Ye Shengtao's original "Record of Jinhua's Double Dragon Cave"

Ye Shengtao's "Record of Jinhua's Double Dragon Cave" was as follows: " I lived in a small village called Shuanglong Village in Jinhua. Surrounding the village was a famous scenic spot called Shuanglong Cave. I don't like mountains and rivers, but I was still surprised to see the lifelike divine dragons in the cave. So I decided to go in and take a look. This was the beginning of Ye Shengtao's "Record of Jinhua's Double Dragon Cave".

On April 14th, I was in Jinhua, Zhejiang Province, visiting the Double Dragon Cave in Beishan. It was about five kilometers away from Jinhua City to Luodian. After passing Luodian, they gradually entered the mountain. The road twisted up. The mountain was full of azalea flowers. Both the flowers and leaves looked more energetic than potted azalea flowers. The tung trees were also blooming. There were clusters here and clusters there. The sand on the mountain was pink in color, and it seemed that he had never seen it anywhere else. Pink mountains, all kinds of azalea, plus some dense or light green, it was bright and beautiful in front of him. Along the way, they faced the stream. Along with the mountain, the stream was sometimes wide, sometimes narrow, sometimes slow, and sometimes fast. The sound of the stream also changed its tune from time to time. About five kilometers into the mountain, they arrived at the entrance of the Double Dragons Cave. The stream came out of the cave. Looking up at the cave entrance, the mountain was quite high, abrupt and dense, very imposing. The entrance of the cave was like a bridge, very wide. Walking in, it was as if they had arrived at a great hall. Surrounded by stone walls, there was a high stone roof above them. It would definitely not feel crowded if there were a thousand or eight hundred people gathered there for a meeting. The spring water flowed out from the right side of the cave. This was the outer cave. The source of the spring water in the outer cave turned out to be the hole under the stone wall on the left. Although it was a void, it could still accommodate a small boat. How small was the boat? It was just right for two people to lie on their backs side by side. There was no room for a third person in such a small boat. Rope was tied to both ends of the boat. The workers from the management office would enter the inner hole first and pull the rope inside. The boat would go in. The workers from the outer hole would pull the rope at the other end and the boat would come out. I lay alone in the boat with curiosity. I thought that from the back of my head to my shoulders, to my buttocks, to my heels, there was no place that was not attached to the bottom of the boat. I just said,"Okay," and the boat slowly moved. It was dark in front of me, but I could still feel the rocks on my left, right, and above pressing down on me. I felt that if I had raised my head even a little, I would have broken my forehead and grazed my nose. After about twenty to thirty feet of water, they landed and arrived at the inner cave. The inner cave was pitch black, and nothing could be seen. The workers carried the oil lamp, but they could only see a small area. The rest was dark, and they did not know how wide it was. The workers raised the oil lamp high and pointed at the scenery in the cave one by one. First, there were two dragons winding on the top of the cave. One was a yellow dragon, and the other was an azure dragon. I followed his instructions and saw that it looked a little like it. Then there were stalactites and stalagmites. What was this and what was that? Most of them were imagined as immortals, animals, palaces, and utensils according to their shapes. There were more than 40 names. These stalactites and stalagmites had a variety of shapes and colors. Even if they were not compared to anything else, they were still worth admiring. After walking around the cave, he felt that the inner cave was much bigger than the outer cave. It was about the size of ten houses. The spring water flowed slowly to the right, and the sound was soft. Shang Yuan was in a dark cave. I waited in line, then lay back in the boat and went out of the cave.

