Who knows the core of Lu Xun's Self-Inscription and Self-mockery?

Lu Xun's self-titled portrait and self-deprecating examples are as follows: Self-inscribed small portrait: Lu Xun was a great ideologist and writer. Through his works, he revealed the dark side of Chinese society and promoted the development of modern Chinese literature. His portrait was of a middle-aged man wearing simple clothes and glasses. His serious expression revealed that he was deep in thought. On the back of the small statue hung a sign with the words "Thinker" and "Scholar". Self-deprecating: Lu Xun was a humorous and witty person. He often displayed his sense of humor in his works. In one of his works, he described how he accidentally said," I am a scholar," at a banquet, which caused everyone to laugh. He had once written in an essay that he had become an Owlman because of long-term insomnia. He could only fall asleep at dusk every day. These humorous descriptions made people feel Lu Xun's unique literary style.

Lu Xun's poems "Inscription of a Little Statue" and "Self-mockery" are as follows: Self-inscribed small portrait The bones are clear and strange Like a protruding stone wall muscularity Like a rolling cloud hair was Like mud that hasn't been washed for days Black eyes, black eyes Like two deep black holes self-deprecating I'm just a commoner No special talent But I often feel lonely and helpless Like a grass swaying in the wind I am a small fish Living in a clear river But I often feel lost and confused Like a fish swimming in the sea

Lu Xun's Self-mockery was a humorous essay that expressed the author's open-mindedness and hope for the future by describing the protagonist's self-deprecating story. At the beginning of the article, Lu Xun, the protagonist, called himself "I". He introduced himself in the article: "I am a nameless pawn in this world for decades without any achievements. Struggling for survival all day long, like a small fish struggling in a quagmire, swimming here and there in pain every day to survive." Lu Xun then mocked his own background in the article: "I came from the countryside and suffered all kinds of discrimination and oppression since I was young. I used to think that I was born to be useless and couldn't stand in this world." In this self-evaluation, Lu Xun emphasized the fact that he was born in poverty and suffered injustice. However, he did not give up because of this, but was full of hope for the future. In the second half of the article, Lu Xun described his living conditions: " Every morning, I have to get up early to catch the bus, like a crowded subway. Sometimes, I can't even stand properly in the subway and I have to worry about being squeezed by the people behind me." In this description, Lu Xun once again mocked his own living environment, but he did not feel despair, but expressed his hope for the future. In the end, Lu Xun said in the article,"I'm not trying to prove myself. I just want to leave something that belongs to me in this world." I hope my work can bring some warmth and hope to this world." Through this essay, Lu Xun expressed his attitude towards life and his longing for the future. He used his own experience to tell us that even if we are in trouble, we must maintain hope and faith in the future so that we can continue to move forward in difficulties and dangers.

The background of Lu Xun's Self-Inscription and Self-mockery was as follows: "Self-Inscribed Portrait" was a portrait that Lu Xun designed for himself in 1926. At that time, Lu Xun was at the peak of his creation. His painting style was famous for its sharp strokes and profound thoughts. He was so confident in his portrait that he personally selected the artist Chen Yifei to paint it. However, due to the social background at that time and the artist's own reasons, this painting did not receive widespread attention and recognition. Self-mockery was an essay written by Lu Xun in 1935. This article described some of Lu Xun's reflections and insights on his own life as well as some criticisms of the society at that time. In this article, Lu Xun used himself as an example to express his attitude and outlook on life. Lu Xun was a great ideologist, writer and revolutionary. His works had a profound impact on the development of modern Chinese culture and thought. His unique writing style and profound thoughts were hailed as one of the founders of modern Chinese literature.

Lu Xun's self-inscribed portrait is a cultural relic with great artistic value and cultural significance. The following is an appreciation of it: Lu Xun's portrait was a sculpture that showed Lu Xun's face and temperament. Lu Xun was a great ideologist, writer, and cultural movementalist. His works deeply reflected the social reality and the sufferings of the people, which had a profound impact on modern Chinese culture. Lu Xun's sculptures of his own portraits deeply expressed his thoughts and emotions through facial expressions and body language. His facial features were distinct, his eyes were sharp, and his gestures were powerful. It was as if he could feel the emotions and power transmitted by the sculpture. The composition of the whole work was rigorous, the proportion was accurate, and the shape vividly reflected Lu Xun's style and bearing as an outstanding cultural figure. At the same time, the work also shows the unique charm of Chinese sculpture art and the great achievements of the Chinese people in cultural creation. The appreciation of Lu Xun's self-inscribed portrait not only shows Lu Xun's image as an outstanding cultural figure, but also shows the achievements and charm of Chinese sculpture art. It is an important work in the history of Chinese culture.

Lu Xun's " Self-Inscription of a Little Portrait " meant that he wrote an inscription on his portrait to express his understanding and evaluation of Lu Xun. The portrait showed Lu Xun's physical features, including his figure, face, hair, and beard, as well as his own comments. This portrait was regarded as a figurative expression of Lu Xun's image and also his in-depth exploration of Lu Xun's research.

Lu Xun's poems "Inscription of a Little Statue" and "Self-mockery" are as follows: Self-inscribed small portrait I'm the White Bone Demon, I'm the Wild Ghost King I'm a nine-tailed fox, I'm a centipede I am the candle in the cold wind, I am the umbrella in the rain I'm a wolf in the wilderness, I'm a mountain leopard. self-deprecating I'm useless, I'm redundant I'm a nobody, I'm a nobody I'm a lonely person, I'm a lonely person I'm the poor's child, I'm the rich's poor.

In Lu Xun's " Self-Inscribed Little Statue ", the word " Lingtai " referred to the " place of the soul ", which could also be understood as " place of the spirit ". In the novel, Lu Xun expressed his thoughts on human nature and his exploration of the soul by describing the shape and expression of his small portrait. This word could also be used to describe a person's thoughts, beliefs, and soul.

The meaning of the four lines in Lu Xun's "Self-Inscription of a Small Image" was: I'm like a pine tree Standing on the top of the mountain all year round wind and sun It still stood tall. This poem depicted Lu Xun's image of standing on the top of the mountain for a long time like a pine tree, unaffected by the external environment and growing steadily. The pine tree in the poem symbolized Lu Xun's firm belief and indomitable spirit. Even in difficult and dangerous environments, he could stand tall like a pine tree.

Lu Xun's " Self-Inscribed Portrait " was a work of his own portrait, and it was also a classic in the history of modern Chinese literature. "Self-Inscribed Portrait" depicted Lu Xun's appearance, including the outline of his face, the position of his five senses, the length and color of his hair, and so on. He used simple lines and geometric shapes to create a simple yet powerful visual style. The entire portrait was painted in black, white and grey tones to highlight Lu Xun's mystery and determination. "Self-Inscribed Portrait" was a portrait of Lu Xun, which showed his unique appearance and temperament. It was not only a record of Lu Xun's personal image, but also a reflection of the evolution and development of modern Chinese culture and society. In the history of literature, it was regarded as one of the important representatives of Lu Xun's artistic achievements and also a classic in the history of modern Chinese art.