In which volume of Su Shi's anthology is the record of the article and the painting, the valley and the bamboo

Su Shi (1037 - 1101) was a famous writer, calligrapher, painter and one of the outstanding figures in the Northern Song Dynasty. Su Shi's anthology included Dongpo Zhilin, Dongli Yuefu and other poetry collections, including Sumen Four Scholars 'Poetry, Red Cliff Ode, Shuidiao Getou, etc. These works had an important position in the history of Chinese literature and were regarded as one of the treasures of Chinese classical literature. Su Shi's works not only had high achievements in literature, but also had extraordinary attainments in art. His calligraphy, painting and other fields were highly praised.

Su Shi (1037 - 1101), also known as Zizhan, was one of the eight famous writers, calligraphers, and painters of the Tang and Song Dynasties. He lived in the Xining period of the Northern Song Dynasty. Because of his literary talent and political ability, he was known as one of the "Four Scholars of the Su School". Su Shi's literary works were mainly prose and poetry. His representative works included "Ode to the Red Cliff" and "Water Melody". His prose style was fresh, natural, and philosophical. He was known as one of the representatives of "Gentleman and Gentleman". Su Shi's poems were numerous and varied in style. Among them, the most famous were Jiangcheng Zi, Mizhou Hunting, which was represented by the bold and unconstrained school, and Shuidiao Ge Tou, Bingchen Mid-Autumn Festival, which was represented by the graceful and restrained school. His poems reflected his deep thoughts and feelings about life, nature and society, which had high artistic and cultural value. Su Shi was also an outstanding figure in the history of Chinese calligraphy. His unique calligraphy style was most famous for his "Dongpo Pork". His calligraphy focused on the smooth and tactful strokes, naturally giving people a comfortable, calm, bold and unconstrained feeling. Su Shi was an outstanding writer, calligrapher and painter. His works and cultural influence are still widely spread in the world today, which has a profound impact on the development of Chinese literature and culture.

Which of Su Shi's poems had the word "in the painting"? For the time being, there was no specific answer because the word "in the painting" was not created by Su Shi, but later used by martial arts novels to describe the artistic conception of martial arts characters in the painting. Therefore, Su Shi's poem had no direct relationship with the word "in the painting".

Twelfth Su was a character in Wang Yu's web novel " A Record of a Mortal's Journey to Immortality " and its derivative works. He was the senior apprentice brother of the main character, Han Li, when he was at the Seven Mysteries Sect in the State of Yue. Due to his cultivation of the Eternal Youth Arts, he was mentally deranged and crippled. In order to recover, he joined the Trial by Blood and gained great merit and obtained the Foundation Establishment Pill. However, he was framed by the Sect Master of the Seven Mysteries Sect and killed by Li Feiyu. While waiting for the TV series, you can also click on the link below to read the classic original work of " A Record of a Mortal's Journey to Immortality "!

Shi Tiesheng's Collection was a collection of his short stories, essays, essays, and other works in contemporary China. The collection contained many creative and thoughtful works, demonstrating Shi Tiesheng's unique literary style and creative talent. In Shi Tiesheng's Collection, readers can appreciate Shi Tiesheng's deep thoughts on life, fate, society and other topics. He tells many thought-provoking stories about human nature, emotions and society through the form of novels. At the same time, Shi Tiesheng's works were also full of humor and humor, which made readers feel happy and relaxed in the process of reading. Shi Tiesheng's Collection is a collection of works full of depth of thought, literary value and entertainment. It is one of the precious treasures of contemporary Chinese literature, suitable for readers to read and learn.

The following are some ideas about drawing Su Shi's poem "Jinshan Temple": ** 1. Read the scene (Moonlit night scenery to dawn in the river sky)** 1. ** Overall layout and background ** - The main background of the picture could be the scenery of the Yangtze River near Jinshan Temple. On one side of the picture, there were continuous mountain peaks in the distance. The outline of the mountain peaks could be outlined in light ink or light gray, showing a hazy distant meaning. The moon hung high in the sky, and the moonlight shone on the river surface. The river water could be expressed in light blue and white tones to reflect the sparkling waves of the river under the moonlight. Thin and curved lines were used to describe the waves when the river surged. The waves were highlighted with white paint, as if the tide was falling with the dark waves. 2. ** Close-up Details ** - On the river surface, he drew a small fishing boat. There could be a fisherman on the fishing boat. He held a fishing rod and the fishing line hung down into the river. The vicinity of the fishing hook could be dotted with a faint yellow or silver paint, symbolizing the bright moon in the water, corresponding to the "Yuanpu Fishing Boat Fishing the Bright Moon." - Near the shore, he drew a small bridge that led to the gate of Jinshan Temple. The lines of the bridge could be simple and simple. There were a few pine trees beside the bridge. The branches of the pine trees were drawn in thick ink, and the pine needles were dyed in light ink, showing the feeling that the bridge was small compared to the pine path of the temple gate. The gate of the temple could be painted in reddish-brown. The threshold was opposite to a clear spring. The spring water could be painted with white paint to express the movement of the flowing water. The surrounding stones were outlined in light gray to reflect the "threshold as the spring's eye, stone wave clear". - On the riverside, he drew some green trees. The color of the green trees gradually changed from dark green at the bottom to light green, showing the layering of the green trees. In the distance, there was a faint red glow in the sky, indicating that the sky was about to break. It reflected that the distant green trees were bright in the river, and the sea was clear in the morning. In the sky, there were a few flying geese. The outline of the flying geese was simply outlined in light ink. The number was not too large, reflecting the image of "looking at the clouds on all sides and the water, the green peaks and thousands of points of light". ** 2. Rewind the scene (At dawn, the fishing boat sings at night)** 1. ** Overall layout and background ** - The main background of the scene was still the scenery of the Yangtze River near Jinshan Temple. At this moment, the sun had just risen in the sky. The sunlight could be expressed in orange and red tones. The sunlight shone on the river surface, and the color of the river could be brighter than the moonlight. It was painted in gold and light blue. Under the sunlight, the mountain peak in the distance was emerald green, and the outline of the mountain peak was even clearer. 2. ** Close-up Details ** - A few flying geese flitted across the river surface, and the figures of the flying geese were drawn in a thick ink color, showing the scene of "light geese dotted with thousands of peaks". By the river, the water and sky connected, and the field of vision was wide. Light blue and white tones could be used to express the feeling of water and clouds, which was "water and clouds looking far away". - There was a clear spring by the shore, and the spring water flowed through the stone. The texture of the stone could be drawn more clearly. Beside the spring was the path and pine trees leading to the temple. The gate of the temple was opposite the small bridge. It was painted in a similar but brighter color, corresponding to the "Clear Wave Stone Eye Spring as the threshold, the path to Songmen Temple facing the bridge." - On the river, he drew a fishing boat. Under the afterglow of the setting sun, the fishermen on the boat packed up their fishing gear. The sky in the distance was red and misty, and the green trees by the river were still full of vitality, reflecting the red clouds on a sunny day and the green trees on the river in the morning. The moon fishing boat is far away, and the snow is dark with the tide.

