Was the ancient Peacock Mahamayuri King Kong Xuan?

The Xuankong Temple in " Celebrating Years " was in chapter 49.

Godzilla vs. King Kong 2: Rise of the Empire was an action/sci-fi/horror/adventure film that was scheduled to be released in the United States and the mainland of China on March 29, 2024. The film was a sequel to the previous film, Godzilla vs. King Kong. The story would continue to tell the story of Godzilla and King Kong. According to the leaked plot, the film would introduce a new character, the ancestral Titan monster Shi Mu, and show the huge threat faced by the two kings and the secrets hidden in the unknown space. The movie will bring the audience into a new world that has never been seen before, including new monsters and strange sights. Although the details of the plot had not been revealed, the audience was full of anticipation for the battle between the kings and the exploration of the new world.

" King Kong 2: King Kong Resurrection " was an adventure and sci-fi film that was released on December 19, 1986. It was directed by John Gillemin and starred by Peter Elliot, George Antoni, Brian Colvin, Linda Hamilton, John Ashton, and Peter Michael Goetz. The movie told the story of the sleeping King Kong resurrecting and breaking through human defenses with the mother King Kong to return to the original world.

One possible moral could be that vanity can be a downfall. The peacock was perhaps too focused on its own beauty, like the king might have been on his power. And both might need to learn humility.

Xuan Kong Temple had a unique interior layout and was filled with culture. Upon entering the temple, visitors would first see three main buildings, namely the Heavenly King Hall, the Great Buddha Hall, and the Tripitaka Block. The three buildings were of different heights and were connected by corridors, making the entire space compact and varied. In terms of interior decoration, Xuankong Temple embodied the essence of ancient Chinese culture. The exquisite carved Buddha statues, murals, and simple furniture displayed the charm of ancient Chinese art.

The Xuankong Temple was filled with Buddhist, Taoist, and Confucian deities and Bodhisattvas. According to document 2, the Thunder Sound Hall worships the Three Saints of Hua Yan, surrounded by suspended statues, as well as Flying Heavens and Arhats. The Hall of Three Officials worships the Heaven Official, Earth Official, and Water Official. The screen behind it is carved with peony flowers, and there are nine coiling dragons above its head. The Three Sacred Halls worshipped the three Bodhisattvas, Guanyin, Samantabhadra, and Manjushri. There were also ten disciples on both sides. The Hall of Three Religious Sects worshipped Shakyamuni Buddha, Confucius, and Lao Tzu. The founders of these three religions lived in the same room. In addition, document 8 also mentioned that the Xuankong Temple worshipped the Fairy Goddess, Dragon King, and Maitreya Buddha. There were also golden Buddhist characters on the wall. In general, Xuankong Temple worshipped all kinds of immortals and Bodhisattvas, showing the unity of Buddhism, Taoism, and Confucianism.

Many Buddha statues and cultural relics were worshipped in the Xuankong Temple, which had a strong Buddhist artistic atmosphere. The temple could be divided into the southern and northern regions. The southern area had three floors, including the Pure Yang Palace, the Three Officials Hall, and the Thunder Sound Hall. Pure Yang Palace mainly worships one of the Eight Immortals of Taoism, Lu Dongbin. The Hall of Three Officials was the largest hall in Xuankong Temple, and there were clay sculptures from the Ming Dynasty inside. The Thunder Sound Hall was a Buddhist hall located at the highest point in the south. The north area was about 7 meters long and 4 meters wide. The overall layout of Xuankong Temple also included meditation rooms, Buddhist halls, Taiyi Hall, Guandi Temple, drum tower, bell tower, Qielan Hall, Child-sending Guanyin Hall, Ksitigarbha Bodhisattva Hall, Thousand Hands Temple Hall, Sakyamuni Hall, Three Officials Hall, Pure Yang Palace, boardwalk, Three Religion Hall, Five Buddha Hall, etc.

Xuan Kong Temple was considered a dangerous building. It was located near the Golden Dragon Gorge of Hengshan Mountain in Hunyuan County, Datong City, Shanxi Province. It was built on a cliff, so it was called "Xuankong Temple". The architecture of Xuan Kong Temple was extremely unique. It was famous for its precipitousness. It was once named one of the top ten most dangerous buildings in the world by Time Magazine. In addition, Xuan Kong Temple also faced some dangers, including natural disasters and man-made disasters. In the year 2012, someone was engaged in coal mining activities, and it was only about one kilometer away from Xuan Kong Temple. This posed a threat to the safety of Xuan Kong Temple. Fortunately, the relevant departments had taken measures to stop the coal mining activities, providing a safer guarantee for Xuan Kong Temple. In short, the buildings of Xuan Kong Temple were dangerous and required strict protection measures to ensure their safety.

Xuankong Temple worshipped the Three Saints of Huayan, Guanyin, Samantabhadra, Manjushri and other Buddhist Bodhisattvas, as well as the founders of Taoism and Confucianism, Sakyamuni Buddha, Confucius, Lao Tzu and so on. In addition, there were pavilions, pavilions, flying apsaras, arhats, and other statues. The interior of Xuankong Temple was rich and varied, displaying the culture and art of Buddhism, Taoism, and Confucianism.

Xuan Kong Temple had a unique interior layout and was filled with culture. Upon entering the temple, visitors would first see three main buildings, namely the Heavenly King Hall, the Great Buddha Hall, and the Tripitaka Block. The three buildings were of different heights and were connected by corridors, making the entire space compact and varied. In terms of interior decoration, Xuankong Temple embodied the essence of ancient Chinese culture. The exquisite carved Buddha statues, murals, and simple furniture displayed the charm of ancient Chinese art.