The proverb in Lao She's New Year

The original text of Lao She's New Year is as follows: have the Spring Festival Lao She The Chinese New Year was a special festival for the Chinese. It was not only a day of family reunion, but also a time to sum up the past and look forward to the future. In our traditional culture, Chinese New Year has a rich cultural meaning. Before the Spring Festival, people would carry out a series of celebrations such as sticking couplets, setting off firecrackers, sticking window grilles, eating New Year's Eve, enjoying lanterns, dragon and lion dances, and so on. These activities not only expressed people's wishes for happiness, peace, and reunion, but also reflected traditional culture. The New Year was also an opportunity for people to relax and get rid of the tedious daily life. During the Spring Festival, people can put down the pressure of work and study to enjoy the warmth of family reunion and the joy of gathering with friends. Chinese New Year was an extremely important festival for the Chinese people. It was not only the embodiment of traditional culture, but also an important way for people to express their wishes for happiness, peace, and reunion.

The original text of Lao She's New Year is as follows: have the Spring Festival Lao She Chinese New Year was a traditional festival in China, and it was also one of the most solemn festivals. The New Year meant that years passed by quickly. Chinese New Year was a time for family reunions. On this day, the whole family would celebrate the new year together, eat reunion dinner, paste couplets, set off fireworks, and so on. People would do special things to express their blessings and gratitude to their families. Chinese New Year was also the longest holiday of the year. People could put down their work to relax and enjoy the warmth and care of their families. Chinese New Year was a very important event for the Chinese people. It was not only a cultural tradition but also an important festival in people's lives.

Lao She was a famous 20th-century Chinese novelist and drama. His works depicted the traditional customs and atmosphere of the Chinese Lunar New Year. In Lao She's works, New Year's Eve was a rich and festive atmosphere, which also reflected the unique charm of Chinese traditional culture. The embodiment of the New Year's flavor included: Couplets and lanterns: Couplets and lanterns are important elements in traditional Chinese culture. They are often depicted in Lao She's works to represent the joy and blessings of the new year. Dumplings and rice cakes: Dumplings and rice cakes are important foods in traditional Chinese culture. They often appear in Lao She's works to represent reunion and family harmony. 3. Setting off firecrackers and sticking window grilles: Setting off firecrackers and sticking window grilles are traditional customs in Chinese traditional culture. They are also depicted in Lao She's works to represent the atmosphere and liveliness of the new year. 4. New Year greetings and red packets: New Year greetings are a traditional custom in Chinese traditional culture. It is also depicted in Lao She's works as representing New Year's blessings and socializing. The New Year's flavor in Lao She's works is a rich and festive atmosphere, which also reflects the unique charm of Chinese traditional culture. It makes people feel the joy and blessings of the new year while feeling the traditional culture.

Lao She had never written New Year. New Year was published in 1936 by China Modern. The story was about a rural woman and her children during the Spring Festival, reflecting the living conditions of the rural society and people's state of mind at that time.

Lao She was a famous Chinese novelist. His works covered many different topics and styles, including novels, plays, essays and essays. However, one of his most famous works was an article about the New Year. Lao She wrote about how an ordinary Chinese person spent the New Year and the historical and cultural significance behind this traditional festival. Through the description of Chinese New Year, this article showed the essence and charm of Chinese traditional culture, and also expressed the love and cherish of family, kinship and friendship. Other than New Year, Lao She also wrote many other articles and works about the New Year, such as Under the Red Flag, Camel Xiangzi, and other novels, as well as Teahouse, Four Generations Under One roof, and other plays. These works deeply revealed the traditional Chinese culture and social phenomena, and displayed Lao She's unique thoughts and literary style.

Lao She described the lively scene of New Year's Eve in his novel Camel Xiangzi. In the novel, Lao She described the preparation, reunion, and celebration of Xiangzi's family before the New Year's Eve, showing the elements of etiquette, kinship, friendship, etc. in traditional Chinese culture, and also revealing the cruelty and injustice of social reality. In the novel, Lao She portrayed the reunion of Xiangzi's family to show the warmth of family and the importance of kinship. Xiangzi's parents, brothers and sisters were busy preparing food, medicine and gifts for Xiangzi to spend a warm holiday. This scene description reflected the traditional Chinese culture of "harmony in the family, everything will prosper" concept, but also revealed the fragility and preciousness of family affection in society. In the novel, Lao She described the celebration of Xiangzi and Hu Niu to show the power of friendship and the beauty of love. The scene of Xiangzi and Hu Niu celebrating together on New Year's Eve, enjoying delicious food and joy, embodied the concept of "unity and fraternity" in traditional Chinese culture, and also revealed the value of friendship and the power of love in society. In his novel Camel Xiangzi, Lao She described the lively scene of Chinese New Year's Eve to show the etiquette, kinship, friendship and other elements of traditional Chinese culture. At the same time, he also revealed the problems of family, friendship and love in the social reality, showing a profound social reality and social values.