"Shen Congwen's Selection, Volume 4" Reading Notes: Shen Congwen's Collection Volume Four was a collection of novels written by Shen Congwen, which included his representative works, Border Town, Spring Silkworm, and so on. The novels in this collection were all about the rural life and love stories in southern China, full of strong local characteristics and emotional colors. When reading this book, one needed to pay attention to the character's personality and psychological changes, as well as the author's in-depth exploration of human nature and emotions. "Chekhov's Selection of Fictions" reading notes: " Chekhov's Fictions Collection " was a collection of novels written by Chekhov, including his representative works," Three Changes " and " The Cherry Orchard ". The novels in this collection were all about Russian society and the cultural environment. They were of high literary value. When reading this book, one needed to pay attention to the character's personality and psychological changes, as well as the author's deep thinking and analysis of society and human nature. When reading these two books, it is recommended to analyze and understand the specific plot and characters. At the same time, you should pay attention to the grasp and understanding of the author's literary style during the reading process.

Bamboo houses were small buildings built with bamboo as the main building material. Most of them were two-story or more bamboo buildings, belonging to the southern "dry column building". Bamboo House had a long history of construction. It was first built in the tropical rainforest of Southeast Asia. In China, bamboo houses were mainly distributed in Yunnan Province, and Xishuangbanna Dai Autonomous Prefecture was the main distribution area. Its construction was affected by the local hot, humid, rainy, lush bamboo and other ecological environments. The structure of the bamboo building had its own characteristics. It was usually made of thick bamboo as the skeleton, bamboo strips as the wall, bamboo strips or wooden boards as the floor, grass as the roof, and 24 main pillars. The entire building had two floors, and the space was tall. The pillars, floors, and walls were made of wood and bamboo, and the roof was covered with thatch and tiles. The upper level was used for living, while the lower level was used for raising livestock and storing farm tools. The roof was wide and flat. Its main function was ventilation, sun protection, and rain protection. The house was hollow, which helped to keep the room dry and cool. It could also avoid the heat, humidity, and insects on the ground. As the symbolic residence of the Dai people, the bamboo house had some special cultural customs. For example, the top beam and the big pillar were called the " falling pillar ". They were the most sacred pillars in the bamboo building. They could not be leaned on or piled up at will. Sometimes, they would be wrapped in red silk to protect the bamboo building from disaster. When people built new buildings, they often put leaves under the pillars. It was said that this would make the house stronger. There were no walls on the ground floor of the bamboo building, which was used to raise livestock and store sundries. There were a central room and a bedroom upstairs. The central room was equipped with a fireplace, which was a place for cooking and family reunion. Outside the upper floor, there was an open front porch and a balcony. The front porch was used for daily work, eating, resting, and receiving guests. The balcony was used for washing, drying clothes, drying crops, and storing water tanks. In addition, in modern times, there were also people who built their own bamboo houses for leisure. For example, someone built his own bamboo house in rural Jiangxi Province, and had his own unique transformation experience in the process of construction and renovation. Bamboo houses were also related to culture and art. There were music composed with bamboo houses as the theme, such as "Love Song of Bamboo House", which showed the sweet love life of young Dai men and women.

Shi Minghua had made many contributions to landscape painting. In terms of landscape painting teaching, on March 10th, the public welfare training painting class of Yongxin County Chinese People's Political Conference Painting and Calligraphy Institute started. Teacher Shi Minghua mainly focused on Song Dynasty landscape and green landscape, as well as flowers and birds, sketching and so on. Starting from the Northern Song Dynasty landscape painting, it introduced the differences in the composition and style of landscape painting between the North and the South. For example, Li Cheng and Fan Kuan of the Northern Song Dynasty inherited and perfected the panoramic composition and majestic style of the Northern Landscape School of the Five Dynasties, and the Southern Song Dynasty created the "slanted landscape". When guiding the students, he emphasized that brush and ink were the essence of China painting. The ink should be radiant, layered, and varied. The requirements for the ink were clear, moist, deep, and harmonious. He also emphasized the importance of the ink grinding ceremony, which not only tempered the mind but also improved the finger strength. He would also exchange the characteristics of various kinds of Xuan paper with the students. In addition, he also led the students in learning and practicing landscape painting. From theory to practice, he explained the relevant knowledge of landscape painting in detail.