I don't know where my feelings come from, but I'm deeply devoted. Where did it come from? What was the full text?

The emotion is not caused by one's own will but it grows and deepens with one's action This sentence came from a classic line in The Peony Pavilion, which meant," Love is unpredictable, but once you get into it, it will get deeper and deeper."

The famous line from the Peony Pavilion is: Love does not know where it comes from, but it is deeply devoted. the earliest origins cannot be verified.

I don't know where my love came from, but I'm deeply in love. The next sentence was: Asking you how much sorrow you can have is like a spring river flowing eastward. It was from the Tang Dynasty poet Li Qingzhao's Dream Order. The original source was from the Tang Dynasty poet Li Qingzhao's "Dream Order."

The sentence you entered is "I don't know where my love comes from, but I'm deeply devoted" from Bai Juyi's "Song of Everlasting Regret" from the Tang Dynasty.

This sentence came from the beginning of the TV series "The Peony Pavilion." The complete sentence was: I don't know where my love comes from, but I'm deeply devoted. The living could die, and the dead could live. It is not the extreme of human feelings to be born but not to be born and to be dead but not to be reborn. The drama was about the entanglement between love and fate. It was about a woman's love story by the Peony Pavilion. This sentence expressed the depth of love and irreversible emotional investment, revealing the important law of love: devoted love.

This sentence came from Bai Juyi's Song of Everlasting Regret in the Tang Dynasty. The whole sentence is: "Love does not know where it comes from, but if you are deeply devoted, you can die and live." Life cannot be shared with death and cannot be revived. There is no limit to love, so it can be stopped in its depth. It's sad to miss one thing. Can you bear it?" Song of Everlasting Sorrow was a long narrative poem describing the love story between Emperor Xuanzong of the Tang Dynasty and Concubine Yang. It described the love, quarrels, reconciliation, and the tragic ending of Emperor Xuanzong and Concubine Yang. This sentence expressed the strong feelings and uncontrollable emotions in love, as well as the depth and continuity of love that could not be limited or terminated.

This sentence came from the thirty-first chapter of Bai Juyi's Song of Everlasting Regret in the Tang Dynasty. The whole sentence is: "I don't know where love comes from." The living could die, and the dead could live. Life cannot be shared with death and cannot be revived. Therefore, there is no limit to life and love can be preserved." This sentence expressed the protagonist's deep feelings for love. He was trapped in a wrong relationship and could not extricate himself. Love can start and end for some reason, but no matter what, it can be as long as life, as terrible as death, and once lost, it can never be taken back. Therefore, the protagonist expressed his firm attitude towards love in this sentence. He believed that love could be held fast, and he would always love the other party even in the face of difficulties and setbacks.

This feeling was unexpected and lasts for a long time

In the past, I was gone. It came from the "Wei Feng·Papaya" in the "Book of Songs": I've been gone long ago, willows and willows. Now I come to think of the rain and snow. The full text was as follows: I've been gone long ago, willows and willows. Now I come to think of the rain and snow. The song of the Yangguan is heartbroken, my heart looks at the road to the end of the world with tears. The spring breeze does not cross the Jade Gate Pass. Life is full of joy.

This sentence came from a poem in Bai Juyi's "Fu De Gu Yuan Cao Farewell" of the Tang Dynasty: "Using people as a mirror can show the gains and losses, and using history as a mirror can know the rise and fall." It meant that one could understand one's own gains and losses by learning from the experiences of others. One could understand the rise and fall of the world by learning from the experiences of history.