Ye Shengtao's original "Record of Jinhua's Double Dragon Cave"

Ye Shengtao's "Record of Jinhua's Double Dragon Cave" was as follows: " I lived in a small village called Shuanglong Village in Jinhua. Surrounding the village was a famous scenic spot called Shuanglong Cave. I don't like mountains and rivers, but I was still surprised to see the lifelike divine dragons in the cave. So I decided to go in and take a look. This was the beginning of Ye Shengtao's "Record of Jinhua's Double Dragon Cave".

On April 14th, I was in Jinhua, Zhejiang Province, visiting the Double Dragon Cave in Beishan. It was about five kilometers away from Jinhua City to Luodian. After passing Luodian, they gradually entered the mountain. The road twisted up. The mountain was full of azalea flowers. Both the flowers and leaves looked more energetic than potted azalea flowers. The tung trees were also blooming. There were clusters here and clusters there. The sand on the mountain was pink in color, and it seemed that he had never seen it anywhere else. Pink mountains, all kinds of azalea, plus some dense or light green, it was bright and beautiful in front of him. Along the way, they faced the stream. Along with the mountain, the stream was sometimes wide, sometimes narrow, sometimes slow, and sometimes fast. The sound of the stream also changed its tune from time to time. About five kilometers into the mountain, they arrived at the entrance of the Double Dragons Cave. The stream came out of the cave. Looking up at the cave entrance, the mountain was quite high, abrupt and dense, very imposing. The entrance of the cave was like a bridge, very wide. Walking in, it was as if they had arrived at a great hall. Surrounded by stone walls, there was a high stone roof above them. It would definitely not feel crowded if there were a thousand or eight hundred people gathered there for a meeting. The spring water flowed out from the right side of the cave. This was the outer cave. The source of the spring water in the outer cave turned out to be the hole under the stone wall on the left. Although it was a void, it could still accommodate a small boat. How small was the boat? It was just right for two people to lie on their backs side by side. There was no room for a third person in such a small boat. Rope was tied to both ends of the boat. The workers from the management office would enter the inner hole first and pull the rope inside. The boat would go in. The workers from the outer hole would pull the rope at the other end and the boat would come out. I lay alone in the boat with curiosity. I thought that from the back of my head to my shoulders, to my buttocks, to my heels, there was no place that was not attached to the bottom of the boat. I just said,"Okay," and the boat slowly moved. It was dark in front of me, but I could still feel the rocks on my left, right, and above pressing down on me. I felt that if I had raised my head even a little, I would have broken my forehead and grazed my nose. After about twenty to thirty feet of water, they landed and arrived at the inner cave. The inner cave was pitch black, and nothing could be seen. The workers carried the oil lamp, but they could only see a small area. The rest was dark, and they did not know how wide it was. The workers raised the oil lamp high and pointed at the scenery in the cave one by one. First, there were two dragons winding on the top of the cave. One was a yellow dragon, and the other was an azure dragon. I followed his instructions and saw that it looked a little like it. Then there were stalactites and stalagmites. What was this and what was that? Most of them were imagined as immortals, animals, palaces, and utensils according to their shapes. There were more than 40 names. These stalactites and stalagmites had a variety of shapes and colors. Even if they were not compared to anything else, they were still worth admiring. After walking around the cave, he felt that the inner cave was much bigger than the outer cave. It was about the size of ten houses. The spring water flowed slowly to the right, and the sound was soft. Shang Yuan was in a dark cave. I waited in line, then lay back in the boat and went out of the cave.

On April 14th, I was in Jinhua, Zhejiang Province, visiting the Double Dragon Cave in Beishan. It was about five kilometers away from Jinhua City to Luodian. After passing Luodian, they gradually entered the mountain. The road twisted up. The mountain was full of azalea flowers. Both the flowers and leaves looked more energetic than potted azalea flowers. The tung trees were also blooming. There were clumps here and clumps there. The sand on the mountain was pink in color, and it seemed that he had never seen it anywhere else. Pink mountains, all kinds of azalea, plus some dense or light green, it was bright and beautiful in front of him. Along the way, they faced the stream. Along with the mountain, the stream was sometimes wide, sometimes narrow, sometimes slow, and sometimes fast. The sound of the stream also changed its tune from time to time. About five kilometers into the mountain, they arrived at the entrance of the Double Dragons Cave. The stream came out of the cave. Looking up at the cave entrance, the mountain was quite high, abrupt and dense, very imposing. The entrance of the cave was like a bridge, very wide. Walking in, it was as if they had arrived at a great hall. Surrounded by stone walls, there was a high stone roof above them. It would definitely not feel crowded if there were a thousand or eight hundred people gathered there for a meeting. The spring water flowed out from the right side of the cave. This was the outer cave. The source of the spring water in the outer cave turned out to be the hole under the stone wall on the left. Although it was a void, it could still accommodate a small boat. How small was the boat? It was just right for two people to lie on their backs side by side. There was no room for a third person in such a small boat. Rope was tied to both ends of the boat. The workers from the management office would enter the inner hole first and pull the rope inside. The boat would go in. The workers from the outer hole would pull the rope at the other end and the boat would come out. I lay alone in the boat with curiosity. I thought that from the back of my head to my shoulders, to my buttocks, to my heels, there was no place that was not attached to the bottom of the boat. I just said,"Okay," and the boat slowly moved. It was dark in front of me, but I could still feel the rocks on my left, right, and above pressing down on me. I felt that if I had raised my head even a little, I would have broken my forehead and grazed my nose. After about twenty to thirty feet of water, they landed and arrived at the inner cave. The inner cave was pitch black, and nothing could be seen. The workers carried the oil lamp, but they could only see a small area. The rest was dark, and they did not know how wide it was. The workers raised the oil lamp high and pointed at the scenery in the cave one by one. First, there were two dragons winding on the top of the cave. One was a yellow dragon, and the other was an azure dragon. I followed his instructions and saw that it looked a little like it. Then there were stalactites and stalagmites. What was this and what was that? Most of them were imagined as immortals, animals, palaces, and utensils according to their shapes. There were more than 40 names. These stalactites and stalagmites had a variety of shapes and colors. Even if they were not compared to anything else, they were still worth admiring. After walking around the cave, he felt that the inner cave was much bigger than the outer cave. It was about the size of ten houses. The spring water flowed slowly to the right, and the sound was soft. Shang Yuan was in a dark cave. I waited in line, then lay back in the boat and went out of the cave.

