The representative work of every ancient poet

Representative works usually referred to the most important works of a poet, which could be one or more. For poets, masterpieces may have a specific style, theme, or expression that represents their poetic achievements and artistic characteristics. In the history of Chinese literature, Du Fu's "Ascending" and Bai Juyi's "Farewell to the Ancient Grass" were considered representative poems of the Tang Dynasty. In the history of western poetry, works such as Byron's Cambridge and Emily Dickson's Spring were also widely regarded as great works of poetry. Therefore, to answer the question of the representative works of poets, we need to consider the poems of different cultures, different eras and different schools.

The immortal poet referred to Li Bai's representative works, such as " Going to Drink,"" Ballad of Lushan Mountain,"" Reminiscence of the Past at Nizhu," and so on. These poems were known for their bold, unrestrained, and passionate style, and were hailed as masters in the history of ancient Chinese poetry. Li Bai's poems not only occupied an important position in the history of Chinese literature, but were also highly respected in the world as "Poet Fairy".

The following are each: 1 Cao Xueqin: Dream of the Red Chamber 2. Jin Yong: The Condor Heroes, The Eight Dragons, The Swordsman, The Deer and the Cauldron 3 Gu Long: " The Legend of Lu Xiaofeng "," The Legend of Chu Liuxiang "," The Legend of Famous Sword "," The Peerless Twin Prides " 4 Lao She: Camel Xiangzi 5 Lu Xun: The True Story of Ah Q, Hesitation, New Stories 6. Zhang Ailing: Love in the City, Red Rose and White Rose, In the Mood for Love 7. The Old Man and the Sea 8 Faulkner: The Sound and the Fury, The Pick-wickick Story, The Great Gatsby 9 Margaret Atwood: Gone with the Wind 10 Margaret Mitchell: Gone with the Wind, Love in the City, Wildfire

The representative work of the modern Indian poet Tagore's novel was Gitanjali.

The representative work of the Tang Dynasty poet Du Mu was Red Cliff. This poem described the magnificent scene of the Battle of Red Cliff during the Three Kingdoms period, expressing Du Mu's joy at the victory of the war and his reverence for the heroes. This poem was also widely regarded as a classic in the Tang Dynasty and was hailed as a "famous poem through the ages".

Li He was one of the famous poets of the Tang Dynasty. His poems were bold, unrestrained, peculiar and magnificent. He was known as the "Poet Ghost". His representative works include: 1." Moored at Niuzhu at Night, Reminiscing the Past ": This poem described how the poet moored at the bank of the Niuzhu River at night and missed the famous generals of the past. It was filled with homesickness and nostalgia. 2."The Governor of Yanmen": This poem used war as the theme to describe the story of the governor leading the soldiers to fight bravely to save the people. It showed Li He's poetic style and heroic spirit. 3. Ballad of Lushan Mountain: This poem portrays the beautiful scenery of Lushan Mountain and shows the poet's love and reverence for nature. [4]" Song of the Golden Copper Immortal's Farewell to Han ": This poem uses narration as the theme to describe the story of the Golden Copper Immortal being demoted to a slave because he refused the invitation of the King of Han. It is full of heroic and tragic emotions. The above are some of Li He's representative works. His poems have extremely high artistic and literary value, and are widely praised and praised by later generations.

The representative works of Du Mu, a poet of the Tang Dynasty, include Red Cliff, Yangzhou Man, and Zhinanlu. Among them, Red Cliff and Yangzhou Man were considered to be Du Mu's most famous poems. "Red Cliff" described the beautiful scenery of Su Shi and his friends boating under the Red Cliff, which showed the poet's bold and unrestrained character;"Yangzhou Man" described the prosperity of Yangzhou City, which showed the poet's yearning for beautiful things. These two poems became classics in Chinese classical literature.

The representative work of a famous patriotic poet in the Song Dynasty was Su Shi's Zi Zhan and Dong Li. Su Shi was one of the famous writers, calligraphers, cultural critics, and politicians in the history of Chinese literature. His poems, essays, songs, calligraphy, and other artistic works had extremely high artistic and cultural value, and he was known as the first of the "Four Scholars of Su School". His masterpieces include Shuidiao Getou: When Will the Bright Moon Appear, Jiangcheng Zi: Hunting in Mizhou, Nian Nujiao: Reminiscence of the Ancient Red Cliff, etc.

Liu Yuxi was a famous writer and politician in the Tang Dynasty. His representative works included the "Humble Room Inscription" and "Bamboo Pavilion". "Humble Room Inscription" was one of Liu Yuxi's representative works, known as the "eternal inscription". It was an article that expressed life philosophy and moral norms in simple, fresh and implicit language. The article expressed Liu Yuxi's open-minded and detached attitude towards life and his yearning for a better life by describing his shabby house. " Bamboo Pavilion " was one of Liu Yuxi's representative works. It was a poem with bamboo as the theme to express the poet's quietness, tranquility, and elegance. The poem described the poet looking into the distance, listening to the sound of running water and feeling the beauty of nature in the bamboo pavilion, expressing his awe of nature and love for life. Liu Yuxi was an important figure in the literary history of the Tang Dynasty. His literary works and thoughts had a far-reaching influence on later generations.

Li Bai's representative work was " The Wine ". This poem was one of the most famous works of Li Bai, a famous poet of the Tang Dynasty. It was one of the representative works of the "Poet Fairy". This poem used a bold and unrestrained poetic style to describe Li Bai's open-minded attitude towards life and his pursuit of ideals and freedom. It expressed his open-minded feelings and lofty aspirations. This poem was widely praised and became a classic in the history of Chinese literature.