Why was Qianlong called Zhao Qianlong in the Henan local drama Liu Yong's Descent to Nanjing?

The Qianlong Dynasty was a historical drama with the theme of the Qianlong Emperor of the Qing Dynasty. It described the policies and life of the Qianlong Emperor during his reign and his relationship with the people of all ethnic groups. The show debuted in 2010 and achieved high ratings in mainland China and Taiwan. The director of the drama was Li Shaohong, and the main actors included Chen Daoming, Zhou Yiwei, Zhang Jiayi, and so on.

Qianlong's aesthetic style was diverse and unique. He showed a strong interest in Han culture and Han clothing. He liked to play different roles in his paintings, such as Han people, literati, Taoist priests, hermits, hunters, and Samantabhadra Bodhisattva. Qianlong also liked cosplay, showing his aesthetic through role-playing in paintings. In addition, Qianlong also had a unique aesthetic pursuit for porcelain making. He created many porcelain with complicated craftsmanship and colorful patterns, which was considered one of his aesthetic symbols. Qianlong's aesthetic style was rich and varied, with both traditional Han cultural elements and original artistic taste.

San was a traditional dish related to Emperor Qianlong. Legend has it that when Emperor Qianlong went to Jiangnan and passed by Linyi area, the local officials offered a unique breakfast for Emperor Qianlong to try. After Emperor Qianlong drank it, he felt that it was delicious and casually asked," What is this?" The local official mistakenly thought that Emperor Qianlong was asking about the grits, so he replied," This is grits, grits!" From then on, this kind of breakfast was called grits. The characteristics of the grits were the spiciness of ginger and pepper, the freshness of meat, the aroma of rice, and the chewiness of wheat. At present, grits are divided into two categories, one is the "black grits" in Linyi area, and the other is the "white grits" in Zaozhuang and Jining areas.

The characteristics of Qianlong's literary thoughts were advocating nature and attaching importance to artistic authenticity. Emperor Qianlong paid attention to the inheritance and development of culture, advocated "returning to nature", and emphasized that literary works should truly reflect social life and people's inner world. Qianlong's poetry creation paid attention to nature, freshness and beauty, and pursued the perfect combination of artistry and ideology. His prose style was smooth and natural, and had a high literary value. The novels of the Qianlong period also showed a "pure and elegant" aesthetic tendency, such as "Dream of the Red Chamber" and other works were deeply loved by readers. The influence of Qianlong's literary thoughts on modern literature was also obvious. The study of Qianlong's poems had received more and more attention in recent years, and there were special works to organize and publish his poems. Qianlong's imperial poems were regarded as works of important literary value. They were compiled and published, and their versions were examined. Qianlong's literary level was considered very high. His literary attainments made him an excellent scholar, poet, artist, and connoisseur. Qianlong's poems and imperial poems were regarded as important works in the history of Chinese literature, which had a positive impact on the development of Chinese literature.

Qianlong's concubine Bai was one of the nobles. Qianlong had a total of 45 concubines, including 3 empresses, 5 imperial consorts, 5 imperial consorts, 6 imperial concubines, 6 imperial concubines, 12 noble people, 4 Chang Zai and 4 Cheng. After Qianlong's death, three imperial concubines, three imperial concubines, one concubine, and three noble people died, but there was no mention of the specific situation of the Bai family. Therefore, further information about Qianlong's concubine, Bai Shi, was currently unknown.

The order of Qianlong's sons is as follows: 1. Yonghuang 2. Yonglian 3. Yongzhang 4. Eternal 5. yongqi 6. Yongrong 7. Yongcong 8. Yongxuan 9. Forever 10. Eternal 11. Yongjing 12. Yonglu 13. yongyan 14. Yonglin 15. An untimely son with an unknown name 16. An untimely son with an unknown name 17. An untimely son with an unknown name

Emperor Qianlong's meals were very rich. He had two meals a day, breakfast between 6-8 pm and dinner between 12-14 pm. Every meal included hot dishes, pots, steamed food, cooked food, pickles, main dishes, soup porridge, and desserts. In addition, Emperor Qianlong would have additional meals from time to time, and the imperial kitchen had to be ready to supply them at any time. During festivals and seasons, there would also be some special dishes, such as Yuanxiao, mooncakes, zongzi, Chongyang Flower Cake, Laba Congee, etc. There were many delicacies on the imperial menu of Emperor Qianlong, including bird's nest red and white duck, steamed fat chicken, roasted roe deer meat, deer tendon fat chicken, etc. In general, Emperor Qianlong's meals were very luxurious and sumptuous.

The order of Qianlong's sons is as follows: 1. Yonghuang 2. Yonglian 3. Yongzhang 4. Eternal 5. yongqi 6. Yongrong 7. Yongcong 8. Yongxuan 9. Forever 10. Eternal 11. Yongjing 12. Yonglu 13. yongyan 14. Yonglin 15. The three sons who died young had no names. Note: The given information does not specify the exact birth order of the sons, so the list is provided in the order they are mentioned in the search results.

Among the 17 sons of Qianlong, some died early, some lost their inheritance rights when they were young, and some fell into the disputes of the palace. Only 10 of his sons survived to adulthood. Among them, the eldest son of the emperor, Yong Huang, died in the 15th year of Qianlong and was granted the title of Prince Ding. The second son of the emperor, Yong Lian, died of illness in the third year of Qianlong and was granted the title of Crown Prince. The third son of the emperor, Yong Zhang, died in the 25th year of Qianlong and was granted the title of Prince Xun. The fourth son of the emperor, Yong, was granted the title of Prince Lu. The fifth son of the emperor, Yong Qi, was granted the title of Prince Rong. The sixth son of the emperor, Yong Rong, was granted the title of Prince Zhi. The seventh son of the emperor, Yong Cong, died of acne in the 12th year of Qianlong and was granted the title of Daomin. In the fourth year of Jiaqing, the third son, Yong Zhang, was granted the title of Prince Zhe. The ending of the other sons was not mentioned.

The 17 sons of Qianlong had different endings. Some sons fell out of favor because they did not follow etiquette or were disrespectful to the queen, and eventually died when they were young. The other sons were conferred the title of Prince or King. The specific endings included: The eldest brother, Yong Huang, was reprimanded for not holding a sacrificial ceremony according to etiquette and died of fear at the age of 23. The second brother, Yong Lian, died at the age of eight due to his weak body. The third brother, Yong Zhang, fell out of favor because of his disrespect to the Empress and died in the early and middle years of Qianlong. The fourth brother, Yong, was granted the title of Prince, but the specific ending was not mentioned. The fifth brother, Yong Qi, died at the age of 31 and was posthumously granted the title of Prince Rong. The sixth brother, Yong Rong, was granted the title of Prince of Quality, but the specific ending was not mentioned. The seventh elder brother, Yongcong, died of acne at the age of two, and the fate of his other sons was not mentioned. All in all, Qianlong's sons had different endings, and the specific situation might need further research. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!