Lao She (December 3, 1899-August 24, 1966) was a famous dramatist, critic and translator in China. His works covered novels, plays, essays, poems, literary theory, and many other fields. He was hailed as "the greatest in China in the 20th century." Lao She's most famous works include the novel Camel Xiangzi, the drama Teahouse, the prose My Life, and the literary theory The structure of the novel. His novels were famous for their realistic style, describing the lives and fates of the people at the bottom of Chinese society, expressing his love for life and criticism of social reality. His plays were known for their superb performing arts and profound social insight, and he was hailed as the founder of modern Chinese drama. His prose works were widely loved by readers for their sincere feelings and profound thoughts. In addition, Lao She was also a famous literary theorist. His theoretical works, including the structure of the novel, had a great influence on the development of modern Chinese literature. He also made significant achievements in the field of translation, translating many famous works of Western literature. Lao She's works and thoughts were deeply loved and influenced by readers, which not only had a profound impact on Chinese literature, but also had an important impact on world literature.

Lao She's Spring Festival in Beijing and Liang Shiqiu's New Year are both articles about the Chinese Lunar New Year, but the two authors have different descriptions and feelings about the Spring Festival. Lao She's Spring Festival in Beijing mainly narrated the lives and customs of the people who celebrated the Spring Festival in Beijing. Through the author's perspective, he showed the excitement and joy of the Spring Festival in Beijing. In the article, the author described the reunion of people at the New Year's Eve dinner, putting up couplets, setting off firecrackers, enjoying lanterns and other activities. At the same time, he also described the social and celebration activities during the Spring Festival. The entire article was filled with a festive atmosphere, allowing readers to feel the unique charm of the Chinese Lunar New Year. Liang Shiqiu's New Year was more about the author's feelings in his hometown, Shandong. In the article, the author described his experience in Beijing during the Spring Festival but emphasized the importance of the Spring Festival to the locals and the significance of traditional culture. In the article, the author described his study, work and life during the Chinese New Year in Beijing, and also expressed his longing for his hometown. The entire article was filled with nostalgia and thoughts about traditional culture. It can be seen from the article that Lao She's Spring Festival in Beijing focuses more on the traditional customs and festive atmosphere of the Spring Festival, while Liang Shiqiu's New Year focuses more on the author's feelings and thoughts about the traditional culture of the Spring Festival in his hometown, Shandong.

One of Lao She's representative works was Camel Xiangzi, which told the story of a poor camel coachman, Xiangzi, working hard in the capital. At the same time, it also showed the darkness and cruelty of society at that time. Besides Camel Xiangzi, Lao She also had many other famous works such as Teahouse, Four Generations Under One roof, Longxu Gully, etc. Lao She also had a famous article about the Spring Festival, Spring Festival. This article described the traditional Chinese culture of the Spring Festival, including setting off firecrackers, putting up couplets, eating New Year's Eve dinner, paying New Year's greetings, and other customs. Through Lao She's perspective, the article shows the importance and significance of the Spring Festival to the Chinese people. The original text of the Spring Festival was as follows: The Spring Festival was a traditional festival for the Chinese people and an important part of Chinese culture. Every year on the first day of the first lunar month, regardless of whether they were rich or poor, men, women, old or young, they would gather together to celebrate this special day. Setting off firecrackers was an essential activity during the Spring Festival. People put firecrackers on the side of the street to make the sound drive away evil and disease. The smell and smoke of firecrackers also brought inconvenience to people, but people still couldn't stop.

The verses and sayings about keeping watch are as follows: Watching the New Year is a tradition in Chinese traditional culture. Usually, on the eve of the Lunar New Year, which is today, February 20, 2023, family members will gather together to welcome the new year. The traditional activities of keeping watch over the New Year include eating New Year's Eve dinner, watching the Spring Festival Gala, setting off firecrackers, lighting lanterns, and so on. At these events, people would usually reflect on the past year and express their hopes and blessings for the future. There were many proverb about staying up for the New Year, such as " staying up for the New Year for one year "," staying up for the New Year for one year "," staying up for the New Year for one year ", etc. These sayings reflected the tradition and significance of keeping watch over the New Year. It was also very common to find descriptions of the New Year in literature. For example, Jia Baoyu wrote a poem on New Year's Eve in 'Dream of the Red Chamber'. It is better than the countless tender feelings in the world, like water and dreams. If the love between the two of us is long, how can we be in the morning and evening?" Watching the New Year was not only a custom, but also a traditional culture and historical inheritance. In modern society, people still attach great importance to keeping watch as a way to commemorate the past year and express their good wishes for the future.