An Introduction to Yu Dafu's Sinking

Yu Dafu's novel, Sinking, tells the story of a young woman, Hai Ling, who was subjected to racial discrimination and love setbacks while studying in Nanyang. Sea Spirit was originally a kind, independent, and strong woman, but after suffering all kinds of misfortunes, she began to sink and gradually lost herself. The novel revealed the situation and inner struggle of the Chinese intellectual in Southeast Asia through the monologue of Hai Ling and the description of the people and things around him. At the same time, the novel also shows the complexity and variety of human nature, showing the kindness, courage, strength and weakness in human nature.

Yu Dafu's " Sinking " was a novel about the life of Shanghai residents during the economic crisis of 1929. It mainly described the protagonist Lin Zhao's low point and predicament in life as he was involved in market fluctuations and social unrest during the economic crisis. The novel used Lin Zhao's personal experience as the main thread, interweaving with thoughts and discussions on society, politics, human nature and other aspects to show the complexity of society and the deep level of human nature at that time. Through Lin Zhao's fate, the novel shows the style of Chinese society and the living conditions of people at that time. It reflects some problems in society, politics and human nature at that time, which has certain social significance and historical value.

Yu Dafu's "Sinking" is a novel describing the fate of Chinese scholars. It has the following main characteristics: Profound theme: Through the experience of the protagonist Lin Yutang, the novel reveals the various problems existing in Chinese society at that time, such as the decadence of feudal ideology, moral degeneration, social injustice, etc. It reflects the psychological state and living conditions of the Chinese people at that time. 2. The vivid characters: The novel creates a series of characters with distinct personalities, such as Lin Yutang, Fang Hongjian, Su Shimin, etc. Their fates and encounters are fully displayed in the novel, leaving a deep impression on people. 3. Plot twists and turns: The novel's plot twists and turns show the fate of Lin Yutang through multiple perspectives. It shows the conflicts of interest and moral choices between different characters, so that readers will continue to pay attention to the development of the story. 4. Beautiful language: The language of the novel is beautiful, poetic and infectious. Through delicate description and infectious emotional expression, it shows the language artistic level of Chinese novels at that time. 5. Criticizing feudal thoughts: The criticism of feudal thoughts in the novel profoundly and powerfully reveals the decadence and uselessness of feudal thoughts, expressing the author's opposition and criticism of feudal thoughts.

Yu Dafu (1895-1966) was a famous modern Chinese commentator, translator, and social practitioner. He was one of the founders of modern Chinese literature and one of the representatives of the New Moon School, an important school in the history of modern Chinese literature. Yu Dafu's representative works include "Sinking","Intoxicated Night in the Spring Wind","Twenty Years Later", etc. These works are deeply loved and respected by readers for their profound insight into human nature and unique literary style. Yu Dafu had won many literary awards, including China's Nobel Prize in Literature and the highest award in modern Chinese literature, the Mao Dun Literature Prize. His literary achievements and influence were not only important in the field of Chinese literature, but also deeply loved and paid attention to by international readers.

Yu Dafu (October 15, 1896-December 19, 1961), formerly known as Yu Wenzi Dafu, was born in Liuyang, Hunan Province. He was a modern Chinese, a critic, a translator, and a social actician. Yu Dafu's representative works included "Sinking,""A Night Intoxicated by the Spring Breeze,""Dongli Yuefu," etc."Sinking" was considered a classic of modern Chinese literature. He was good at describing characters 'psychology and social reality. His works were concise in language, profound in emotion, distinctive in personality and profound in ideology. Yu Dafu participated in the May 4th Movement and was one of the important representatives of the New Culture Movement. He taught at Peking University and left the school to engage in literary creation and social activities. He had experienced the political, social and cultural changes in China throughout his life, which had a profound impact on the development of modern Chinese literature and thought.

Yu Dafu (October 23, 1898-June 25, 1966), formerly known as Yu Wenzi Dafu, was born in Shaoxing, Zhejiang Province. He was a modern Chinese, a commentator, a scholar, and a social actician. He was an important figure in the history of Chinese literature in the 20th century and was known as the "father of modern Chinese literature." Yu Dafu studied at Peking University in his early years and then went to Japan to study at the Faculty of Literature at Tokyo University. After returning to China, he lived and worked in Beijing, Shanghai, Nanjing and other places. He was the first in the history of modern Chinese literature to dabble in novels, prose, poetry and other fields. His representative works included the novels "Sinking,""Spring Silkworm,""Kong Yiji,""Scream,""Hesitation," and other essays such as "Wildfire Collection,""Dongli Yuefu," as well as the thesis "Discussion on the improvement of literature." Yu Dafu's works reflected many aspects of Chinese society, politics and culture. He made important contributions to the development of modern Chinese literature and the construction of modern Chinese culture. He was known as the "Father of Modern Chinese Literature" and an important figure in the history of modern Chinese literature.