On April 14th, I was in Jinhua, Zhejiang Province, visiting the Double Dragon Cave in Beishan. It was about five kilometers away from Jinhua City to Luodian. After passing Luodian, they gradually entered the mountain. The road twisted up. The mountain was full of azalea flowers. Both the flowers and leaves looked more energetic than potted azalea flowers. The tung trees were also blooming. There were clumps here and clumps there. The sand on the mountain was pink in color, and it seemed that he had never seen it anywhere else. Pink mountains, all kinds of azalea, plus some dense or light green, it was bright and beautiful in front of him. Along the way, they faced the stream. Along with the mountain, the stream was sometimes wide, sometimes narrow, sometimes slow, and sometimes fast. The sound of the stream also changed its tune from time to time. About five kilometers into the mountain, they arrived at the entrance of the Double Dragons Cave. The stream came out of the cave. Looking up at the cave entrance, the mountain was quite high, abrupt and dense, very imposing. The entrance of the cave was like a bridge, very wide. Walking in, it was as if they had arrived at a great hall. Surrounded by stone walls, there was a high stone roof above them. It would definitely not feel crowded if there were a thousand or eight hundred people gathered there for a meeting. The spring water flowed out from the right side of the cave. This was the outer cave. The source of the spring water in the outer cave turned out to be the hole under the stone wall on the left. Although it was a void, it could still accommodate a small boat. How small was the boat? It was just right for two people to lie on their backs side by side. There was no room for a third person in such a small boat. Rope was tied to both ends of the boat. The workers from the management office would enter the inner hole first and pull the rope inside. The boat would go in. The workers from the outer hole would pull the rope at the other end and the boat would come out. I lay alone in the boat with curiosity. I thought that from the back of my head to my shoulders, to my buttocks, to my heels, there was no place that was not attached to the bottom of the boat. I just said,"Okay," and the boat slowly moved. It was dark in front of me, but I could still feel the rocks on my left, right, and above pressing down on me. I felt that if I had raised my head even a little, I would have broken my forehead and grazed my nose. After about twenty to thirty feet of water, they landed and arrived at the inner cave. The inner cave was pitch black, and nothing could be seen. The workers carried the oil lamp, but they could only see a small area. The rest was dark, and they did not know how wide it was. The workers raised the oil lamp high and pointed at the scenery in the cave one by one. First, there were two dragons winding on the top of the cave. One was a yellow dragon, and the other was an azure dragon. I followed his instructions and saw that it looked a little like it. Then there were stalactites and stalagmites. What was this and what was that? Most of them were imagined as immortals, animals, palaces, and utensils according to their shapes. There were more than 40 names. These stalactites and stalagmites had a variety of shapes and colors. Even if they were not compared to anything else, they were still worth admiring. After walking around the cave, he felt that the inner cave was much bigger than the outer cave. It was about the size of ten houses. The spring water flowed slowly to the right, and the sound was soft. Shang Yuan was in a dark cave. I waited in line, then lay back in the boat and went out of the cave.

Ye Shengtao's original name was Ye Shaojun (1894 - 1988). He was a famous Chinese teacher, translator, and cultural critic, and was known as the "Father of Modern Chinese Literature."

Ye Shengtao's Morning Glory was as follows: Morning glory, also known as morning glory The sound of the trumpet filled the branches One by one, they were bright red. When the morning awakens the earth The trumpets have begun to play; Afternoon, dusk, sunset And go with the wind. Living like this year after year Bringing the flower of life to the world. This was a description in Ye Shengtao's 1934 novel Morning Glory. Through describing the growth and life cycle of morning glory, the novel shows the tenacity and tenacity of life and the harmonious symbiosis between human beings and nature.

Ye Shengtao (1894 - 1978), whose original name was Ye Shaojun, was a famous Chinese scholar, cultural critic, and social organizer. He was hailed as one of the "fathers of modern Chinese literature" and an outstanding representative of the 20th century Chinese literary world. Ye Shengtao was born in a scholarly family in Shaoxing, Zhejiang Province. He had received a good education and traditional culture since he was young. He studied at Shanghai East Asia Sports School, Shanghai Public Settlement Broadcasting School, and Nanjing Central University (now Nanjing University). In 1923, he began to publish novels and essays, and was hailed as "the new star of the 20th century Chinese literary world." Ye Shengtao's works had a variety of styles, including novels, essays, fairy tales, poems, literary criticism, and many other fields. With his unique perspective and profound insight, he reflected the social, cultural, educational and other aspects of the situation at that time, which had a profound impact on the development of modern Chinese literature. His representative works include Bonded Labourers, Niels 'Journey on a Goose, Lao Zhang's Philosophy, Zhu Ziqing's Essays, etc. In addition to his literary creation, Ye Shengtao was also an outstanding teacher and social practitioner. He studied at Nanjing Central University and then taught at Shanghai Public Settlement Broadcasting School and Fudan University. He also actively participated in various social activities to support the development of literature, art and culture. He was known as one of the founders of China's modern education and one of the top ten generals of the cultural world. Ye Shengtao's life was full of creative works, which had a far-reaching influence. His thoughts and works had a far-reaching impact on the history of Chinese literature, and he was one of the outstanding representatives of modern Chinese literature.

