Cao Yu's obsession and pursuit of drama were reflected in what aspects.

Cao Yu was a Chinese dramatist. His plays had made great contributions to the development of modern Chinese drama. His representative works include Thunderstorm, Teahouse, Wang Zhaojun, etc. These works profoundly reveal the reality and history of Chinese society, express the thoughts and emotions of the people, and become the classics of Chinese drama. Cao Yu's works had a profound influence on the development of modern Chinese drama. His plays created a new style of Chinese drama that combined "realism" and "romanticism" and played an important role in promoting the development of modern Chinese drama. His plays also pushed forward the process of the Chinese drama's modernisation, and put forward many new creative ideas and methods, laying the foundation for the future development of Chinese drama. Cao Yu's plays made an important contribution to the development of Chinese drama, deeply reflecting the reality and history of Chinese society, expressing the thoughts and emotions of the people, creating a new style and the process of the Chinese drama's modernisation, and had a profound impact on the future development of Chinese drama.

Cao Yu was one of the founders of modern Chinese drama and was known as the "father of drama". His artistic achievements in the history of drama were mainly manifested in the following aspects: He was the pioneer of modern Chinese drama. Cao Yu's Thunderstorm, written in 1924, was regarded as a classic work of modern Chinese drama. It explored the relationship between men and women and family relations in the society at that time by revealing the complexity of social reality and human nature, which created a precedent for modern Chinese drama. He made an important contribution to the development of the art of drama. Cao Yu had always pursued innovation and breakthroughs in his drama creation. His plays had distinctive personalities and styles, such as sunrise and Wilderness. His plays not only attracted widespread attention in China but also received high praise internationally. 3 put forward the important point that "drama art is a part of human spiritual culture". Cao Yu believed that drama was an important art form that expressed human spiritual culture. He should pay attention to the creation of the script and the performance of the actors, emphasizing the artistry and authenticity of the drama. This point of view had a profound impact on the development of the art of drama. Cao Yu's artistic achievements in the history of modern drama are very important. His creation and ideas have had a profound impact on the development of modern Chinese drama, which is one of the important milestone of Chinese drama art.

The bullying aspect is a major one. The way the bully torments the victim in the drama is similar to real - life bullying cases.

Cao Yu (1918 - 1995) was a famous dramatist and writer in China. He was regarded as a master of modern drama. His main works included Thunderstorm, sunrise, Teahouse, Wilderness, etc. These works caused a sensation at that time and had a profound impact on the development of modern Chinese drama. Cao Yu's plays often pay attention to social reality and human nature, which has profound ideology and unique artistic charm. His masterpiece, Thunderstorm, revealed some deep-seated problems in Chinese society at that time through the description of family contradictions and social class conflicts. sunrise, on the other hand, explored the kindness and evilness of human nature, love, family and fate through the life course of a rural woman. In addition, Cao Yu's plays were also famous for their exquisite performance arts and unique artistic style. His performance style was rigorous and serious, paying attention to details, and had a strong expressiveness and appeal. His screenwriting and performing arts were highly praised by the audience and critics. Therefore, Cao Yu was known as a modern drama master because of his outstanding contribution to the field of drama creation and performance, as well as his great influence on the development of modern Chinese drama.

The following is a list of Cao Yu's works: 1 Thunderstorm (1934): One of the representative works of Chinese drama tells the story of a family's internal dispute. sunrise (1937): It described the life of a small village under the Japanese occupation and the resistance of the villagers to resist the Japanese invasion. Wilderness (1941): tells the story of a farmer fighting for survival during the war. Spring Silkworm (1949): Cao Yu's autobiographical work recounts his early struggles and philosophy of life. 5 Teahouse (1953): It is a story about a teahouse that shows the teahouse culture of traditional Chinese society. Wang Zhaojun (1956): It tells the story of Wang Zhaojun being forced to marry into the Xiongnu, showing the painful parting in Chinese history. Beijing People (1960): It is one of the representative works of modern Chinese drama. It tells the fate of two Beijing people in the background of the great era. These are some of Cao Yu's representative works. Thunderstorm and sunrise are considered to be the classics of Chinese drama.

