What was the third realm in Wang Guowei's " Ci Hua of the World "? Original and translated? How did he express the author's feelings? Thanks!

Wang Guowei believed that poetry and Ci were two different literary forms with different creative characteristics and aesthetic values. Poetry was a form of literature that focused on expressing emotions and thoughts, focusing on concise language and visualization, while Ci was a form of literature that focused on describing scenes and expressing emotions, focusing on rhythm and rhythm. Poetry and Ci had different directions of development. The creation of poetry was mainly concentrated in the Tang Dynasty, expressing thoughts and emotions in the form of poetry. Later, with the continuous development of literary forms, the forms of poetry gradually became diverse. Ci, on the other hand, originated from the Song Dynasty, which was based on music and focused on expressing emotions and artistic conception. Its creative direction was more free, allowing it to express rich emotions and thoughts. Wang Guowei also believed that poetry and Ci had different aesthetic characteristics. The aesthetic characteristics of poetry were the pursuit of far-reaching artistic conception, sincere emotion and concise language, which needed to be realized through deep thought and detailed description. The aesthetic characteristics of Ci were the pursuit of beautiful temperament, harmonious rhythm and delicate description, which needed to be achieved through ingenious music coordination.

An example from Wang Guowei's "Poetry of the World" was: "'When will the bright moon appear? I ask the blue sky for wine.' At the end of the sentence, the artistic conception has appeared. The last two sentences,'I wonder what year it is in the palace in the sky.' He was one level further away. Such a bold and deep realm is not a poet, but who can achieve perfection?" This sentence expressed the poet's yearning for the moon and the sky, and also hinted at people's uncertainty about the passage of time and fate. In this sentence, the poet used the two images of the moon and the sky to express his pursuit of beautiful things and his helplessness towards fate. This kind of emotion often appeared in novels to make readers feel the impermanence and changes of life.

"Human Cihua" was a literary criticism work written by Wang Guowei, known as "the foundation of modern literary theory". The following are the ten poems translated by Wang Guowei: Literature is an extension of nature. "Nature" refers to the extension of things in nature, which means that literature is the description and reflection of nature. Art is the expression of emotion. Art was a form of expressing human thoughts and feelings through emotion. The significance of literature lies in the expression of ideas, not in the narration of events. Thoughts were the soul of literature, and things were the flesh and blood of literature. The significance of a literary work lies in the ideas it represents, not in the way it is narrated. Thoughts were the most important value of a literary work. The value of a literary work lies in the emotions it conveyed rather than in its narrative content. Emotion was the most precious value of a literary work. The purpose of art is to transcend the limitations of time and space. Time and space were the limits of literature. Surpassing them was the ultimate goal of art. The form in which a literary work is expressed is not important, but the ideas they express are. The value of literature was not in its form of expression but in the ideas it conveyed. The value of a literary work lies in the emotions it represents. Emotion was the most basic value of literature. Literature is a part of history, and its value lies in providing witness to history. History was where the value of literary works lay. The value of a literary work lies in its contribution to human society. Human society was the foundation for the existence and development of literature.

"Renjian Cihua" is a literary criticism work by Wang Guowei, which is regarded as a classic work of modern Chinese literary criticism. This book mainly talked about Wang Guowei's views and theories on Chinese literary criticism, including the following aspects: Ci is a form of literature and should be studied in combination with other forms of literature. Wang Guowei believed that Ci, as a form of language art, had unique aesthetic features and cultural implications, and should be combined with other literary forms for in-depth study and discussion. 2. The creation and appreciation of Ci needed to pay attention to cultural content and artistic skills. Wang Guowei believed that the creation of Ci needed to pay attention to the cultural content, through the profound thought content and unique artistic expression to express the author's feelings and thoughts. At the same time, the appreciation of Ci also needs to pay attention to artistic skills. It requires a deep understanding of the musicality and rhythm of Ci in order to better appreciate and feel the charm of Ci. Third, literary criticism needs to pay attention to objectively and fairly. Wang Guowei believed that literary criticism should pay attention to the objective and fairness, not subjective assumptions, let alone partial generalizations. Critiques should be analyzed and evaluated objectively based on facts and evidence. To sum up," Ci Hua of the World " mainly talked about Wang Guowei's views and theories on Chinese literary criticism, including the fact that Ci was a unique literary form that needed to pay attention to cultural content and artistic skills, as well as the fact that literary criticism needed to pay attention to objectively and fairly.

