There were many books related to calligraphy. Below were some common calligraphy books: " History of Chinese Calligraphy ": This is a systematic introduction to the history of Chinese calligraphy, covering all periods and schools from ancient times to modern times. < Introduction to Chinese Calligraphy >: This is a book suitable for beginners that provides some basic calligraphy techniques and practice methods. 3. Chinese Calligraphy Terminology: This book includes some basic terms and concepts in the field of calligraphy. It is very helpful to understand the style and characteristics of calligraphy. 4. Wang Xizhi's Complete Calligraphy: This is a collection of Wang Xizhi's calligraphy works, including various styles and styles of Wang Xizhi's calligraphy. 5. Yan Zhenqing's Calligraphy Collection: This is a book introducing Yan Zhenqing's calligraphy and showing his style and characteristics of regular script. These books are all classics about calligraphy. Reading them can help you better understand the charm and characteristics of calligraphy.
There were many versions of the Preface to the Orchid Pavilion, including Wang Xizhi's original work, Feng Chengsu's copy, Zhao Mengfu's copy, etc. Wang Xizhi's Preface to the Orchid Pavilion was regarded as a model for running script by later generations. Li Shimin, Emperor Taizong of the Tang Dynasty, once ordered Chu Suiliang, Ouyang Xun, Feng Chengsu and other calligraphers to copy several copies and give them to his subjects. In addition, Feng Chengsu and Zhao Mengfu also had their own copies. For beginners, they could choose Feng Chengsu's copy to practice. In addition, there were some copybooks and practice methods for reference, such as practice magnified version, using color printing version, tracing red copybooks, etc. In short, the selection of the Preface to the Orchid Pavilion calligraphy copybook should be decided according to personal preferences and learning needs.
There were many calligraphy works about reading, some of which were famous works such as Yan Zhenqing's Duobao Pagoda Stele, Ouyang Xun's Jiucheng Palace Liquan Inscription, Liu Gongquan's Mysterious Pagoda Stele, and Wang Xizhi's Preface to Lanting Collection. These works had an important position in the history of calligraphy and were hailed as classics. They displayed the charm of calligraphy art through beautiful handwriting, unique strokes, and exquisite skills. These works not only had aesthetic value, but also conveyed the importance and value of reading. By appreciating these calligraphy works, we can feel the fun and meaning of reading, stimulate our desire for knowledge, and improve our own quality and character. In short, these calligraphy works about reading are the treasures of Chinese calligraphy art, worthy of our appreciation and learning.
There were many outstanding calligraphers in Chinese history, and their calligraphy works not only had artistic value, but also had important historical value. Here are some famous stories about calligraphy: Wang Xizhi (303 - 361) was a calligrapher of the Eastern Jin Dynasty. His calligraphy works were known as the Preface to the Orchid Pavilion Collection and were regarded as classics in the history of Chinese calligraphy. Wang Xizhi's calligraphy style was fresh and natural, and his strokes were beautiful and graceful, which was deeply loved by people. 2 Liu Gongquan (778 - 865) was a calligrapher of the Tang Dynasty. His calligraphy works were known as "Liu Style" and had a unique style and charm. He was known as the "Master of Calligraphy". Liu Gongquan's calligraphy style was strong and powerful, and his strokes were simple and bright, giving people a sense of grandeur. 3 Zhao Mengfu (1550 - 1622) was a calligrapher of the Song Dynasty. His calligraphy works were known as the "Zhao Style". With a unique style and charm, he was hailed as the "Great Master of Chinese Calligraphy". Zhao Mengfu's calligraphy style was dignified, elegant, and exquisite, giving people a sense of artistic enjoyment. 4 Wen Zhengming (1470 - 1559) was a calligrapher of the Ming Dynasty. His calligraphy works were known as "Wen Zhengming Style" with a unique style and charm, and were hailed as "the treasures of Chinese calligraphy history". Wen Zhengming's calligraphy style was elegant, fresh, beautiful, and smooth. Kang Youwei (1856 - 1937) was a calligrapher of the Qing Dynasty. His calligraphy works were known as "Kangti", which had a unique style and charm. He was known as "the geek in the history of Chinese calligraphy". Kang Youwei's calligraphy style was full of creativity, and his strokes were free and unrestrained, giving people a sense of agility and freedom. The stories of these famous calligraphers not only showed the unique charm of Chinese calligraphy, but also had important historical value. Their calligraphy works not only have artistic value but also have important historical value, leaving a precious cultural heritage for people.
The nursery rhyme: Brush, ink, paper, come together Calligraphy training, don't run away Pen, ink, and paper are all ready He started practicing calligraphy and reported. Write slowly, stroke by stroke The words are like the person, slowly Write with heart, beautiful words There were many benefits to practicing calligraphy. Slowly practice horizontally and vertically The strokes are neat and not muddy It's important to write Chinese characters well Cultivate good temperament and character. Brush and pen are used Different font has its own characteristics Writing seriously is wonderful Experience the charm of calligraphy. Calligraphy is not only an art It can also improve intelligence Brush, ink, paper, come together Don't run away from calligraphy training.
