The full text of Chu Ci

The Preface to the Songs of Chu was a preface to an ancient literary document written by the Tang Dynasty poet Wang Zhihuan. The full text is translated as follows: Chu Ci was an important part of ancient Chinese literature and an important cultural heritage of Chu State. The main authors of "Songs of Chu" were scholars of the State of Chu. They used the natural scenery, historical culture, and characters of the State of Chu as material to create a batch of poems full of Chu characteristics and full of romantic colors. The literary style of Chu Ci was unique, the language was gorgeous, the rhyme was beautiful, and it was full of appeal. It had a very high artistic value. Wang Zhihuan briefly introduced the characteristics and historical background of Chu Ci in the Preface to Chapters and Sentences of Chu Ci, and highly praised the literary value and significance of Chu Ci. He also analyzed the spread and influence of "Songs of the South", pointed out the status and influence of "Songs of the South" in ancient Chinese literature, and emphasized the importance of "Songs of the South" research and protection.

Flowers wither, flowers fly, flowers fill the sky, red fade fragrance cut off who pity? The gossamer gently floated in the spring pavilion, and the falling wadding gently touched the embroidered curtain. The daughter in the boudoir is regretful of the late spring, full of sorrow and no place to release. Hand hoe out of the embroidered curtain, bear to step on the fallen flowers to come and go. Willow silk elm pod naturally fragrant, regardless of peach floating and Li Fei; Peaches and plums can bloom again next year, but who knows who will be in the boudoir next year? In March, the fragrant nest has been built, and the swallows between the beams are too heartless! Next year, although the flowers and hair can be pecked, it is not like the empty nest of a man who leaves the beam. There are three hundred and sixty days in a year, and the wind, knife, frost and sword are fierce. How long can the bright and beautiful beauty last? It is difficult to find it in a day. Flowers bloom easy to see, fall difficult to find, in front of the steps sad to kill the person who buried the flowers, alone leaning against the hoe tears secretly sprinkled, sprinkled on the branches on the sky to see blood stains. The cuckoo was speechless. It was dusk, and the hoes went back to close the heavy door. The blue lamp shone on the wall, and the people had just fallen asleep. The cold rain knocked on the window and the quilt was not warm. Why do you blame me for being so sad? half for pity and half for vexation. Love spring suddenly very angry suddenly left, to no words to go not heard. Last night, a sad song was sung outside the court. Do you know that it was the soul of flowers and birds? Flower soul bird soul is always difficult to stay, the bird is silent, the flower is ashamed; I hope I can grow wings today and fly with the flower to the end of the sky. At the end of the sky, where is the fragrant mound? It is better to collect the beautiful bones in the brocade bag, and cover the romantic atmosphere with a handful of pure land. Zang Zhi came clean and left clean, better than sinking into a ditch in the mud. Now that you're dead, I'm going to bury you. I don't know when I'll die. Now I'm burying flowers, people laugh at me. Who will bury me in other years?

Shuyu Ci is a collection of Ci written by Nalan Xingde, a famous poet in Qing Dynasty. Because the text of "Shuyu Ci" is difficult to search, the full text cannot be provided. However, one could search for the full text of the Ci of Shuyu through the search engine to obtain an extract or a reading version of the Ci of Shuyu.

The Songs of Chu is a genre in the history of Chinese literature and one of the most important poetry schools in the history of Chinese literature. It was named after its author, the poet Qu Yuan of the State of Chu (about 340-about 278 B.C.). The characteristics of the Songs of Chu are that the language is gorgeous and the emotions are rich. It often uses metaphor, symbolism, exaggeration and other rhetorical devices to have a unique artistic charm. Its literary form was mainly poetry, including Fu, Sao, Ci, Qu, etc. The creation background and historical origin of the Songs of Chu can be traced back to the Warring States Period. At that time, the regime of Chu was turbulent and the people lived a hard life. Qu Yuan wrote the Songs of Chu under such a background and expressed his dissatisfaction with social reality and pursuit of life through his poems. The Songs of Chu had an important position in the history of Chinese culture. It not only had a profound influence on Chinese literature, art, philosophy and other aspects, but also had an important impact on world literature.

