicity and diligence of the farmers. He showed sympathy and concern for the peasants by describing the rural life and peasant characters, reflecting the local customs and traditional culture of the Chinese society at that time. In contrast, Zhao Shuli was another important figure in modern Chinese literature. His works also depicted a large number of peasant images. Unlike Lu Xun and Shen Congwen, Zhao Shuli displayed more of the open-mindedness and optimism of a farmer, as well as the helplessness and obedience to fate. Through describing the daily life and psychological state of the peasants, he showed the simple side of the peasants and also revealed the class contradictions and exploitation system of Chinese society at that time. Lu Xun, Shen Congwen and Zhao Shuli had great differences in describing the image of farmers. They showed the psychological state and social status of farmers from different angles and levels, reflecting the different classes and faces of Chinese society at that time.

The image of farmers in Lu Xun's novels was full of contradictions and complexity. In novels such as A Madman's Diary and The True Story of Ah Q, farmers were portrayed as ignorant, greedy, cowardly and helpless figures. They were described by Lu Xun as people who lacked culture and depth of thought, blindly believed in superstition and authority, and lacked independent thinking and critical spirit. The ignorance and superstition of the peasants were vividly depicted in the diary of a madman. They believed that the demons would come to take their lives, but they did not know that the demons were caused by their own desires and contradictions. In The True Story of Ah Q, the greed and cowardice of farmers were vividly displayed. Ah Q was portrayed as a peasant who was exploited and oppressed. He lacked the spirit of resistance and the ability to think independently. He could only endure injustice and oppression. The image of farmers in Lu Xun's novels reflected the living conditions and mental outlook of the bottom-class figures in Chinese society at that time. They were portrayed as an image full of contradictions and suffering. They lacked cultural cultivation and depth of thought, and were oppressed and exploited by society.

There are many possible choices for the subtitles of the image of farmers in Lu Xun's novels: The image of farmers in Lu Xun's novels in Liren's vision: This sub-title highlights the status and role of the image of farmers in Lu Xun's novels in Liren's vision, emphasizing the concern and criticism of the peasant class. 2. The rural life and the image of farmers in Lu Xun's novels: This sub-title highlights the complexity and variety of rural life and the image of farmers in Lu Xun's novels, revealing the importance and complexity of the peasant class in modern Chinese history. 3. Lu Xun's Exploration and Reflection on Peasants: This sub-title highlights Lu Xun's exploration and reflection on peasants, emphasizing his concern and criticism of social classes and human nature. 4. The image of farmers in Lu Xun's novels and modern society: This sub-title highlights the relationship between the image of farmers in Lu Xun's novels and modern society, and probes into the status and role of the peasant class in modern society.

Mao Dun's main works include On contradiction, On Practice, On New democratism, A brief history of Chinese novels, etc. Ba Jin's main works were "Home","Spring","Autumn","Spring Silkworm" and so on. Lu Xun's main works include "Scream,""Hesitation,""Wild Grass,""Canopy Collection,""Morning Flowers Picking Up at Evening" and so on. Guo Moruo's main works include Goddess, Soul of Poetry, Hukou Waterfall, Starry Sky, etc.