Cao Yu is a modern Chinese dramatist, screenwriter and director. His main works include: Thunderstorm (1934): The drama tells the story of a family of four in a mid-life crisis, revealing the various contradictions and problems of Chinese society at that time. Teahouse (1939): The drama tells the story of a tea house in Beijing, revealing the dark side of Chinese society and the suffering of the people at that time. Spring Silkworm (1941): The play tells the story of a young woman's struggle for her family and children, revealing the plight and status of women in Chinese society at that time. 4 sunrise (1942): The play tells the story of a Japanese woman in a Chinese village, revealing the turmoil of Chinese society and the suffering brought about by the war. 5 Beijing People (1943): The play tells the life and love of two young people in Beijing, revealing the bright side and hope of Chinese society at that time. Wilderness (1946): The play tells the story of a young woman in troubled times, revealing the dark side of Chinese society and the suffering of the people at that time. 7. The Sequel to Spring Silkworm, Fragments of Spring Silkworm (1948): The play is the sequel to Spring Silkworm, which tells the story of a young woman's struggle for her family and children. 8. Longxu Gully (1949), a follow-up to Teahouse. The play is a follow-up to Teahouse. It tells the story of a Beijing teahouse and reveals the dark side of Chinese society and the sufferings of the people at that time. The above are Cao Yu's main works. Among them, Thunderstorm, Teahouse, sunrise, Peking Man and Spring Silkworm are regarded as the classics of modern Chinese drama.

Cao Yu is one of the outstanding representatives of modern Chinese drama. His plays express the spiritual core of modern Chinese culture in the form of poetry, which contains profound philosophical meaning. Cao Yu's plays often combined traditional Chinese culture with modern culture to create a new form of drama. The poetic meaning in his works was mainly reflected in the following aspects: 1. Poetic emotions: Cao Yu's plays often show the complexity and variety of human nature through deep emotional descriptions. He combined the emotional description with poetry to create a rich, delicate and touching drama atmosphere by depicting the emotional experience of the characters. 2. Poetic artistic conception: Cao Yu's plays often use a large number of literary and rhetorical techniques to create a far-reaching and poetic dramatic scene. Through his unique picture language and music rhythm, he brought the audience into a beautiful and poetic world. 3. Poetic thoughts: Cao Yu's plays not only have deep emotions and beautiful artistic conception, but also often contain profound philosophical implications. Through the dialogue, action and monologue of the characters, he expressed his concern and thinking about life, society and the fate of mankind, creating a poetic atmosphere of drama with deep thoughts. The poetic and philosophical meaning in Cao Yu's plays reflected the spiritual core and aesthetic pursuit of modern Chinese culture. Through his unique dramatic form and literary techniques, he combined traditional Chinese culture with modern culture to create a brand-new dramatic culture, which had a profound impact on the development of modern Chinese drama.

The functions of children's novels were mainly reflected in two aspects. Which two aspects? Accompanying and guiding children's growth: Children's novels usually use the adventures of the protagonist as the theme to accompany children's growth and guide them to think about the meaning and value of life. 2. Cultivate reading habits and imagination: Children's novels are usually imaginative and interesting. Through reading, children's reading habits and imagination are cultivated, so that they can gain happiness and inspiration from reading.

Her experience of being a marginalized person in South Africa was reflected. Her stories often had characters who were on the fringes of society, just as she was due to her race. For instance, they might be denied basic rights or treated unfairly.

The self-awareness of women in the Wei and Jin Dynasties was reflected in many aspects such as culture, politics and society. Here are some possible examples: In literary and artistic works, female images began to show the characteristics of independence, autonomy, and individual liberation. For example, the female characters in the literary works of the Wei, Jin, Southern and Northern Dynasties often showed freedom, open-mindedness, strength, and independence, such as Lin Daiyu in Dream of the Red Chamber and Lin Chong in Water Margins. Women also showed their right to speak and participate in political and social life. For example, female politicians in the Wei and Jin Dynasties, such as Cao Mengde's wife, Cao Shi, and Deng Ai of the Seven Sages of the Bamboo Forest, played an active role in political and social affairs. The development of women's self-awareness also influenced social customs and cultural values. For example, women in the Wei and Jin Dynasties began to accept the social customs dominated by men such as marriage, family and child-rearing, but also began to pursue their own freedom and happiness. Women's self-awareness is also reflected in the criticism and reflection of male and gender roles. For example, Li Qingzhao, a poetess of the Wei and Jin Dynasties, wrote in her book,"Like a Dream,""I often remember that I was intoxicated at dusk in the pavilion and did not know the way back." At night I return to my boat and mistakenly enter the depths of lotus flowers. Fight to cross, fight to cross, startle a pool of gulls and herons." This poem expressed women's criticism and reflection on the society and culture dominated by men.