Tramp novels usually depicted homeless and destitute protagonists who were often in hunger, cold, loneliness, danger, and other predicaments. The audience for this kind of novel was relatively small because many people held a negative view of the image and behavior of tramps, believing that their behavior was irresponsible and immoral. In addition, homeless people usually did not have a stable job or residence, which would also affect the plot and character of the novel. In contrast, modern novels paid more attention to shaping the characters and plots, emphasizing the tension and conflict of the story. These novels had a wider audience, including people of all ages, and paid more attention to the plot and the development of the characters rather than just depicting a down-and-out image. To sum up, tramp novels had a relatively small audience in modern novels, and it was difficult to write stories that were attractive and intense. Therefore, modern novels such as romance, science fiction, history, and horror attracted a wider audience.
Writing novels about firefighters is a very interesting topic because firefighters play a very important role in our lives. However, because being a firefighter is a very dangerous profession, writing novels about firefighters may face some challenges. Writing a novel about a firefighter requires sufficient detail to make the reader feel that the job of a firefighter is dangerous and requires a certain level of skill and knowledge. These details could include the firefighter's work processes, their training and equipment, and how they would respond in an emergency. Writing a novel about a firefighter needed to provide enough plot to attract the reader's interest. These scenarios can include various types of emergencies such as fires, explosions, chemical leaks, etc., as well as the challenges and difficulties faced by firefighters in dealing with these emergencies. Writing a novel about firefighters also needed to provide enough emotional elements to attract the reader's emotional resonance. These emotional elements could include the firefighter's family, friends, and colleagues, as well as the psychological pressure and sense of accomplishment they faced when dealing with emergencies. Firefighter was a very dangerous profession, so novels about firefighters needed to provide enough details, plot, and emotional elements to attract readers 'interest and make them feel the importance of this profession.
Anti-Qing and Ming novels had a relatively small audience, but it wasn't as if they didn't exist. This kind of novel usually involved historical, political, emotional, and other factors. It required the reader to have a certain amount of historical knowledge and cultural background. At the same time, this kind of novel also had a certain degree of challenge. The author needed to put in a lot of effort in the plot, character creation, and story development. To write a novel about the rebellion against the Qing Dynasty and the restoration of the Ming Dynasty, the author needed to have strong writing ability and creativity, as well as a deep understanding of the historical and cultural background. If the author could skillfully use the historical background and characters to create a novel with a compact plot, deep character descriptions, and fascinating story, it might gain a higher reader evaluation and reputation. Of course, it was not an easy task to write a novel about anti-Qing and reviving the Ming Dynasty. It required the author to invest a lot of time and energy in research and creation. If an author was interested in writing this kind of novel, he could start by understanding the historical and cultural background to accumulate relevant experience and continuously improve his writing level.
The Investiture of the Gods was an ancient Chinese mythological novel that mainly told the story of the rise of Jie School at the end of the Shang Dynasty. Jiang Taigong was the leader of Jie School, and the core of its teachings was the Investiture of the Gods. It was said that the list was written by Taishang Laojun, which recorded the locations and situations of all immortals, demons, ghosts, and monsters. In the novel, at the end of the Shang Dynasty, King Wen of Zhou, the leader of the Shang Dynasty, was killed by an immortal sent by the Tribe of Severity. King Wu, the son of King Wen of Zhou, inherited his father's throne and became the leader of the Tribe of Severity. Jie School rose up at the end of the Zhou Dynasty and fought fiercely with the forces of the Shang Dynasty and the Qin Dynasty. Because the content of the Investiture of the Gods had a strong mythological color and the novel had an important position in Chinese history, there were very few novels about this type in modern literature. Although the novel is still of great significance in cultural traditions, modern readers may have some difficulty accepting its mythological colors and historical background, so creators rarely choose this genre to write.
