The differences between the Northern and Southern Zaju of the Yuan Dynasty can be considered from the following aspects: 1. Script content: There is a big difference in the script content of the Northern and Southern Zaju of the Yuan Dynasty. The southern dramas were mainly lyrical and narrated, focusing on the emotional changes in the inner world of the characters and describing the details of their lives and emotional experiences; while the northern dramas paid more attention to the performance of social reality and historical events, and expressed the author's political views and outlook on life in the form of argumentative essays. 2. Literature style: There were also differences in the literary styles of the Northern and Southern Zaju in the Yuan Dynasty. Southern Zaju mainly expressed the delicate and tender side of the characters in a graceful, delicate and implicit literary style, while northern Zaju paid more attention to the rigor and logical thinking of argumentative articles, showing a rigorous and vigorous literary style. 3. Singing style: The singing style of the Northern and Southern Zaju of the Yuan Dynasty was also different. Southern Zaju mainly used oral singing to sing Nanqu, minor, etc., while northern Zaju mainly used written singing to sing Beiqu, Bangzi, etc. 4. artistic achievements: The artistic achievements of the Northern and Southern Zaju in the Yuan Dynasty were also different. Southern opera was famous for its singing skills and musical style. For example, Jiao Huang, who played Lin Daiyu in Dream of the Red Chamber, said," Southern opera is exquisite, tactful, gentle and melodious. Its rhythm is harmonious, the lyrics are beautiful, and the song ends with a lingering sound." To sum up, the main differences between the Northern and Southern Zaju in the Yuan Dynasty were in the content of the script, literary style, singing style and artistic achievements.
There were some architectural differences between the northern and southern homestays. The northern homestays focused on sunlight because the terrain in the north was higher and could provide higher comfort. The sunlight from the north could provide a higher level of comfort for the residents and could shape the shadows and contours of the building. The southern homestays paid more attention to ventilation because the climate in the south was hot and humid, and they needed better ventilation conditions. The architectural style of southern homestays was usually light and transparent. The color of the facade was mainly light, and the material was mainly made of wood and steel. In addition, the space of the northern homestay was usually small because heating was needed in winter, while the space of the southern homestay could be flexibly adjusted without considering the heating problem. In general, the difference in architectural design between the north and south was mainly reflected in the emphasis on sunlight and ventilation, as well as the difference in space size.
The Northern and Southern Sect of tomb raiding referred to the different methods, techniques, and styles of tomb raiders in different regions of China. Generally speaking, there were some obvious differences between the northern and southern sects. Northern grave robbers were more insidious and cunning. They would usually use some unusual methods to steal cultural relics, such as using anesthetics to put people into a deep sleep or using poison to kill grave robbers. On the other hand, tomb raiders in the south paid more attention to practical feasibility and usually used more direct and practical means such as using explosives to blow up the tomb door or digging tunnels. Northern tomb robbers usually focused more on stealing precious cultural relics, while southern tomb robbers focused more on stealing cash and jewelry. This also reflected the cultural differences and values of people in different regions. There were certain differences in the methods, methods, and styles of tomb robbing between the Northern and Southern Sects, which also reflected the differences in culture and values in different parts of China.
We can get some information about the TV series " Northern Frog and Southern Yard." The play told the story of five women who grew up and fell in love while they founded the restaurant. However, according to some comments and feedback from the audience, the drama was criticized as not in line with the values of the socialists and was ungrounded. Some people thought that the characters and plots in the drama were too exaggerated and far from the real workplace and society. In addition, some viewers expressed dissatisfaction with the behavior and attitude of the male characters in the play, thinking that they were selfish and scumbags. Overall, this drama's rating on Douban was relatively low, at 4.7. However, we have no way of knowing whether the Northern Rug and Southern Yuan is really wrong. Therefore, I am unable to give a definite answer to this question.
