What was the biggest taboo in writing science fiction?

The biggest taboo in writing science fiction was not to explore the real world and scientific facts in depth, but to construct the world and plot based on imagination and fantasy. This kind of novel often ignored the existing technology, culture, and social background, making it difficult for readers to understand the world and the behavior of the characters in the story. In addition, this kind of novel could easily fall into the superstitious, supernatural, or fictional elements of science fiction settings, causing confusion and unnecessary psychological pressure on the readers. Therefore, when writing a science fiction novel, one should explore the real world and scientific facts as deeply as possible and ensure that the plot matches the real world so that the readers can more easily understand and accept the world depicted in the novel.

The Culture Ships in Iain M. Banks' 'Culture' series are also contenders for the biggest. These ships are not only vast in size but also highly advanced, often containing entire ecosystems and civilizations within them. They are self - sufficient and capable of incredible feats, such as manipulating matter at a fundamental level.

The biggest ships in science fiction include the Super Star Destroyer from 'Star Wars'. These are colossal warships that are much larger than the regular Star Destroyers. In the 'Halo' universe, the Forerunner Dreadnoughts are gigantic ships with advanced technology. They are so large that they can cause significant destruction when they enter a battle. And in the 'Warhammer 40,000' lore, the Imperator - class Titans are huge, ship - like constructs that are used in warfare and are among the largest entities in that fictional setting.

Young adults are often considered the biggest demographic for science fiction. They are usually more open to new and imaginative concepts. They are in a stage of life where they are exploring different ideas and possibilities, and science fiction offers a vast universe of such exploration, from space travel to futuristic technologies.

One of the biggest is the Death Star from 'Star Wars'. It's a moon - sized battle station with an extremely powerful superlaser. Another huge one is the Enterprise - D from 'Star Trek: The Next Generation'. It has a large crew and many decks for various functions. And the Citadel from 'Mass Effect' is also very large, serving as a major hub in the game's universe.

One of the biggest cons could be the overuse of certain tropes. For example, in fantasy, the 'chosen one' trope is so common that it can make stories seem predictable. In science fiction, the idea of a dystopian future has been done to death in some ways. Another con might be the lack of diversity in some works, both in terms of characters and ideas. Sometimes, the science in science fiction can be really far - fetched and not based on any real scientific principles, which can be off - putting for some readers who like a bit more realism in their speculative fiction.

One of the biggest selling science fiction books is 'Dune' by Frank Herbert. It has a richly detailed universe, complex characters, and a story that has intrigued generations of readers. Its exploration of politics, ecology, and human nature in a science - fictional setting is really captivating.

Isaac Asimov contributed a lot. His Three Laws of Robotics influenced how people think about artificial intelligence. Arthur C. Clarke's ideas about space exploration and technology in his works inspired generations of scientists. Ray Bradbury's works, like 'Fahrenheit 451', made people think about the role of technology in society and the importance of freedom of thought.

Some of the biggest names in science fiction are Isaac Asimov. He is well - known for his Foundation series and his many thought - provoking stories about robots. Another big name is Arthur C. Clarke, famous for '2001: A Space Odyssey' both the book and the movie adaptation. And of course, Ray Bradbury, with his classic works like 'Fahrenheit 451' that explore deep social and technological themes.

The biggest difference between pseudo-taboo novels and taboo novels was whether the taboo content involved in them actually existed. Pseudo-taboo novels are usually fictional. The storyline is usually based on the author's imagination or fictional storyline. There is no real taboo content. The audience for this type of novel was usually the readers. They didn't need to know about real society, history, or culture. They only needed to read pseudo-taboo novels to satisfy their imagination and curiosity. Taboo novels, on the other hand, involved real social, historical, and cultural taboos. These taboos may include race, gender, religion, morality, and other aspects that exist in real life and are strictly restricted and prohibited. This type of novel usually required the reader to have a certain amount of historical, cultural, and social knowledge in order to understand the taboo content and meaning. Therefore, the biggest difference between pseudo-taboo novels and taboo novels was whether the taboo content involved in them actually existed. Pseudo-taboo novels were usually fictional, while taboo novels were real, involving real social, historical, and cultural taboos.