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Tell me the story of the girl with green scarf.

2024-12-09 03:41
2024-12-09 05:52

I'm not sure specifically which 'girl with green scarf story' you mean. There could be many stories about a girl with a green scarf. It could be a story about a girl in a small town who always wears a green scarf that was given to her by her grandmother, and the scarf holds many memories and adventures for her.

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There could be a story where the girl with the green scarf is a mysterious figure. She appears in different places wearing the green scarf, and people start to wonder about her identity. Some think she is a traveler from far away. As the story unfolds, it turns out she is on a quest to find a long - lost family heirloom, and the green scarf is the only clue she has left from her family.

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The novel is free to read in full

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2024-12-24 21:48

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2024-12-24 21:48

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In the TV series " Celebrating Years," Xiao En and Fan Xian were not actually related. Chen Pingping had devised a scheme to make Xiao En mistakenly believe that Fan Xian was his grandson in order to pry out the secrets of the Temple hidden deep in Xiao En's heart. Chen Pingping often revealed information about his grandson to Xiao En, which gradually made Xiao En believe this lie. From Xiao En, Fan Xian learned his true identity. Therefore, Xiao En and Fan Xian were not related by blood.

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2024-12-24 21:48

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2024-12-24 21:48

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1 answer
2024-12-24 21:48

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2024-12-24 21:48

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2024-12-24 21:48

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2024-12-24 21:48

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2024-12-24 21:48

The characteristics of Liu Gongquan's regular script were vigorous, steady but not ordinary, dangerous but not strange, old but not withered, moist but not fat, harmonious and charming. His strokes were even, hard, and thin, with exposed edges and corners. They were rich in variation, avoiding monotonous repetition. Most of the horizontal paintings are square and round, with strong bones, clear starting and ending, short horizontal thick, long horizontal especially slender, delicate and beautiful. The vertical painting is powerful, tall and thin, concise and solid, sharp strokes, heavy and short strokes, and clean strokes. On the whole, it was introverted and outward expansion, the middle palace tightened, and the limbs spread out. In the rigorous, it showed a loose and open demeanor. Liu Gongquan's regular script was known for its strength and strength. It had three characteristics: square and round, thin and hard, and rigorous structure. The characteristic of his handwriting was the "bone rhythm", which meant that the strokes were full of strength, the bones and muscles were distinct, and there was a sense of rhythm between the strokes. His calligraphy also paid attention to the rules and regulations. He handled the relationship between words and passages just right to form a perfect overall effect. Liu Gongquan's regular script had a great influence on later calligraphers. His works were widely read, and his calligraphy ideas and methods were inherited and used by later calligraphers.

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