The Songs of Chu was an important literary style in ancient Chinese literature. It was named after the Warring States Period and was one of the earliest collections of romantic poems in the history of Chinese literature. Chu Ci was mainly popular in the Chu State (present-day Hubei Province, China). Its authors were mostly nobles and scholars of the Chu State. The main characteristics of the Songs of Chu included: 1. Romanticism: The main characteristics of Chu Ci are romantic emotions and imagination. It shows the author's thoughts and feelings about nature, life and society. 2. Freedom of form: The sentence structure, rhythm, vocabulary, etc. of Chu Ci are very free. They often use metaphor, symbolism, antithesis and other rhetorical techniques to make their poetry language concise and full of expression. 3. A wide range of content: The Songs of Chu covers politics, philosophy, history, geography, human feelings, love, and many other aspects. It reflects the author's thoughts and feelings about the real world. 4. Profound influence: The Songs of Chu had a profound influence on ancient Chinese literature and culture and was hailed as a classic in the history of Chinese literature. Chu Ci is an important part of the history of Chinese literature. Its romantic color, free form, extensive content and other characteristics make its poetic language unique and far-reaching.

The Songs of Chu is an important cultural heritage in the history of Chinese literature. The author was Qu Yuan, a poet of the State of Chu during the Warring States Period (about 340-about 278 B.C.). Qu Yuan was a statesman, writer, and ideologist of the State of Chu. He had created a large number of works of Chu Ci, among which Li Sao was the most famous representative work. The Songs of the South was known as one of the peaks of poetry in the history of Chinese literature, which had a profound influence on the poetry creation of later generations.

Zhuzhi Ci is a seven-character poem written by Liu Yuxi, a poet of the Tang Dynasty. The complete poem is as follows: Liu Yuxi·Bamboo Branch Ci The new bamboo shoots are higher than the old ones, all thanks to the support of the old trunks. The next year, there will be a new dragon sun ten feet around the phoenix pool. This poem described the story of the new bamboo being higher than the old bamboo and relying on the support of the old. The poem also mentioned that there would be a new generation of ten feet of dragons and grandchildren around the phoenix pond next year, which meant that the new bamboo would sprout again and become an even taller bamboo. The whole poem was full of positive and energetic atmosphere, showing the harmonious symbiosis between man and nature.

There were many suitable names for boys in the Song of Chu. Some of the names included: Boyong, Xiuyuan, Haochen, Lingxiu, Wangshu, Jianzhi, Yangling, Chenxing, Baolu, Chengyu, Huaixin, Huaijin, Qinghao, Peizhuo, Jiaju, Muyu, Qingyun, Chenghong, Zhenye, Tengyang, Fangxu, etc. These names all had different meanings and characteristics. Parents could choose names that suited their children according to their preferences and expectations.

The Songs of Chu is a type of ancient Chinese literature. The author is Qu Yuan (c. 340-c. 278 B.C.), a poet and politician of the State of Chu during the Warring States Period. Chu Ci is a special form of poetry with strong cultural characteristics of Chu State to express love and loyalty to the country and the nation. The style of Chu Ci was gorgeous and full of appeal. It often used metaphor, symbolism, exaggeration and other rhetorical techniques. The content of Chu Ci mostly involved politics, history, philosophy, religion and other aspects, which showed the author's deep thinking and exploration of these fields. The Songs of Chu was one of the most important schools in the history of Chinese literature, which had a profound influence on the poetry creation of later generations.

The Songs of Chu was one of the most important branches in the history of Chinese literature, and was regarded as a treasure in the history of Chinese literature. The Songs of Chu had attracted the attention and love of countless literature lovers with its unique literary style and magnificent language expression. There were many artistic and poetic names in the Songs of Chu. Here are some examples of good names in the Songs of Chu: 1 Qu Yuan (Qu Yuan got his name because of his creation of the Chu Ci Li Sao) 2. Lingjun (Lingjun refers to another famous poet in the Songs of Chu, Qu Yuan, because of his name) 3. Zhaojun (Zhaojun refers to the princess of Chu State who is famous for her beautiful appearance) 4. Zilan (Zilan refers to a famous poetess in the Songs of Chu) Li Sao (Li Sao refers to a famous lyric poem in the Songs of Chu) Madame Xiang (Madame Xiang refers to a beautiful woman in the State of Chu who is famous for her legendary magical charm) 7 Great Si Ming (Great Si Ming is a mythical god in the Songs of Chu and is considered the guardian god of Chu) 8. Asking Heaven (Asking Heaven refers to a famous lyric poem in the Songs of Chu. Its theme is about the question and exploration of all things in the world) 9 National Soul (National Soul refers to a famous poet in the Songs of Chu. His poems are known as the national soul of Chu) The good names in Chu Ci are not only poetic and artistic, but also have profound cultural implications and symbolic significance. They are precious treasures in the history of Chinese literature.