The rise of the vernacular novels in the Ming Dynasty represented an important revolution in the history of Chinese literature. In the Ming Dynasty, with the development of commodity economy and the acceleration of social change, people's reading needs and spiritual and cultural life became increasingly rich. As a new style, the vernacular novel gradually rose. The rise of the vernacular novels in the Ming Dynasty was closely related to the social and cultural environment at that time. With the development of society and economy, the process of urban development accelerated, and people's knowledge level and cultural quality continued to improve, so the requirements for literary works became higher and higher. At the same time, with the implementation of the imperial examination system, the social status of the intelligentsia gradually improved, they began to read more widely all kinds of literary works and had a strong interest in the easy-to-understand style of the vernacular novel. The rise of the vernacular novels in the Ming Dynasty also marked an important change in the history of Chinese literature. In the past, Chinese literature had always used classical Chinese as the main way of expression. The expression of classical Chinese was more complicated and difficult to read and understand. The rise of vernacular novels made literary works easier to understand and accept by the majority of readers, which also laid the foundation for the development of Chinese literature. At the same time, the rise of vernacular novels in the Ming Dynasty also reflected the changes in social culture and people's aesthetic needs at that time.
The vernacular was created by Lin Shu, a literary researcher and translator in the late Qing Dynasty. In the late 19th century, he reformed classical Chinese and old vernacular Chinese, creating a new form of writing. The characteristics of vernacular Chinese were concise, clear, and easy to understand, which could better adapt to the needs of society at that time. Lin Shu believed that classical Chinese was too cumbersome to express modern thoughts, while old vernacular Chinese was too oral to read and study. Therefore, he created a new form of writing that not only maintained the charm of classical Chinese but also met the reading needs of modern readers. This was the vernacular. The rise of the vernacular was closely related to the social background at that time. At the end of the Qing Dynasty, China was faced with the invasion of foreign powers, the corruption of the feudal system, social unrest, and many other problems. The people's living standards declined, and the cultural and educational industries stagnated. In this case, vernacular could better express the needs of the people, better transmit social information and promote social progress. In addition, the creation and promotion of vernacular by Lin Shu and others also laid the foundation for the development of vernacular.
The literary forms represented by the Yuan Dynasty were Mongolian novels and Hui novels. The Song Dynasty's representative forms of literature were Ci, poetry, prose, and Fu. The literary forms represented by the Tang Dynasty were poetry, Fu, and prose. The literary forms represented by the Ming and Qing Dynasties were novels, prose, and poetry. Among them, novels were represented by "Dream of the Red Chamber" and "Journey to the West". Prose was represented by Lu Xun and Lao She, and poetry was represented by Du Fu, Bai Juyi, Su Shi, etc.
The Ming Dynasty's version of the story was a form of Chinese classical literature, also known as the "version of the story","version of the story", etc. It originated from the Ming Dynasty and flourished in the Qing Dynasty. It was one of the important landmarks in the history of Chinese novels. In the Ming Dynasty, vernacular scripts were mainly written in the form of folk tales, legends, and legends. Through the author's own imagination, development, and processing, they formed literary works with strong local colors and national styles. The story was bizarre and complicated, the characters were vivid, the language was vivid, and full of imagination and creativity. The representative works of the Ming Dynasty were Journey to the West, Water Margins, Romance of the Three Kingdoms, etc. These works not only occupied an important position in the history of Chinese literature, but also had a profound impact on world literature. They displayed the life, customs, and culture of ancient Chinese society through the form of spoken language, which had extremely high artistic value and cultural content.
