This paper briefly outlines the characteristics of the creation of rural novels in the 17 years.

The literature of the Southern Dynasty was an important period in the history of ancient Chinese literature. Its main development process can be summarized as the following stages: 1 Liang Dynasty literature (502-549 years): Liang Dynasty literature was the heyday of the Southern Dynasty literature. The main writers were Zhou Xingsi, a writer of the Liang Dynasty, Zhang Hua, a writer of the Chen Dynasty, and others. They had made great achievements in literary style, literary form and literary content. 2. Song Dynasty literature (549-618): Song Dynasty literature was a period between Liang Dynasty literature and Tang Dynasty literature. Song Dynasty literature focused on lyricism and description of various literary forms, of which poetry was the most famous. 3. Tang Dynasty literature (618-907): Tang Dynasty literature was a peak in the history of Chinese literature after Song Dynasty literature. Its main characters were Bai Juyi, Wang Zhihuan, Liu Yuxi, etc. Tang Dynasty literature mainly focused on poetry to express political and social reality, but also produced many excellent novels and prose works. Song Dynasty literature (907-1279): Song Dynasty literature was a period between Tang Dynasty literature and the Five Dynasties and Ten Kingdoms. Song Dynasty literature focused on the creation of prose and novels. Among them, prose was mainly about discussion and lyricism, while novels were mostly about reflecting social reality and historical events. The development process and main characteristics of the literature of the Southern Dynasties included: The literature of the Liang Dynasty was the heyday of the literature of the Southern Dynasty. Zhou Xingsi, a writer of the Liang Dynasty, and Zhang Hua, a writer of the Chen Dynasty, were the main writers. They had made great achievements in literary style, literary form and literary content. The Song Dynasty literature emphasized on lyricism and description of various literary forms, among which poetry was the most famous. The Tang Dynasty literature mainly focused on poetry and focused on expressing politics and social reality. At the same time, there were many excellent novels and prose works. The period between the Song Dynasty literature and the Tang Dynasty literature was dominated by Xin Qiji, Yang Wanli, and others. Song Dynasty literature focused on the creation of prose and novels. Among them, prose was mainly about discussion and lyricism, while novels were mostly about reflecting social reality and historical events.

The Romance of the Western Chamber was an ancient Chinese novel written by the Tang Dynasty novelist Zhang Sheng. The novel used the love story of Yingying and Cui Yingying as the main thread to describe a romantic love world. The following are the language features of The West Chamber: 1. Colloquial: Zhang Sheng and Yingying speak in a very conversational and easy-to-understand manner. They often use slang and common sayings to make their works more realistic. 2. Vivid image: The characters described in the works are vivid and the language images are like "The matchmaker is eloquent and eloquent. She can often turn the abstract into concrete, so that the readers have an intuitive and concrete feeling." 3. Elegant rhyme: The dialogue and lyrics in the work use a lot of rhyme techniques such as rhyme, repetition, antithesis, etc. to make the language rhythm of the work beautiful and catchy. 4. Connotation and euphemism: The work uses a kind of euphemistic and implicit narrative method to express the author's thoughts and emotions through some hints and metaphor, making the work more artistic and appealing. The language of Romance of the Western Chamber is rich and colorful. It uses a variety of language techniques to make the work unique in language expression and become a classic work in ancient Chinese novels.

" Cutting Sandalwood " was one of the fables in ancient China. It was about an official of the State of Zheng who misunderstood the intentions of the woodcutter when he was cutting down trees, which led to the suffering of himself and others. The main idea of the story emphasized that people should treat others with kindness and tolerance, and should not hurt others because of misunderstanding and prejudice. In terms of artistic features, Fattan-Cutting used the form of fables to convey the author's thoughts through fictional stories. The characters in the story were vivid, the plot was complicated, and the language was concise and philosophical. The story also revealed the truth that people should respect each other and treat each other with kindness through the dialogue between the officials of the State of Zheng and the woodcutter. In addition, the story also used symbolic means to express the relationship between people through the image of trees. They should grow and support each other like trees.