An example of patriotic calligraphy was as follows: Calligraphy was an art form that combined music, painting, poetry, and other elements to express the author's emotions and thoughts through the expression of ink. In calligraphy, patriotic sentiments were often reflected in various types of calligraphy and works. Many of the Chinese characters contained patriotic sentiments. For example, the word " country " was composed of two parts. The top part was " earth " and the bottom part was " Ge ", which meant that land was the foundation of the country, while " Ge " represented war and the symbol of defending the country. Therefore, the shape below the word "country" expressed people's strong feelings for the protection of the country and the defense of the motherland. There were also many calligraphy styles that expressed patriotic sentiments. For example,"Han Li" and "regular script" were both traditional calligraphy characters that expressed people's love for traditional Chinese culture and respect for the motherland. On the other hand, official script expressed people's admiration for the country's long history and culture with simple and smooth lines. Patriotic calligraphy could be expressed in various styles and styles. Whether it was Chinese characters, cursive script, semi-cursive script, or other scripts, they could convey people's love and respect for the motherland through the expression of pen and ink.
Here are some recommended books for ancient novels:"Phoenix Power Chess the World","Choosing the Heavens","Old Grass of Zhaoxi","Strategy of Emperors","Strategy of Cultivating Powerful Officials","Flowers Heavy in the Royal Palace","Royal Daughter Shaohua","Coroner Shocked the Flower","My Young Man","There Are Bandits","Holding Your Child's Hand and Dragging Your Child Away","Yong 'an Tune","Ghost Marriage","Peach Blossoms and Rivers and Mountains","Mountain Pavilion as a Sword","Lotus Lamp","Female Arrester","Hades Poison Concubine",&"I'm a cannon fodder supporting actress with a script,""Ugly Girl Without Coquettishness,""Fate of Orchid Fragrance,""Snowy Bone Flower on the Road,""Charm Series: Fei Luo Dance II," and so on. These novels were of high quality and had fascinating plots, suitable for readers who liked ancient novels.
The first book of Chinese characters was Shuo Wen Jie Zi.
Mr. Cui Hanbai mentioned the importance of brush strokes in his calligraphy video. He believed that the strokes of calligraphy were not complicated. As long as he used the brush like he used chopsticks to pick up vegetables, he could master the strokes of calligraphy. Through vivid examples, he taught calligraphy lovers how to use the brush and how to master the strokes, making it easy to learn calligraphy. Mr. Cui Hanbai's calligraphy concept and experience were widely concerned in the media, and his calligraphy works were also favored by collectors. However, Mr. Cui Hanbai did not explain the specific skills and methods in detail. Therefore, regarding the specific content of Mr. Cui Hanbai's lecture, there was no clear answer in the information provided so far.
Calligraphy works usually need to express the author's feelings and thoughts, and labor is an important theme because it is closely related to people's daily work and life. The following is a piece of calligraphy about labor, hoping to inspire. The Power of Labor Calligraphy content: Labor is one of the most basic activities of human beings, and it is the source of life and wealth. Whether it was agriculture, industry, or service labor, they were all inexhaustible driving forces for social development. In calligraphy, we can express the power of labor with the help of pen and ink. For example, we can use different thickness of the font to express the hard work and fatigue of labor, and we can also use smooth lines and dense and orderly strokes to express the busy and orderly work. At the same time, calligraphy works could also express the creativity of labor. In creation, we can express the creativity of labor with the help of personal font and pen and ink skills, and we can also express the infinite possibilities and development prospects of labor with the help of images and metaphor. Labor is an eternal theme, its power is immeasurable. In calligraphy, we can express the power of labor with the help of brush and ink, so that people can better understand and appreciate the value and significance of labor.
Calligraphy is an important part of Chinese culture and art, with a long history and rich cultural content. Here are some poems related to calligraphy: 1 Preface to Lanting Collection-Wang Xizhi The spring scenery in the pavilion is good, and the winding water flows with wine cups. All the wise men, young and old, gathered together. I've left this place on a yellow crane. Drunken uses the drunken breeze to fish. 2. Wang Xianzhi, the Sage of Calligraphy The pool is deep and the fish swim. The trees are luxuriant and the birds fly. The Sage of Calligraphy said that books were like cutting onions. There is a road to the mountain of books, diligently making a path, learning the boundless sea, painstakingly making a boat. 3 "Ten Discussions on Official Script"-Zhong Hui Zhong Hui wrote official script with strict structure and strong strokes. During the Han and Wei Dynasties, the structure of the law was strange and the spirit was extraordinary. The pen of the right army is full of wit and interest. 4 "Linjin Xiaowu Stele"-Zhang Menglong Linjin Xiaowu stele structure strange steep strokes strong. The Han and Wei dynasties had a strict structure and neat strokes. Before writing this stele, it is magnificent and full of spirit. 5 Mysterious Secret Tower Stele-Inscription The structure of the mysterious tower stele was neat and beautiful. The structure of the Han and Wei Dynasties was rigorous and the strokes were beautiful. Before writing this stele, the writing posture is dignified and beautiful, and the strokes are smooth. These poems displayed the unique charm and cultural content of calligraphy, allowing people to better understand and appreciate the art of calligraphy.