The rise of popular literature in the Ming Dynasty was mainly due to the following aspects: 1. Social unrest: During the Ming Dynasty, the society was in turmoil and the people's lives were difficult. A large number of literary works were needed to reflect and vent the dissatisfaction and depression in their hearts. 2. Cultural tradition: Ancient Chinese literature has always had a profound cultural tradition. During the Ming Dynasty, there were many literary classics and literary works. These classics and literary works also provided a good foundation for the rise of popular literature in the Ming Dynasty. 3. Requirement for literary creation: During the Ming Dynasty, with the development of the commodity economy and the acceleration of the process of urban development, people's lives became more colorful, and the demand for literary creation grew day by day. The Ming Dynasty's popular literature came into being under this background. 4. The innovation of literary forms: The continuous innovation of literary forms during the Ming Dynasty, for example, the rise of novels in the Ming Dynasty made literary works more vivid and interesting, closer to people's lives, and also provided motivation for the rise of popular literature in the Ming Dynasty. The rise of popular literature in the Ming Dynasty was the result of many factors, such as social unrest, cultural tradition, the demand of literary creation and the innovation of literary forms.
The popular vernacular short stories of the Ming Dynasty were known as "vernacular novels".
The similarities and differences between classical Chinese novels and vernacular novels in the Ming Dynasty can be compared and distinguished from the following aspects: 1. Different language styles: classical Chinese novels use ancient classical Chinese to emphasize rhythm and rhythm, while vernacular novels use modern Chinese to emphasize spoken language and easy to understand. 2. Different plots and structures: classical Chinese novels usually use traditional narrative methods to focus on the narration of the plot and the creation of characters, while vernacular novels pay more attention to the description of the character's personality and the twists and turns of the plot. 3. Different ways of expression: the expression of classical Chinese novels pays more attention to the creation of artistic conception and the inheritance of cultural heritage, while vernacular novels pay more attention to the expression of emotions and the psychology of the characters, which is more straightforward and easy to understand. 4. Different literary forms: classical Chinese novels usually use history, legends, myths, etc. as the theme and adopt traditional narrative techniques and literary forms. Vernacular novels pay more attention to the expression of personal feelings and humanity, and adopt a more modern and free literary form. Although the classical novels and the vernacular novels of the Ming Dynasty have different language styles, plots and expressions, they all have certain literary value and ideology. They are important works in the history of Chinese literature.
The trilogy of the fall of the Ming Dynasty and the rise of the Qing Dynasty referred to the three novels of the Qing Dynasty,"Dream of the Red Chamber,""Journey to the West," and "Water Margins." They were also known as the "Three Wonders in the History of Chinese Literature." "Dream of the Red Chamber" described the life of the Qing Dynasty aristocratic society, showing the richness of human nature and the profoundness of morality. It was an outstanding novel in the history of Chinese literature. Journey to the West, on the other hand, was a mythical novel in the history of Chinese literature, which reflected the beliefs, morals, and ethics of ancient Chinese traditional culture through describing the adventures of Sun Wukong and others. Water margin, on the other hand, described the uprising of a group of righteous men at the end of the Song Dynasty. It reflected the dark side of ancient Chinese society and the suffering of the people. It was a heroic novel in the history of Chinese literature. These three novels occupied an important position in the history of Chinese literature and were hailed as the treasures of Chinese culture. They not only had literary value, but were also precious materials in Chinese culture, history, philosophy, and so on.
The 60 Years of the Ming Dynasty's Fall and the Qing Dynasty's Rise can be listened to online.
😋I recommend the following novels to you, I hope you will like them: - " Big Ming: I was surrounded at the beginning ": The protagonist transmigrated to the Ming Dynasty and relied on the super power given by the system to conquer the four barbarians, discover the new continent, and create the Empire of the Sun Never Sets. - << Wings of Great Brightness >>: It tells the story of the glorious career of a down and out Jinyiwei. He rose step by step and became a close minister of the emperor. He had the ambition of the world, but was denounced as a crafty sycophantic by the officials in the court. - " The Rise of Zhongzhou at the End of Ming Dynasty ": With Henan at the end of Ming Dynasty as the background, heroes rose up on this unbearable land. I hope you like my recommendations. If you have any other needs, please feel free to tell me.😘
The origin of vernacular novels can be traced back to the Ming Dynasty. In the Ming Dynasty, there was a literary form that used spoken language as the main means of expression-vernacular novels. The characteristic of vernacular novels was that they used easy-to-understand language to express themselves. They used spoken language and slang to express themselves. The representative works of the vernacular novels of this period were Dream of the Red Chamber, Water Margins, etc.