The Quiet Don was considered a classic in the history of Russian literature. Through the story of a Russian peasant family, the novel shows the darkness and poverty of Russian society at the end of the 19th century, as well as the resistance and struggle of the peasant class. The following is a brief summary of the novel's content, characters, and artistic achievements: Thought content: The Quiet Don River is a profound social novel that reflects the darkness and poverty of Russian society at that time, as well as the resistance and struggle of the peasant class through the description of the protagonist's family life. The novel used time as a clue to show the Russian society in different historical periods, including serfdom, industrialization, revolution, Stalinist rule, etc. Through meticulous descriptions and deep thinking, the author reveals various problems in Russian society at that time, such as class contradictions, human weakness, social injustice and so on. Character Image: There were many characters in The Quiet Don, but they all had distinct personalities and characteristics. The protagonist, Ma Qiao, was one of the most important characters. He was a brave, strong, upright and kind-hearted farmer who sacrificed his happiness and freedom to resist class oppression and exploitation. His image represented the courage and sense of justice of the peasant class at that time and became one of the classic images in Russian literature. In addition, the other characters in the novel, such as Tretyakov, Kaganovich, Luzanov, etc., also showed the different classes and styles of Russian society at that time. Art Achievement: The Quiet Don became a classic in the history of Russian literature with its profound content and rich characters. The novel's narrative style was exquisite, calm, concise, and vivid, with extremely high literary value. At the same time, the characters in the novel were also deeply loved by readers, such as the protagonist Ma Qiao and Tretyakov, who became the representative images in Russian literature. In addition, the novel also uses unique narrative perspectives such as "family perspective" and "Don River perspective" to allow readers to have a deeper understanding of the plot and characters of the novel.

Ruan Ji was a famous poet and politician in the Wei and Jin Dynasties. His "Yong Huai Shi" mainly expressed his dissatisfaction with reality and his yearning for an ideal world by expressing his personal feelings. In terms of the content of his thoughts, Ruan Ji's Ode to Memories expressed his thoughts and exploration of the meaning of life. He believed that life was short and fleeting, so he should cherish time to pursue his ideals and realm. In his poems, he expressed his discussion of the concepts of life and death, success and failure, morality, etc. He believed that there were no absolute answers to these questions, only personal subjective understanding and choices. In terms of artistic form, Ruan Ji's "Yong Huai Shi" adopted a unique poetic style. His poems were mainly about expressing his emotions. His emotions were sincere and exquisite. Ruan Ji was good at using metaphor and symbolism to express his thoughts and feelings. At the same time, Ruan Ji's poetry language was concise, bright, simple and natural, without any embellishment or carving, with a fresh and natural style. Ruan Ji's Ode to Memories, with its unique content and artistic form, showed his deep thoughts on life and unique poetic style, becoming one of the representative works of poetry in the Wei and Jin Dynasties.

Root-seeking literature is a genre of literature that aims to explore and express the roots and roots of an individual or family in search of the historical and cultural value of the family. This genre of literature was born in the 20th century, and its background mainly involved the development of the trend of cultural globe and multiculturalism. The background of root-seeking literature was mainly related to the trend of global development. With the development of the industrial, urban, and technological development, people's lifestyle, values, and cultural traditions have undergone tremendous changes. People began to pay more attention to their roots and family history, hoping to explore and express these traditional cultures through literature. In addition, it also makes the communication between different cultures more frequent, and the creation of root-seeking literature can better express the differences and similarities between different cultures. Root-seeking literature's attitude towards traditional culture was relatively complicated. On the one hand, root-seeking literature tried to find the sense of belonging and identity of individuals and families by exploring family history and cultural values. On the other hand, root-seeking literature would also criticize the decline and commerce of traditional culture, emphasizing the preciousness and historical value of traditional culture. In addition, root-seeking literature may also involve thinking about family, family, love and other topics, as well as reflecting on the contradictions and conflicts between traditional culture and modern society. Root-seeking literature is a genre of literature that focuses on the roots and roots of individuals and families. It attempts to explore the value and significance of traditional culture, while also criticizing the commerce and decline of traditional culture, emphasizing the importance of historical value and personal identity.

The Misty Poetry School was a school of Chinese poetry in the 1960s. It pursued the wholeness of form, artistic conception, and feeling. Its main representatives were Bei Dao, Shu Ting, and Gu Cheng. The main characteristics of the Obscure Poetry School included: 1. Pursuing wholeness: The Misty Poetry School emphasized the wholeness of the form and content of the poem, opposed the pursuit of superficial rhetorical effects and techniques, and paid attention to the overall feeling and artistic conception of the poem. 2. Emotional expression: The poems of the Misty Poetry School mostly express emotions as the theme, such as love, loneliness, ideals, pursuit, etc., through the exaggeration and distortion of images, they express strong emotional colors. 3. Freedom of Form: The Obscure Poetry School advocated freedom of form, free from the constraints of traditional poetry, and expressed the poet's feelings and thoughts in a free form. 4. Conciseness of language: The poets of the Obscure Poetry School usually use concise and abstract language to express their emotions and make the artistic conception of the poem more profound. Pay attention to social reality: The poems of the Obscure Poetry School reflected the reality of Chinese society at that time, such as political corruption, environmental pollution, and the sufferings of the people. They expressed their concern and reflection on society through the form and content of poetry. The Misty Poetry School has an important position in contemporary Chinese literature. Its poetry style and characteristics have had a profound impact on the development of Chinese poetry.