The difference between the Northern and Southern Dynasties and the Five Dynasties and Ten Kingdoms lay in their origins and ways of unification. The Northern and Southern Dynasties were caused by the invasion of ethnic minorities. The north was divided and the south was unified. The north was a dynasty established by ethnic minorities, while the south was a dynasty established by Han Chinese. In the end, the Northern and Southern Dynasties were unified by the Sui Dynasty. The Five Dynasties and Ten Kingdoms were caused by the internal strife of the Han people. The north was unified and the south was divided. It was a regime that was re-established after the internal chaos of the Han Dynasty. The Five Dynasties and Ten Kingdoms was a period after the fall of the Tang Dynasty, when the central regime in the north coexisted with the local regime. In addition, the Northern and Southern Dynasties lasted longer than the Five Dynasties and Ten Kingdoms. The Northern and Southern Dynasties and the Five Dynasties and Ten Kingdoms were eventually unified by the northern regime of the Yellow River basin, which showed that the social productivity and resources of the Yellow River basin were more advantageous than those of the south. The regime of the Northern and Southern Dynasties and the Five Dynasties and Ten Kingdoms was influenced by gentry and religion. The Five Dynasties and Ten Kingdoms were the product of the separation of the military towns at the end of the Tang Dynasty, so the importance of the army was even more prominent. Therefore, there were obvious differences between the Northern and Southern Dynasties and the Five Dynasties and Ten Kingdoms in terms of origin, unification, duration, and regime.
Sanqu was a form of traditional Chinese opera that was mainly popular in the Yuan Dynasty. It was an independent form of performance without a script. The actors could freely express themselves according to the plot. Usually, they used seven characters, five characters, white language and other styles with a strong oral color. Yuan drama was one of the main types of traditional Chinese opera, and it was also an important representative of the society and culture of the Yuan Dynasty. It is composed of a variety of traditional operas, including comedy, tragedy, legend and many other types with extremely high artistic value. Southern opera was one of the most important traditional Chinese operas. It was popular from the Southern Song Dynasty to the Ming and Qing Dynasties. It was different from the Yuan Dynasty's Zaju. It had a script, and the script was usually written by literati, focusing on literature and artistry. Huaben was a traditional form of literature, mainly popular in China's Song Dynasty. It was one of the important sources of ancient Chinese novels. It was spread verbally, usually by a host, and the audience could participate in the discussion and play. The style of Huaben was flexible and varied, including prose, novels, legends, etc.
Moon Worship Pavilion was both a Zaju and a Southern opera. The Moon Worship Pavilion was originally a play by Guan Hanqing, a dramatist of the Yuan Dynasty. Later, it was adapted on the basis of the southern opera and became the southern opera "The Moon Worship Pavilion". Therefore, the Moon Worship Pavilion had the identity of both a drama and a southern opera.
The next dynasty to the Northern and Southern Dynasties was the Sui Dynasty.
The information that he could watch the TV series " Northern Frog and Southern Yard " for free was not clear. Although there were many websites that provided links to watch it for free online, the specifics of whether it was restricted or not required further confirmation. It is recommended to go to the relevant website to view it, or use a legal online video platform to watch it.
" Northern Frog and Southern Yard " was a the mainland of China TV series directed by Feng Xiaogang and starred by Lan Yingying, Jin Chen, Cui Ni, Sui Yuan, and Wang Luodan. The play told the story of five women who grew up and fell in love while they founded the restaurant. You can watch the entire series for free on multiple websites. The specific viewing methods and platforms may vary depending on the region and time. It is recommended to search for "Northern Rug and Southern Yard" in the relevant video platform or application to obtain the most accurate viewing information.
The characters in the game included supporting roles, family members, and friends. They were often pulled out as tools to push the plot forward. "Report!" The supporting roles were the system, which had been completely forgotten by the author. The male lead was Chen Liang, and I am Liang Zhongliang. The supporting actor was Xin Mei, and the supporting actor was Xiao Yan, who had gained and lost himself. The supporting actor was Chen Xin, a good brother, and a tool. The supporting actor was Hou Jing, and the supporting actor was Wang Wei. He had been imprisoned by his boss for a long time and often encountered PUA in the workplace. "Master, I think we should do this…" "Northern Dynasties and Southern Kingdoms" Author: Jiang Shan Zhi. It is a historical novel. It has decisive killing, hegemony, and fierce elements. It is finished and can be enjoyed without worry. After the Battle of Mount Han, more than half of Nanliang's elite troops died in battle. They were incapable of developing the outside world and had serious internal conflicts. Then Hou Jing entered Liang and opened the last scene of the three-way world. (In the system, the protagonist draws the historical character Summon Card and grows up in the last years of Nanliang, where the people are living in poverty. He becomes bigger and stronger, and walks step by step to the highest point.) I hope you will like this book.