Yu Dafu was a famous novelist and literary critic in China. His works covered novels, essays, essays, and many other fields. The following are some of Yu Dafu's main works: 1 novel - Sinking - "A Night Intoxicated by the Spring Breeze" - Kong Yiji - Wild Huludao - Ecstasy - The Story of Sick Plum Pavilion - Lonely Winter Night 2 Prose - Dongli Yuefu - "Dongli Yuefu (Part Two)" - Spring Silkworm - "Moored at Niushui, Recalling the Past" - "Dreaming in Tianlao, Singing Parting" - Border Town 3 Essays - "The Spring Breeze Intoxicated Night." - "Rainy Evening" - Tofu Flower - Dog City - "A Small Record of the Hidden Window" The above is only a part of Yu Dafu's works. His works have a unique style and rich content, which is deeply loved by readers.

Yu Dafu was famous in modern China. His works covered many fields such as novels, essays, and essays. The following are some of his representative works: The novel: 1 "Sinking" 2. The Spring Breeze Intoxicated Night 3 Kong Yiji Golden Age 5 Border Town 6 Wildfire Spring Silkworm Rainy Day 9 Maqiao Dictionary1 Autumn in the Old Capital Prose: 1 Preface Old Wang 3 "Back View" 4 Wildfire 5. The Spring Breeze Intoxicated Night Rainy Day 7 Border Town Golden Age 9 Maqiao Dictionary1 Autumn in the Old Capital Essay: 1."Lost Whisper" 2 Duff's Essay 3 Old Wang 4 "Back View" Spring Silkworm Rainy Day 7 Border Town Golden Age 9 Maqiao Dictionary1 Autumn in the Old Capital These are just some of Yu Dafu's works. His other representative works include the novel "Spring Silkworm", the prose collection "Night Intoxicated by the Spring Wind", and the essay collection "Dafu's Essays".

Yu Dafu was a famous novelist, essayist, and literary theorist in China. His representative works included the novel "Sinking","Night Intoxicated by the Spring Wind", and the prose collection "Dongli Yuefu". Yu Dafu's main contributions included: 1. Creation Achievement: Yu Dafu's literary creation involves novels, essays, poems and many other fields. His works have a unique style, sincere emotions, and a strong sense of social criticism and humanist spirit. 2. Literature theory: Yu Dafu also made great contributions to literary theory. He put forward the literary idea of "literature is life" and believed that literary works should reflect social life and the essence of human nature. He also advocated that literature should have a critical and humane spirit. 3. Impact and evaluation: Yu Dafu's literary creation and literary theory had a profound impact on modern Chinese literature. His works were praised as the classics of modern Chinese literature, and his literary theory and ideas were widely passed down and discussed. 4. Literature influence: Yu Dafu's literary creation and literary theory had a profound influence on modern Chinese literature. His representative works not only received widespread attention and love in China, but also had a certain impact on the international arena.

Yu Dafu was an important representative of modern Chinese literature. His novel style was fresh and natural, and it described urban life, which was very popular among readers. Yu Dafu's character evaluation was more complicated. On the one hand, the characters in his works had distinctive personalities, which highlighted the complexity and variety of human nature. On the other hand, his novels often involved political, historical, cultural and other issues, so they were regarded as the representative of "cultural novels". In literature, Yu Dafu was regarded as the representative of the New Moon School. His representative works,"Sinking" and "Intoxicated Night in the Spring Wind", caused a sensation at that time. At the same time, he was also the first person in the history of modern Chinese literature to propose that "novels are a means of social criticism". Yu Dafu's unique literary style and creative ideas influenced the 20th century Chinese literary creation. His novels had a high value in ideology, artistry and literary value, which had a profound impact on the development of modern Chinese literature. Generally speaking, Yu Dafu was a man with an important literary status and cultural value. His novels had made important contributions to the development of modern Chinese literature with their unique style and content.