The main stages of the development of ancient Chinese novels were as follows: 1. Pre-Qin period (11th century B.C. -221B.C.): The representative works include The Book of Songs, The Songs of Chu, The Spring and Autumn Annals, etc. 2. Qin and Han Dynasties (221 B.C. -220 A.D.): Representative figures include Sima Qian, Ban Gu, Cao Cao's Short Songs, etc. 3. Wei, Jin, Southern and Northern Dynasties (220 - 589): The representative characters were Tao Yuanming's "The Peach Blossom Spring", Xie Lingyun's "Preface to the Pavilion of King Teng", Wang Bo's "Preface to the Pavilion of King Teng", etc. 4. Tang Dynasty (618 - 907 AD): The representative characters were Li Bai, Du Fu, Bai Juyi, Wang Zhihuan's "Climbing the Stork Tower", Liu Zongyuan's "River Snow", etc. 5 Song Dynasty (960 - 1279): Representative figures include Su Shi, Li Qingzhao, Xin Qiji, Ouyang Xiu's "Sapphire Case·Yuanxi", Zhou Bangyan's "Romance of the West Chamber", etc. 6. Yuan Dynasty (1271 - 1368 AD): Representative characters include Ma Zhiyuan's Tianjing Sand·Autumn Thoughts, Bai Pu's Tianjing Sand·The Shame of Jingkang, Zheng Sixiao's Twenty Years of Witnessing Strange Situation, etc. 7 Ming Dynasty (1368 - 1644): Representative characters include Cao Xueqin's Dream of the Red Chamber, Shi Naian's Water Margins, Wu Chengen's Journey to the West, Luo Guanzhong's Romance of the Three Kingdoms, etc. The works of the representative characters in the above stages represented the styles and characteristics of ancient Chinese novels in different historical periods, and also reflected people's thoughts and feelings about life, love, humanity, society, and so on in different cultural backgrounds.

Cao Qiqiao was a character in " Dream of the Red Chamber ". She lived in a society that was in the last years of the feudal dynasty, where social contradictions were sharp and society was in turmoil. The main purpose of the author's creation of Cao Qiqiao was to reveal the hypocrisy, cruelty and corruption of the feudal society through her female character, and to express the author's criticism and reflection on the feudal society. Cao Qiqiao was a well-educated woman from a wealthy family, but she couldn't stand the shackles and oppression of feudal society. She revealed the various difficulties and unfairness that women faced in feudal society, such as the sale in the marriage market, the contempt and oppression of the family, the control and exploitation of the patriarchical society, etc. At the same time, she was also a strong, independent and thoughtful woman. She opposed the hypocrisy, narrow-mindedness and isolation of the feudal society and advocated that women should enjoy equal rights and opportunities and actively pursue their own freedom and happiness. Through the character Cao Qiqiao, the author expressed his criticism and reflection on the feudal society, revealing the various difficulties and injustice faced by women in the feudal society and calling for women to enjoy equal rights and opportunities. At the same time, it also showed the author's respect and love for women, emphasizing that women should have independent thinking and action ability to contribute to the development and progress of society.

The development of pre-Qin literature can be divided into three stages. The main situation of each stage is as follows: 1 First stage (11th century B.C. to 6th century B.C.): The first stage of Pre-Qin literature mainly reflected the social politics, economic conditions and cultural styles from the late Zhou Dynasty to the Spring and Autumn Warring States Period. At this stage, the main forms of literature were poetry and prose, of which poetry was the most developed. The famous pre-Qin poets were Qu Yuan, Song Yu, Du Fu, etc. The literary works of this period mainly included the Book of Songs, the Songs of Chu, the Analects of Confucius, and Mencius. 2nd Stage (6th to 4th century B.C.): The second stage of Pre-Qin literature was mainly the literary works of the Warring States Period, including Han Feizi, Mozi, Lu's Spring and Autumn Annals, Shang Jun Shu, etc. The literary works of this period reflected the social, political, and military situation of the Warring States Period, as well as the ideas of different schools and politicians. The language style and depth of these works had changed greatly. 3rd Stage (4th century B.C. to 1st century A.D.): The third stage of the Pre-Qin literature was mainly the literary works of the Qin and Han Dynasties, including the Records of the Historian, the Book of Han, the Book of the Later Han, and the Records of the Three Kingdoms. The literary works of this period mainly reflected the social politics, culture and artistic style of the Qin and Han Dynasties. The language style and literary achievements of these works were of a very high level.