Ye Shengtao's original name was Ye Shaojun (1894 - 1988). He was a famous Chinese teacher, translator, and cultural critic, and was known as the "Father of Modern Chinese Literature."

Ye Shengtao's original name was Ye Shaojun (1894 - 1988). He was a famous Chinese teacher, translator, and cultural critic, and was known as the "Father of Modern Chinese Literature."

Ye Shengtao's Morning Glory was as follows: Morning glory, also known as morning glory The sound of the trumpet filled the branches One by one, they were bright red. When the morning awakens the earth The trumpets have begun to play; Afternoon, dusk, sunset And go with the wind. Living like this year after year Bringing the flower of life to the world. This was a description in Ye Shengtao's 1934 novel Morning Glory. Through describing the growth and life cycle of morning glory, the novel shows the tenacity and tenacity of life and the harmonious symbiosis between human beings and nature.

Ye Shengtao (1894 - 1980), formerly known as Ye Shengtao, was a famous modern Chinese writer, an instructor, a social actician, a philosopher, and a translator. He was one of the outstanding figures in the field of Chinese literature and culture in the 20th century and was known as the "father of modern Chinese literature." Ye Shengtao was one of the most important representatives of modern Chinese literature. His representative works included novels such as Old Zhang's Philosophy, Lin Zaiping, Pan Jinlian, and other essays such as Back View and Spring Silkworm, as well as translated works such as Andersen's Fairy Tales. His works were known for their profound thoughts, sincere emotions, and beautiful language, which had a profound impact on modern Chinese literature and culture. Ye Shengtao was also one of the most important figures in the history of modern Chinese education. He had once served as the president of the National Peking University (now Peking University) and promoted the development and progress of China's education. In addition, he also actively participated in social welfare activities to promote the reform and development of culture, art, education and other aspects. Ye Shengtao was an outstanding writer, an educational expert, a great ideologist, and a translator. He had a profound influence on modern Chinese literature, culture, and education. He was hailed as the "Father of Modern Chinese Literature" and "Father of Modern Chinese Education".

Ye Shengtao was a famous Chinese teacher. His works involved novels, essays, poems, and many other fields. His works were fresh and natural, and were deeply loved by readers. One of Ye Shengtao's most famous works was Little Elf Mouse. This was a classic children's novel. It told the story of a witty and cute little elf mouse. Through his growth experience, it taught the readers to cherish the people and things around them. In addition, Ye Shengtao's other works such as Old Zhang's Philosophy and Pandora were also very famous and loved by readers.

Ye Shengtao was a famous Chinese teacher. His works had a wide range of readers and a far-reaching influence. Ye Shengtao's masterpieces included " Just about to climb the ridge,"" Boys and Girls,"" Campus Fictions,"" Four Generations Living Together," and so on. These works were known for their authenticity, warmth, and insight into human nature, and were regarded as classic works of modern Chinese novels. Ye Shengtao's works had been adapted into movies, TV series, plays and other artistic forms many times, which had influenced many young readers 'views on literature and reading. At the same time, his works were also regarded as an important part of Chinese culture, which had a profound impact on modern Chinese literature and education.

Ye Shengtao (1894 - 1978), formerly known as Ye Gui Zi Shengtao, was a well-known modern Chinese scholar, an instructor, an editor, a publishing house, and a social actician. He was one of the most influential figures in the 20th century's Chinese literary world and was hailed as one of the "fathers of modern Chinese literature." In 1918, Ye Shengtao was admitted to the Landscape School of the Landscape Department of the Ministry of Works of the Shanghai Public Settlement. Later, he was admitted to the Shanghai Zhonghua School. After graduation, he was admitted to the Department of Agronomy of the College of Agronomy of Shanghai Hujiang University (now Shanghai Jiao Tong University), specializing in agricultural science. After graduating in 1924, Ye Shengtao went to Beijing to study law and politics at Peking University. During his university years, he began to create literature and published famous novels such as A Madman's Diary and The True Story of Ah Q. After graduating in 1927, Ye Shengtao went to Shanghai and began to work as a literary writer and editor. He collaborated with the Shanghai literary world to produce many important literary works, such as Lao She's Camel Xiangzi and Lu Xun's New Storytelling. He also participated in many schools and organizations of modern Chinese literature, such as the New Moon School and the Literature Research Society. In 1937, Ye Shengtao moved to Hong Kong and began to cooperate with the Hong Kong literary world to publish many important literary works such as Zheng Chouyu's "Mistake". In 1952, Ye Shengtao moved to Beijing and became a professor at Peking University. Since then, he continued to work as a literary writer and editor, and served as a consultant and judge for several literary societies. Ye Shengtao's literary works were deeply loved by readers. His unique writing style, his rational and calm attitude towards observing society and human nature, was well received by readers. He has won many literary awards, including the Mao Dun Literature Award and the Lao She Literature Award. At the same time, he was also one of the important founders of modern Chinese literature, which had a profound impact on modern Chinese literature.