Xialan was a very popular anime and had many loyal fans. If he wrote a long novel about a time-traveling male protagonist, it might attract some fans of the Hero Mist, but at the same time, he would face copyright and commercial problems. If he wanted to add the elements of Hero Mist into the novel, he might need to make some adjustments and innovation to ensure that the story and characters matched Hero Mist's worldview. This might take time and effort, and it might also affect the quality of the novel. To write a long novel about a time-traveling male protagonist, one needed a fascinating plot and storyline to attract the interest of the readers. He needed to consider how to let the male lead adapt to the new world after transmigrating and establish connections with others while ensuring the cohesiveness and logic of the story. Writing a novel about the main character of the Xialan anime needed to consider copyright and commercial issues. If the novel didn't conform to the world view of Xialan, or if the copyright problem was serious, they might face copyright disputes and commercial risks. To sum up, writing a novel about the main character of Xialan's anime may be a challenge and require sufficient time and energy. However, if he could overcome these challenges and create a fascinating novel, it might be loved and recognized by many readers.
It was an interesting plot for a northeasterner to appear as the protagonist in a domineering CEO novel, but due to historical, cultural, geographical and other factors, this situation was not common. The following are some possible reasons: 1. Regional cultural differences: The culture of the northeast region may be different from other regions. For example, people in the northeast may emphasize family and kinship more than people in other regions attach importance to personal achievements and rights. This cultural difference might cause the characters and plot settings in the novel to be different. 2. Historical and practical problems: The historical and practical problems of the northeast region, such as economic backwardness and social instability, may affect the plot of the novel. Therefore, creating a novel depicting a domineering CEO in the northeast region might face some difficulties and challenges. 3. Reader's taste: readers may prefer novels that describe other regions or characters. Therefore, writing a domineering CEO novel with a northeasterner as the protagonist may attract fewer readers. To sum up, although it is an interesting plot for a northeasterner to appear as the protagonist in the novel, this situation is not common due to various factors.
Shura Valkyrie is a very popular online novel, but because the original novel is a manga, there may be some doujinshi creators who lack inspiration or don't know how to relate to the original. In addition, Shura Wushen's copyright has been purchased by the manga company, so he may not be able to freely create doujinshi works.
Base novels were novels that revolved around the base. Such novels usually had elements of science fiction and fantasy. The base was a very important element. It could provide the base setting, technology setting, and character setting for the story. Although base novels were once very popular, with the continuous development of technology, people gradually realized some limitations of base novels. For example, as an independent location, a base usually required a large amount of resources and materials to maintain its operation, which was not possible in modern society. In addition, base novels often involved a large number of supernatural phenomena and magic, which were no longer accepted in modern society. To sum up, although base novels have many attractive elements, due to their limitations, very few people write base novels now. People preferred to explore more advanced technology and a more realistic future rather than going back to the past.
King Lan Ling was a famous general and politician in ancient Chinese history. He was born in the Northern Qi Dynasty during the Northern and Southern Dynasties in 552 AD. Because of his achievements and reputation, he was praised as "Gao Xiaozhuang" and "Gao Yanzong" in history. A novel that traveled to ancient times to become the mother of King Lan Ling might involve time travel, historical background, and character creation, but all of these required rigorous plot construction and detailed descriptions to allow readers to better understand and feel the story. At the same time, the historical mother of King Lan Ling was not an easy character to create. Her identity and experience were more special, and the author needed to have enough imagination and creative skills to portray her character and fate. To write a novel about transmigrating to become the mother of King Lan Ling, many factors needed to be considered, including the plot, the shaping of the characters, the restoration of the historical background, and so on. This required the author to have a high literary quality and creative ability. Therefore, there was no such novel at the moment.
The story of the Mummy 3 Dragon King was not written because the theme of the Mummy 3 Dragon King was not officially recognized, so no author would try to write this theme. The copyright of the Mummy series belonged to Marvel, and Marvel had very strict control over the copyright. Each work had its own unique storyline and character setting. Therefore, the theme of the Mummy 3 Dragon Emperor was not recognized by Marvel, so no author would try to write this theme. Of course, if readers are interested in the story of the Mummy 3 Dragon Emperor, they can create their own related stories, but they need to pay attention to copyright issues and not violate the copyright of Marvel Corporation.
The panda turning into a spirit was a fictional plot with no scientific basis. The panda was a cute mammal-like animal, and it didn't conform to the laws of nature to say that they had evolved. There were many magical stories in Chinese mythology, but there was no plot about the panda becoming a spirit.