Why didn't anyone write a novel about a northeasterner being an overbearing CEO?

Tramp novels usually depicted homeless and destitute protagonists who were often in hunger, cold, loneliness, danger, and other predicaments. The audience for this kind of novel was relatively small because many people held a negative view of the image and behavior of tramps, believing that their behavior was irresponsible and immoral. In addition, homeless people usually did not have a stable job or residence, which would also affect the plot and character of the novel. In contrast, modern novels paid more attention to shaping the characters and plots, emphasizing the tension and conflict of the story. These novels had a wider audience, including people of all ages, and paid more attention to the plot and the development of the characters rather than just depicting a down-and-out image. To sum up, tramp novels had a relatively small audience in modern novels, and it was difficult to write stories that were attractive and intense. Therefore, modern novels such as romance, science fiction, history, and horror attracted a wider audience.

The Investiture of the Gods was an ancient Chinese mythological novel that mainly told the story of the rise of Jie School at the end of the Shang Dynasty. Jiang Taigong was the leader of Jie School, and the core of its teachings was the Investiture of the Gods. It was said that the list was written by Taishang Laojun, which recorded the locations and situations of all immortals, demons, ghosts, and monsters. In the novel, at the end of the Shang Dynasty, King Wen of Zhou, the leader of the Shang Dynasty, was killed by an immortal sent by the Tribe of Severity. King Wu, the son of King Wen of Zhou, inherited his father's throne and became the leader of the Tribe of Severity. Jie School rose up at the end of the Zhou Dynasty and fought fiercely with the forces of the Shang Dynasty and the Qin Dynasty. Because the content of the Investiture of the Gods had a strong mythological color and the novel had an important position in Chinese history, there were very few novels about this type in modern literature. Although the novel is still of great significance in cultural traditions, modern readers may have some difficulty accepting its mythological colors and historical background, so creators rarely choose this genre to write.

The novels about overbearing CEOs usually depicted a powerful, smart and capable man who had strong economic and political power and could easily control everything. He usually had a handsome appearance and a cold personality. He was very harsh to his subordinates and relatives, but he showed a kind of confidence and dignity to others. The novels usually revolved around the story of this overbearing CEO, telling how he conquered all kinds of women, including his subordinates, colleagues, relatives, and wildflowers. These women were usually attracted by his wealth, power, and charm, but some would reject him for various reasons. In novels, the overbearing CEO would usually experience a series of challenges and difficulties, including political struggles, business crises, family conflicts, and so on. However, with his wisdom and strength, he finally overcame all the difficulties and became a true leader, realizing his goals and dreams. At the end of the novel, the overbearing CEO would usually have a complicated relationship with other women, including his wife, lover, business partner, and so on. These relationships are usually filled with jealousy, desire, and fighting, but some women will eventually win the heart of the overbearing CEO and become an indispensable part of his life.

Base novels were novels that revolved around the base. Such novels usually had elements of science fiction and fantasy. The base was a very important element. It could provide the base setting, technology setting, and character setting for the story. Although base novels were once very popular, with the continuous development of technology, people gradually realized some limitations of base novels. For example, as an independent location, a base usually required a large amount of resources and materials to maintain its operation, which was not possible in modern society. In addition, base novels often involved a large number of supernatural phenomena and magic, which were no longer accepted in modern society. To sum up, although base novels have many attractive elements, due to their limitations, very few people write base novels now. People preferred to explore more advanced technology and a more realistic future rather than going back to the past.

King Lan Ling was a famous general and politician in ancient Chinese history. He was born in the Northern Qi Dynasty during the Northern and Southern Dynasties in 552 AD. Because of his achievements and reputation, he was praised as "Gao Xiaozhuang" and "Gao Yanzong" in history. A novel that traveled to ancient times to become the mother of King Lan Ling might involve time travel, historical background, and character creation, but all of these required rigorous plot construction and detailed descriptions to allow readers to better understand and feel the story. At the same time, the historical mother of King Lan Ling was not an easy character to create. Her identity and experience were more special, and the author needed to have enough imagination and creative skills to portray her character and fate. To write a novel about transmigrating to become the mother of King Lan Ling, many factors needed to be considered, including the plot, the shaping of the characters, the restoration of the historical background, and so on. This required the author to have a high literary quality and creative ability. Therefore, there was no such novel at the moment.

The story of the Mummy 3 Dragon King was not written because the theme of the Mummy 3 Dragon King was not officially recognized, so no author would try to write this theme. The copyright of the Mummy series belonged to Marvel, and Marvel had very strict control over the copyright. Each work had its own unique storyline and character setting. Therefore, the theme of the Mummy 3 Dragon Emperor was not recognized by Marvel, so no author would try to write this theme. Of course, if readers are interested in the story of the Mummy 3 Dragon Emperor, they can create their own related stories, but they need to pay attention to copyright issues and not violate the copyright of Marvel Corporation.

There were some, such as "The Arithmetic of the Divine College." It told the story of whether one could still remember their original intentions when the great power was behind them in the world of the Divine College. There was also 'Live Broadcast of the Three Kingdoms: This Streamer Is Too Unstable!' Liu Xiu traveled to the Three Kingdoms in a parallel time and space, leaving behind legends about him. I hope you like this fairy's recommendation. Muah ~😗

😋For those who have unique tastes, I have two very good novels to recommend to you. The first book was " Invincible Without Cultivation ", a fantasy novel about the continent. It told the story of the protagonist being able to exchange various treasures for cultivation time, thus easily achieving invincibility. The second book was " Big Bosses in Love Are Always Adorable ", a modern romance novel. It told the story of the female protagonist being pestered by a big boss from the same school after her rebirth. The sweet and hilarious love story between the two of them. I hope you like these two books.

The panda turning into a spirit was a fictional plot with no scientific basis. The panda was a cute mammal-like animal, and it didn't conform to the laws of nature to say that they had evolved. There were many magical stories in Chinese mythology, but there was no plot about the panda becoming a spirit.

The word limit of a novel was a complicated issue. Different platforms and websites had different rules and standards. On some platforms, the word limit for novels may be set by the platform itself. On other platforms, the word limit for novels may be set by the website itself or jointly by the platform and the website. The main purpose of the word limit was to control the length of the novel to avoid being too long or too short. It also helped to improve the readers 'reading ability and appeal. For some short stories or simple stories, there was no clear word limit to better display the author's imagination and creativity. Different platforms and websites might have different word limits. Some platforms may require a novel to reach a certain number of words before it can be published or published, while other platforms may allow authors to freely control the number of words in the novel or even increase or decrease the number of words as needed. Therefore, there were many reasons why people published novels online without a word limit, including the rules of the platform and website, the author's personal wishes, and the creative needs.