Ye Shengtao (1894 - 1978), formerly known as Ye Gui, was a famous Chinese writer, politician, and social practitioner. His works had high literary value and depth of thought, and he was regarded as one of the founders of modern Chinese literature. Ye Shengtao's works covered novels, essays, poems, plays, and many other fields, among which novels were the most famous. His representative works included Bonded Labourers, Old Zhang's Philosophy, Hen, and so on. These works were famous for their profound social criticism and discussion of human nature. In addition to his literary achievements, Ye Shengtao was also a well-known educating scholar and social actician. He had taught literature, philosophy, sociology and other courses in 12 universities and made outstanding contributions to China's cultural education. In addition, he also actively participated in various social activities to promote China's democratic and modern process. Ye Shengtao was known as the "Father of Modern Chinese Literature" and "Founder of Chinese Education and Culture". His thoughts and works had a profound impact on the development of modern Chinese culture and society.

Ye Shengtao (1894 - 1978), formerly known as Ye Gui, was a famous modern Chinese writer, an education expert, a great ideologist, a translator, a publishing expert, and a social actician. He was an outstanding representative of the 20th century Chinese literary world and was hailed as the "Father of Modern Chinese Literature." Ye Shengtao was born in Suzhou City, Jiangsu Province. He studied in Japan in his early years and returned to Shanghai to become a representative of the New Moon School. His representative works included the novel Madam Bovary, Lao Zhang's Philosophy, Zhu Ziqing's Essays Collection, and other prose works, which were famous for their humor and profound thoughts. Ye Shengtao's works had a profound influence on modern Chinese literature. He was also known as the "father of modern Chinese literature". In addition to his literary achievements, Ye Shengtao was also an outstanding teacher and social actician. He had been a university professor in Shanghai and other places and was also committed to promoting the development of literature, education, and culture. His thoughts and ideas were deeply approved by people and made important contributions to the development of modern Chinese culture. Ye Shengtao died in 1978 at the age of 82.

Ye Shengtao (1894 - 1978), formerly known as Ye Gui Zi Shengtao, was a famous modern Chinese litterer, lecturer, cultural critic, and social actician. He was the most influential person in the 20th century Chinese literary world and was known as the "Father of Modern Chinese Literature". Ye Shengtao was born in Suzhou City, Jiangsu Province. He studied in Japan in his early years and then returned to Beijing University to study and serve as a professor of literature there. His literary works mainly consisted of novels, essays, and essays. His style was fresh and natural, focusing on emotional expression and exploration of human nature. His works have won many domestic and international literary awards and are known as the founder of modern Chinese literature. In addition to his literary achievements, Ye Shengtao was also an outstanding teacher and social actician. He has served as a professor and consultant at many well-known universities, dedicated to promoting the development of literature, education, and culture. He was also a representative figure during the May 4th Movement and actively participated in various social movements and public welfare. Ye Shengtao's personal profile was full of talents and contributions in the fields of literature, education, and culture. He was an important milestone in modern Chinese literature and education.

Ye Shengtao's Wind didn't have the complete text. As a classic novel, it was usually published in four parts: The Designer, Butterfly, Dune, and Wind. If you want to know more about Wind, I suggest you go to the relevant novel website or read the physical book.