There were many works and critics of Ci in the Ming and Qing Dynasties, but Renjian Cihua was one of the most famous. "Renjian Cihua" is a literary criticism work written by Wang Guowei. Through the analysis of Song Ci, he proposed the view that "Ci is a special form of language art", which had a profound impact on Chinese classical literature. The reason why he only valued Wang Guowei's "Renjian Cihua" now was because the thoughts and theories of this book had a unique charm and deeply reflected the current situation and future development direction of Chinese classical literature. The analysis of Ci Poetry in the Human World has put forward many unique views, such as "Ci is a kind of realm". It connects the realm of Ci with the realm of life, so that readers can deeply feel the philosophy of life contained in Ci. Of course, it could not simply be said that Wang Guowei wrote the best. "Human Cihua" was only one of Wang Guowei's representative works. His other works and Cihua also had their own characteristics. However, due to the uniqueness of the thoughts and theories of "Renjian Cihua", it became a classic work of Chinese classical literature research, so it was highly respected.

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Wang Guowei was an important figure in modern Chinese literature. His influence on the literary world was very far-reaching. The following were Wang Guowei's important influences on the literary world: 1. The influence of literary style: Wang Guowei was one of the most important poets, essayists, and literary theorists in the history of modern Chinese literature. His literary works were known for their fresh and natural, subtle and graceful style, which had a profound influence on later literary creation. Contribution to literary theory: Wang Guowei was one of the important founders of modern Chinese literary theory. He put forward the theory of "literature is a part of life" and believed that literature should be closely integrated with real life and have real meaning of life. 3. The influence of literary translation: Wang Guowei is an outstanding literary translator. His translated works include classic works such as Dream of the Red Chamber and Journey to the West. His concise, concise, precise, and faithful translation style had an important influence on later literary translation. 4. The influence of literary creation: Wang Guowei's literary works were widely read and studied, which had a profound influence on later literary creation. Some of his works, such as "Human Cihua" and "White Horse Howling in the West Wind", became classics of modern Chinese literature and influenced several generations of literary readers. Wang Guowei's influence on modern Chinese literature was extensive and far-reaching. His literary works and literary theories had an important impact on the history of Chinese literature.

Wang Guowei's Ci Hua on Earth was one of the most important works in the history of Chinese literary criticism and was known as the "crown of Ci theory". The book proposed that "Ci is a kind of literature" and "literature is a reflection of society", which had a profound impact on Chinese literary criticism and literary creation. The book mainly elaborated on the principles and methods of literary creation and criticism. He believed that literature was a kind of aesthetic activity, an expression and perception of human beings towards nature, society and life. The creation of literature could not be separated from true feelings. It required the author to have superb emotional expression ability and aesthetic vision. On the other hand, literary criticism was a kind of analysis and evaluation of literary creation. It required an in-depth exploration of the author's creative ideas and artistic style based on the content and extension of the literary work. The book also put forward the view that Ci was an organism, emphasizing the independence and uniqueness of Ci as an art form. He believed that Ci was an important style of Chinese literature, with unique aesthetic value and cultural significance, which needed to be integrated and developed in coordination with poetry, prose and other literary forms.

Wang Guowei's "Human Cihua" said: "Dongpo's Ci is vast and Jiaxuan's Ci is magnificent." Which year did it come from? Which publishing house? On which page of the book? This sentence comes from the first volume of Wang Guowei's "Human Words", which was published by Shanghai Wenming Bookstore in 1915. To be specific, it was on page 14, page 232-233.

The World of Human Language and Thinking